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Bonnie and Clyde (1967)

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2:57 | Trailer

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Bonnie Parker, a bored waitress falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.

Director:

Arthur Penn
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1,566 ( 962)
Won 2 Oscars. Another 20 wins & 27 nominations. See more awards »

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Cast

Complete credited cast:
Warren Beatty ... Clyde Barrow
Faye Dunaway ... Bonnie Parker
Michael J. Pollard ... C.W. Moss
Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans Evans Evans ... Velma Davis
Gene Wilder ... Eugene Grizzard
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Storyline

1934. Young adults Bonnie Parker, a waitress, and Clyde Barrow, a criminal just released from prison, are immediately attracted to what the other represents for their life when they meet by chance in West Dallas, Texas. Bonnie is fascinated with Clyde's criminal past, and his matter-of-factness and bravado in talking about it. Clyde sees in Bonnie someone sympatico to his goals in life. Although attracted to each other physically, a sexual relationship between the two has a few obstacles to happen. Regardless, they decide to join forces to embark on a life of crime, holding up whatever establishments, primarily banks, to make money and to have fun. They don't plan on hurting anyone physically or killing anyone despite wielding loaded guns. They amass a small gang of willing accomplices, including C.W. Moss, a mechanic to fix whatever cars they steal which is important especially for their getaways, and Buck Barrow, one of Clyde's older brothers. The only reluctant tag-along is Buck's ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

"The strangest damned gang you ever heard of. They're young. They're in love. They rob banks." See more »


Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Warner Bros [United States]

Country:

USA

Language:

English

Release Date:

September 1967 (USA) See more »

Also Known As:

Bonnie and Clyde See more »

Filming Locations:

Crandall, Texas, USA See more »

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Box Office

Budget:

$2,500,000 (estimated)

Gross USA:

$50,700,000, 31 January 1973

Cumulative Worldwide Gross:

$70,000,000, 31 January 1973
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Since this was Estelle Parsons' first film, she was amazed at the extent of the special effects. When she and Gene Hackman attempt an escape from a motel room using a mattress for protection from police gunfire, Parsons was required to crank a concealed wheel that sequentially detonated squibs embedded in the foam, simulating police bullet hits. See more »

Goofs

When CW offers Eugene back his hamburger, there are several small bites taken out of it. When we cut to Eugene's reaction, it is one large bite. See more »

Quotes

Clyde Barrow: Alright. Alright. If all you want's a stud service, you get on back to West Dallas and you stay there the rest of your life. You're worth more than that. A lot more than that. You know it and that's why you come along with me. You could find a lover boy on every damn corner in town. It don't make a damn to them whether you're waitin' on tables or pickin' cotton, but it does make a damn to me.
Bonnie Parker: Why?
Clyde Barrow: Why? What's you mean, "Why?" Because you're different, that's why. You know, you're like me. You ...
See more »

Alternate Versions

Earlier prints of the film present the photographs during the opening credits in sepia tone, while the 2008 DVD edition presents the photographs in black and white. See more »

Connections

Referenced in Ebert Presents: At the Movies: Episode #2.6 (2011) See more »

Soundtracks

I Love to Spend Each Sunday with You
(uncredited)
Written and Performed by Eddie Cantor
Played on the radio
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Frequently Asked Questions

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User Reviews

 
Good afternoon, we are the Barrow gang.
16 January 2009 | by SpikeopathSee all my reviews

Bonnie & Clyde stands today as one of the most important films of the 60s, it's impact on culture alone marks it out as a piece of work to note, but as gangster films go this one is something of a landmark. Quite how writers Newman & Benton managed to craft a story of two deadbeat outlaws into cinematic heroes is up for any individual viewers scrutiny, but they bloody well do it because we all want to be in the Barrow gang, because we get lost in this romanticised outlawish tale unfolding in front of our eyes.

The film is a fusion of incredible violence and jaunty slapstick, and smartly pauses for delicate moments to let us into the psyche of the main protagonists. We know they have hangups, and with that we know they are fallible human beings, and this sets us up a treat for the incredible jaw dropping finale, the impact of this finale hits as hard now as it did back with the audience's of 1967.

The cast are incredible, Warren Beatty gives a truly brilliant performance as Clyde, he looks good and suave tooting those guns, but it's in the tender troubled scenes where he excels supreme. Faye Dunaway as Bonnie is the perfect foil for Beatty's layers, she nails every beat of this gangsters troubled moll. Gene Hackman, Michael J Pollard and Estelle Parsons put the cherry on the icing to give depth and range to the rest of the Barrow gang, and these fine actors are clothed in gorgeous cinematography courtesy of Burnett Guffrey. To round out the plaudits I finish with love for director Arthur Penn, because it's his vision that gives us something of a nostalgic movie that plays up and down with its subjects with cheeky aplomb, in fact it's just like the banjo music that features so prominently throughout this wonderful film.

Nominated for 9 Oscars it won just the two, the entire actors who played the Barrow gang were nominated, and truth be told they all would have been worthy winners, as it is they gave out just the one to the least strongest performance from Estelle Parsons, go figure. Its legacy both in culture and box office lives on and for me Bonnie & Clyde is not only one of the best films of the 60s, it's also one of the best in history. 10/10


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