The Dirty Dozen (1967)

During World War II, a rebellious U.S. Army Major is assigned a dozen convicted murderers to train and lead them into a mass assassination mission of German officers.

Director:

Robert Aldrich

Writers:

Nunnally Johnson (screenplay), Lukas Heller (screenplay)

Stars:

Lee Marvin, Ernest Borgnine, Charles Bronson

Won 1 Oscar. Another 3 wins & 8 nominations.

Cast

Cast overview, first billed only:
Lee Marvin	...	Maj. Reisman
Ernest Borgnine	...	Gen. Worden
Charles Bronson	...	Joseph Wladislaw
Jim Brown	...	Robert Jefferson
John Cassavetes	...	Victor Franko
Richard Jaeckel	...	Sgt. Bowren
George Kennedy	...	Maj. Max Armbruster
Trini López	...	Pedro Jiminez (as Trini Lopez)
Ralph Meeker	...	Capt. Stuart Kinder
Robert Ryan	...	Col. Everett Dasher Breed
Telly Savalas	...	Archer Maggott
Donald Sutherland	...	Vernon Pinkley
Clint Walker	...	Samson Posey
Robert Webber	...	Gen. Denton
Tom Busby	...	Milo Vladek

Storyline

A Major with an attitude problem and a history of getting things done is told to interview military prisoners with death sentences or long terms for a dangerous mission; To parachute behind enemy lines and cause havoc for the German Generals at a rest house on the eve of D-Day.

---

Plot Keywords:

commando mission | redemption | criminal | fight in a restroom | secret mission | 

---

Taglines:

Train them! Excite them! Arm them!...Then turn them loose on the Nazis!

---

Genres:

Action | Adventure | War

---

Certificate:

Not Rated

Details

Country:

UK USA

Language:

English German French Spanish Latin

Release Date:

22 October 1967 (UK)

Also Known As:

Das dreckige Dutzend

Filming Locations:

Bradenham Manor, High Wycombe, Buckinghamshire, England, UK

Box Office

Budget:

$5,400,000 (estimated)

Gross USA:

$45,300,000

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM), MKH, Seven Arts Productions

Technical Specs

Runtime:

150 min

Sound Mix:

Mono 70 mm 6-Track (70 mm prints)

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Director Bob Aldrich hated to work in England. British crews were too slow for his fast pace of working.

---

Goofs

In the beginning of the movie, set in 1944, Major Reisman wears Infantry branch insignia, an Airborne badge, a Silver Star, Bronze Star, and Purple Heart, and was told by the General that he had done well in Italy, meaning in combat. Considering his Infantry specialty, his combat decorations, and his combat experience in the Italian Campaign, Reisman should also be wearing the Combat Infantryman Badge, created in November 1943.

---

Quotes

Gen. Denton: I take it you don't deny your responsibility for the fact that on the night of April 14/15, a military establishment of the United States Army was the scene of a drunken party! At which no less than seven female civilians took an active part!
Major John Reisman: [deadpan] Oh yes, sir, they took an active part.
[Gen. Worden muffles a laugh]

---

Crazy Credits

The opening credits don't occur until 10 minutes into the film. While it is common nowadays for films to have a pre-credits sequence, it was considered innovative in 1967.

---

Alternate Versions

In Germany, in the German-language dubbed version, audiences saw only Jim Brown throwing hand grenades into the airshafts at the chateau. The scenes showing grenades being dumped into, and gasoline being poured into, the airshafts were cut.

---

Connections

Referenced in Last Man Standing: War Games (2014)

---

Soundtracks

You're in the Army Now
(uncredited)
Music by Isham Jones
Lyrics by Tell Taylor and Ole Olsen
Arranged by Frank De Vol

User Reviews

Splendidly Produced; a Tough and Tough-Minded Film

Many viewers of film, myself include, rate this as one of the most exciting "mission"'' stories of all time. Adapted from an intelligent but Freudian source novel, the plot theme is a subtle one for a movie; it's about convicted men in WWII being given odds for life in the form of a suicide mission that may wipe their slates clean-- or perhaps not... its main theme is self-assertion, set against its opposite, enforced repression. The key to every action men undertake in this very tough and and tough-minded Nunnnally Johnason and Lukas Heller script is: "Is that person dealing with the reality of the world of and his/her own responsibility to act?" From convict Telly Savalas' character, mystical murderer of women who claims a divine calling to punish their sexuality, to Charles Bronson and Jim Brown who reacted to persecutions and are innocent by reason of self-defense, to their leader, the mission's architect, Major Reisman, who wants his plan to go forward his way despite resistance from brass, every man of the outfit is tried against the same standard. Jimenez is climbing a rope and says he can't make the tower; Franco refuses to shave because the officers have hot water and he does not, Posey can't control his temper, control-freak Col. Breed hates any man who does not go by the book; etc. As a production, Robert Aldrich's direction is probably his masterpiece; the acting is far above average, especially Lee Marvin, Charles Bronson, Donald Sutherland, Clint Walker, Robert Webber, energetic John Cassevetes and Al Mancini; the inspired casting of powerful top-sergeant-level Ernest Borgnine as an obviously far-beyond-his element general works brilliantly. The art direction, special effects, sets, and music (by Frank de Vol) all complement a taut script filled with memorable terse dialogue. Entire sequences such as the selection interviews for the mission team, the building of the camp, a visit to Breed's hq, Breed's invasion of the camp, the training regimen, the "graduation party", Reisman's verbal defense of his men, the war games' challenge, preparing for the mission, the early invasion steps, Maggot's adlib, the attack by Reisman's team, the escape and the hospital climax and denouement--all these sections are made memorable to many admirers of this beautifully made and unusual story. As officers attached to the mission, George Kennedy, Richard Jaene-too-subtle secondary theme of the film is: the wrongness of arbitrary power in anyone's hands, including Nazis, US army officers or their brutal agents (such as Breed's men who beat up Charles Bronson for information). The film is about individuals who when they harm no one else and are effective human beings, men who can always get the job done, always control themselves. who need to be free to operate. Such men the film says are "heroes"--men with an unusual ability to create results on Earth; the sort of men films ought to be made about in a nation that talks individualism and claims to value capability. This is a great adventure, of enduring artistry, occasional brutality and intelligently-developed dialogue. It has logical actions, and spectacular physical performances and This is a strong and well-thought-out adventure film, one of the richest of its genre, to be watched many times.