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Belle de Jour (1967)

Belle de jour (original title)
R | | Drama | 10 April 1968 (USA)
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A frigid young housewife decides to spend her midweek afternoons as a prostitute.

Director:

Luis Buñuel (as Luis Bunuel)

Writers:

Joseph Kessel (novel) (as Joseph Kessel de l'Académie Française), Luis Buñuel (adaptation) (as Luis Bunuel) | 1 more credit »
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Popularity
4,570 ( 379)
Nominated for 1 BAFTA Film Award. Another 5 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Catherine Deneuve ... Séverine Serizy / Belle de Jour
Jean Sorel ... Pierre Serizy
Michel Piccoli ... Henri Husson
Geneviève Page ... Madame Anais
Pierre Clémenti ... Marcel (as Pierre Clementi)
Françoise Fabian ... Charlotte
Macha Méril ... Renee (as Macha Meril)
Muni ... Pallas
Maria Latour ... Mathilde
Claude Cerval
Michel Charrel Michel Charrel ... Footman
Iska Khan Iska Khan ... Asian client
Bernard Musson Bernard Musson ... Majordomo
Marcel Charvey Marcel Charvey ... Prof. Henri
François Maistre François Maistre ... L'enseignant
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Storyline

Severine is a beautiful young woman married to a doctor. She loves her husband dearly, but cannot bring herself to be physically intimate with him. She indulges instead in vivid, kinky, erotic fantasies to entertain her sexual desires. Eventually she becomes a prostitute, working in a brothel in the afternoons while remaining chaste in her marriage. Written by James Meek <james@oz.net>

Plot Summary | Plot Synopsis

Taglines:

Luis Bunuel's Masterpiece of Erotica!

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

French | Spanish | Mongolian

Release Date:

10 April 1968 (USA) See more »

Also Known As:

Belle de Jour See more »

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Box Office

Opening Weekend USA:

$6,462, 25 March 2018, Limited Release

Gross USA:

$26,331, 19 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Luis Buñuel was so enamored of his leading lady Catherine Deneuve that he cast her in one of his next films, Tristana (1970). See more »

Goofs

When Severine goes to Duke's house to participate in a ceremony she is wearing a brown coat. When Majordomo kicks her out in the street later, he throws her completely different black cloak. See more »

Quotes

Duke: [Fantasy sequence] What's your name?
Séverine Serizy: Belle de jour.
Duke: Charming. I once had a cat named Dark Beauty. Do you come here often?
Séverine Serizy: Everyday in my thoughts.
See more »

Connections

Edited into Final Cut: Ladies and Gentlemen (2012) See more »

Frequently Asked Questions

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User Reviews

 
One of Bunuel's more well-known works; an interesting morality story with Deneuve
19 December 2003 | by Quinoa1984See all my reviews

Luis Bunuel, notorious for his use of simple, striking, yet un-cannily affecting surrealism in movies, keeps it down to a lower (yet still imaginative) key for Belle Du Jour. This works though because un-like a film like Discreet Charm of the Bourgeoisie where surrealism was like another character amidst the other character's dreams and nightmares, this one only keeps in surrealism for the sake of the lead character's inner demons poking up through the every-day malaise. This lead, Severine, is played in one of Catherine Deneuve's key career performances, that finds that two-sided-ness she feels while married to her husband Pierre.

She loves him, but there's something that she's not getting out of the marriage that's leaving her empty, aimless, and her fantasies- however in the realm of (dark) fantasy- go to show she needs to do something during the day. She then finds out about a high-class brothel with only a couple of workers already employed. At first reluctant, she gives in to her temptations, serving the odder types of Paris looking for a good time, with one of them, Marcel (Pierre Clementi) falling head over heels for her.

What seemed most intriguing about the film was how Bunuel dealt with the themes- the two crucial ones being morality and sexuality. His imagery is direct, maybe too direct, but it gets its points across with a realism that is alluring and far & away (almost like a satire of such a life). She can't stop what she's started, and she doesn't really know how to end it unless she gets caught.

Then with the sexuality, it's never over-emphasized (i.e. no nudity, outside of a quick couple of shots of nudity), and no one is shown having sex on screen. What comes out is the emotional tally of Severine, the other girls, and the supporting characters that come in and out of the brothel. It may seem dated at moments, and the observatory notes go to making the film seem a tad longer than it is. But never-the-less, Belle de Jour is a worthwhile, memorable effort of the 1960's cinema.

And, at many times, it's quite funny. More than that, a laugh riot.


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