Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and ... See full summary »
Portrait of the artist as a young man. In spring, 1965, Bob Dylan, 23, a pixyish troubador, spends three weeks in England. Pennebaker's camera follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence of Dylan holding up words to the soundtrack's "Subterranean Homesick Blues," Dylan is playful and enigmatic.Written by
The scene where Donovan visits Dylan in his hotel was generally viewed as Dylan putting the young singer-songwriter in his place when he grabs the guitar and performs "It's All Over Now, Baby Blue." But a 2015 Criterion Collection remaster, with improved sound, revealed that Donovan actually requested Dylan play that song for him. That gave the entire scene a new meaning and revealed Dylan and Donovan as more friends than rivals. See more »
This is the documentary that gave meaning to the term "cinema-verite";
a term used to describe films that looked as if they were happening in real time. This is one of those films. It is a gritty black and white documentary that follows the legendary Bob Dylan during a tour in England. This is not a conventional rock documentary where we are shown endless concert footage and interviews with musicians talking about their philosophies and the meanings of their songs. Instead, the camera follows Dylan in a frenzy capturing every detail of social interaction with his fans, entourage, and the press. Dylan appears arrogant but it is no surprise when Pennebaker allows us to see the hypocrisy and greed of the outside world. A memorable moment in the film involves a fan whose invited himself backstage to meet Bob Dylan. He asks him absurd questions such as "what is your attitude on life?" Dylan decides to tease him and the conversation gets pretty ugly. Nevertheless, it is an important scene to the film because it shows us how difficult it is for a superstar such a Dylan to keep a smile and act nice to everyone. Do we gain sympathy for Dylan? We do because we see how alienated he feels among even his closest friends. We also feel a sense of envy for his ability to be so unapologetic and rebellious about his attitude. He is honest but he also has to protect himself from the public. After a Time magazine reporter asks him whether or not he cares what he's saying . Dylan attacks him and then tries to give him a straight answer . "Do you think anyone who comes to these concerts is looking for anything other then entertainment?" The next day, Dylan hears a quote from the papers that describes him as an anarchist. The sequence of these events show clearly how Dylan is at a loss with the public's perception of him. He can't just be himself. He wants to come across as a guy like anyone else but his sarcastic and meaningless interaction with the press only makes things worse. The film also includes appearances with Joan Baez, Donovan, Allen Ginsberg, and Dylan's sleazy manager Albert Grossman. I've seen this film dozens of times and I still see something new with every viewing. It is a true masterpiece.
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