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Casino Royale (1967)

Not Rated | | Comedy | 28 April 1967 (USA)
In an early spy spoof, aging Sir James Bond comes out of retirement to take on SMERSH.

Directors:

Val Guest, Ken Hughes (as Kenneth Hughes) | 4 more credits »

Writers:

Wolf Mankowitz (screenplay), John Law (screenplay) | 2 more credits »
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Popularity
3,274 ( 721)

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Nominated for 1 Oscar. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter Sellers ... Evelyn Tremble (James Bond - 007)
Ursula Andress ... Vesper Lynd (007)
David Niven ... Sir James Bond
Orson Welles ... Le Chiffre
Joanna Pettet ... Mata Bond
Daliah Lavi ... The Detainer (007)
Woody Allen ... Jimmy Bond (Dr. Noah)
Deborah Kerr ... Agent Mimi (Alias Lady Fiona)
William Holden ... Ransome
Charles Boyer ... Le Grand
John Huston ... McTarry (M)
Kurt Kasznar ... Smernov
George Raft ... George Raft
Jean-Paul Belmondo ... French Legionnaire (as Jean Paul Belmondo)
Terence Cooper Terence Cooper ... Cooper (James Bond - 007)
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Storyline

After the death of M, Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH and Le Chiffre, Bond thinks up the ultimate plan. That every agent will be named James Bond. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle. Written by simon

Plot Summary | Plot Synopsis

Plot Keywords:

spy spoof | 007 | spy | parody | spoof | See All (424) »

Taglines:

James Bond 007 Casino Royale is the #1 Sensation Across the Nation ![USA poster] See more »

Genres:

Comedy

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

UK | USA

Release Date:

28 April 1967 (USA) See more »

Also Known As:

Charles K. Feldman's Casino Royale See more »

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Box Office

Budget:

$12,000,000 (estimated)

Gross USA:

$22,744,718, 31 December 1967

Cumulative Worldwide Gross:

$41,744,718, 31 December 1967
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints)| Mono (35 mm prints)

Color:

Black and White (archive footage: Keystone Cops)| Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

At the Intercon science fiction convention held in Slough in 1978, David Prowse commented on his part in this film, apparently his big-screen debut. He claimed that he was originally asked to play "Super Pooh", a giant Winnie The Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence. This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein-type Monster for the closing scenes. The final sequence was principally directed by former actor and stuntman Richard Talmadge. See more »

Goofs

During the car chase, the milk van drops half of its cargo in a sharp turn. Later on, when the van passes the camera, the van is fully loaded again. See more »

Quotes

Jimmy Bond/Dr. Noah: Think of it! A world free of poverty and pestilence and war. A world where all men are created equal. Where a man, no matter how short, can score with a top broad. Where each man; regardless of race, creed, color; gets free dental work. And a chance, of subscription buying, of all the good things in life.
The Detainer: But, Noah, you are for all this?
Jimmy Bond/Dr. Noah: No-no. I'm against all this.
The Detainer: Oh, I love politics!
See more »

Crazy Credits

The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy. It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. See more »

Alternate Versions

In the Region 2 DVD, in the French audio track, the music bit before end credits is dubbed in French. See more »

Connections

Spoofed in Austin Powers in Goldmember (2002) See more »

Soundtracks

Ochi chernye
(uncredited)
russian folksong, written by Florian Hermann
(played when the camera briefly shows East Berlin)
See more »

Frequently Asked Questions

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User Reviews

 
How Many 007s Does It Take To Change a Light Bulb?
18 April 2005 | by gftbiloxiSee all my reviews

Eon Production's DR. NO was a great hit in the early 1960s, and Eon quickly snapped up the rights to the rest of Ian Flemming's novels about super spy James Bond--except for the CASINO ROYALE, which had already been purchased earlier by CBS for a 1950s television adaptation. When the property wound up at Columbia Pictures, they decided to create the satire to end all satires with a host of writers, five famous directors, and an all-star cast led by Peter Sellers. Unfortunately, Sellers' ego reached critical mass during the production and he was fired mid-way into filming--and suddenly roles that were originally envisioned as cameos had to be expanded to finish the project. The result is one of the most bizarre films imaginable.

The story, such as it is, finds James Bond (David Niven) called out of retirement to deal with the sudden disappearance of secret agents all over the world. In order to confuse the unknown enemy, Sir James orders ALL secret agents to use the name James Bond--and before you can blink there are Bonds aplenty running wild all over the globe. Eventually all the Bonds, including (through the magic of editing) Peter Sellers, wind up at Casino Royale, where they confront the evil agents of SMERSH and a diabolical mad man with a plot to rule the world.

The plot is absolute chaos, but that doesn't prevent the film from being a lot of fun to watch. The entire cast runs wild with some marvelous over-the-top performances, and whenever the writers can jam in a gag or a weird plot turn they do precisely that: Bond (Niven) is attacked by decoy ducks; counter-agent Mimi (Deborah Kerr) swings from a drain pipe; Bond's daughter by Mata Hari (Joanna Pettet) is kidnapped by a UFO; double agent Vesper (Ursula Andress) hides bodies in the deep freeze. And that's just for starters.

At one point Niven blows up the locked door of a psychedelically decorated dudgeon with lysergic acid--better know as LSD--and in a way this is indicative of the entire film, which was made at the height of the 1960s ultra-mod movement: the whole thing has the feel of a blow-out acid trip, right down to flashing multicolored lights and swinging 60s fashions. It is visually arresting, to say the least. And then there is that famous Burt Bacharach score, easily one of the best of the decade, sporting Herp Albert on the main theme and Dusty Springfield's legendary performance of "The Look of Love." On the whole, the film is one of the most entertaining hodgepodges of talent and weirdness I've ever encountered, and it never fails to amuse. I've found that viewers tend to have extremely different reactions to this film--they either love it or hate it, so you may want to rent this one first. But it's one of my favorite guilty pleasures, and I recommend it for fans of the unexpectedly odd.

Gary F. Taylor, aka GFT, Amazon Reviewer


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