Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
An art director in the 1930s falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
Renowned Russian piano teacher Irina Sousatzka gets a new student - Bengali piano prodigy Manek. They are both immigrants in the UK and bond quickly. When Manek's single mother's business fails, he must make a career decision.
Based on Thomas Hardy's nineteenth century novel, Bathsheba Everdene is a willful, passionate girl who is never satisfied with anything less than a man's complete and helpless adoration, and she captures the lives and loves of three very different men: Gabriel Oak, a sheep farmer, who is captivated by her beauty and proposes marriage; William Boldwood, a prosperous man in his early forties, and a confirmed bachelor; and Sergeant Frank Troy, a handsome, reckless swordsman given to sudden fits of violence.Written by
During the "pie in the face" circus scene, the cream is piled on contemporary 1960s white paper plates with fluted edges. Disposable paper plates were invented in the early 1900s. The movie time frame (which differs slightly from the book) ends around 1868. See more »
At home by the fire, whenever I look up, there you will be. And whenever you look up, there I shall be.
See more »
Although the cinema version was uncut all UK video releases were cut by 12 secs by the BBFC to remove a cockfighting scene. The cuts were expanded to 24 secs for the later wide-screen DVD releases. See more »
This is a brilliant film from beginning to end and Julie Christie delivers one of the great female performances in movies. She is enchanting and utterly charming dominating every scene she's in because she is just so incredibly beautiful. Her three male co-stars, however, shine just as well and it's difficult to say which one is the best because they are all so good. It's the director, of course, who is responsible for creating this incredible ensemble of acting and John Schlesinger is one of the great directors who reigns at the peak of his field. But ultimately the film belongs to Julie Christie who is in virtually every scene. The promise she showed in Darling for which she won the Oscar is more than demonstrated here where she is so great she can only be compared with Garbo, Hepburn, Crawford or Davis. I am a Julie Christie fan forever.
16 of 19 people found this review helpful.
Was this review helpful to you?
| Report this