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The Born Losers (1967)

Trailer
0:32 | Trailer
Billy Jack battles outlaw motorcycle gang in a small California beach town.

Director:

Tom Laughlin (as T.C. Frank)

Writer:

Elizabeth James (as James Lloyd)
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Cast

Cast overview, first billed only:
Tom Laughlin ... Billy Jack
Elizabeth James Elizabeth James ... Vicky Barrington
Jeremy Slate ... Daniel 'Danny' Carmody
William Wellman Jr. ... Child
Jack Starrett ... Deputy Fred
Paul Bruce Paul Bruce ... District Attorney George Davis
Robert Cleaves Robert Cleaves ... Mr. Crawford
Paul Prokop Paul Prokop ... Speechless
Robert Tessier ... Cueball (as Robert W. Tessier)
Jeff Cooper ... Gangrene
Stuart Lancaster ... Sheriff Harvey (as Stewart Lancaster)
Anne Bellamy Anne Bellamy ... Mrs. Prang
Gordon Hoban Gordon Hoban ... Jerry Carmody
Susan Foster Susan Foster ... Linda Prang
Janice Miller Janice Miller ... Jodell Shorn
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Storyline

A malicious motorcycle gang harasses the residents of a small California town, intimidating most residents to not report them to the police. Among the gang's crimes is the rape of four young women. As the gang attempts to threaten the women into not testifying at the indictment hearing, one of the women, Vicki, comes under the protection of Billy Jack, who has also had several altercations with the gang. The gang escalates their pressure on both Vicki and Billy Jack to keep her out of the courtroom. Written by Warren Anderson <wanderson@asdg.enet.dec.com>

Plot Summary | Add Synopsis

Taglines:

An innocent girl is first prize in the dirtiest game ever played! See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 July 1967 (USA) See more »

Also Known As:

The Born Losers See more »

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Box Office

Budget:

$360,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The bikers' lair location was actually a property once owned by Rudolph Valentino. See more »

Goofs

In the scene where sheriff, DA, et al. are sitting in the living room (not too far from the end of the film), the telescope in the background changes angle over and over. See more »

Quotes

Daniel 'Danny' Carmody: I'm gonna cut your bowels out.
See more »

Connections

Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996) See more »

Soundtracks

The Born Losers Theme
Written and Produced by Mike Curb, Co-produced by Al Simms
Performed by Davie Allan And The Arrows (as The Sidewalk Sounds)
See more »

Frequently Asked Questions

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User Reviews

 
Can't win for trying
4 October 2002 | by funkyfrySee all my reviews

The first "Billy Jack" film is a serious examination of rape and personal cowardice disguised as a biker/drug exploitation film. It manages to satisfy on both counts. No nudity, lots of outrageous clothing, and plenty of nazi bikers. Not quite as good as its sequel (which was written previously) but also not so preachy and talky. Dig the "nature carnage" at the film's beginning. Decent photography (marred in the DVD presentation by pan and scan process), but mid to low grade actors. Russell appears as a burnt-out, harried mom. Is she really acting? She's way over the top, but fun as always.

p.s. (2008, second viewing) p.s. the movie isn't going to appeal to everyone, but it's coming from a good place compared to a lot of exploitation films. There's a lot of classic Hollywood here, Tom Laughlin drawing on a lot of his roots. Like "Billy Jack" this movie is a very passionate statement against rape and it condemns society's attitude about rape. But because the victims are so beautiful, frankly the movie feels more exploitative and less serious than the more successful sequel. You could look on this movie as a learning experience for Laughlin, but it's a very interesting drive-in biker movie in and of itself, very different and more carefully put together than a lot of its brethren. For example this time around I noticed that the film can be seen as an anti-Western -- as opposed to the stereotypical concept of a white man rescuing the white virgins from the "indians", here we have an ostensibly Native American hero rescuing the white women from white bikers (bikes and jeeps standing in for horses and stagecoaches in the traditional Western iconography of course).


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