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Oedipus Rex (1967)

Edipo re (original title)
Not Rated | | Drama | 1968 (France)
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
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Cast

Complete credited cast:
Silvana Mangano ... Giocasta
Franco Citti ... Edipo
Alida Valli ... Merope
Carmelo Bene ... Creonte
Julian Beck ... Tiresia
Luciano Bartoli ... Laio
Francesco Leonetti Francesco Leonetti ... Servo di Laio
Ahmed Belhachmi Ahmed Belhachmi ... Polibo
Giovanni Ivan Scratuglia Giovanni Ivan Scratuglia ... Sacerdote (as Ivan Scratuglia)
Giandomenico Davoli Giandomenico Davoli ... Pastore di Polibo
Ninetto Davoli ... Angelo
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Storyline

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road... Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Italy | Morocco

Language:

Italian | Romanian

Release Date:

1968 (France) See more »

Also Known As:

Oedipus Rex See more »

Company Credits

Production Co:

Arco Film,Somafis See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

First part of Pier Paolo Pasolini's "Mythical Cycle" also including Teorema (1968), Porcile (1969) and Medea (1969). See more »

Connections

Referenced in Funeral Parade of Roses (1969) See more »

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User Reviews

 
Authenticity is not the issue
3 October 2004 | by Daniel HayesSee all my reviews

We do ourselves no favour by fixating on how well a film uses every little detail and line in an original text. Certainly, by those standards this is a mediocre, and possibly lazy, film at best. But at the same time there is the problem of being so liberal in one's adaptation that every goes sour, the latest attempt at "Vanity Fair" is a perfect example. But this film, along with Bresson's "Pickpocket," should stand as the rules of adaptation for every young director. Both films are very interpretative, but the directors aren't so naive as to think that mere plot details can constitute a film. So what pushes this film beyond a mere surface-level adaptation? In this case, it takes a deep insight into the nature of Greek tragedy itself. Tragedy's dualism (the representational and the chaotic) is prevalent in all Pasolini's works, it was especially essential in his "Gospel," and I was excited to see how it played out in its own source, and the results are absolutely fantastic. Visually imaginative and so intellectually superior to its contemporaries it seems out of place in film.

5 out of 5 - Essential


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