Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
Severine is a beautiful young woman married to a doctor. She loves her husband dearly, but cannot bring herself to be physically intimate with him. She indulges instead in vivid, kinky, erotic fantasies to entertain her sexual desires. Eventually she becomes a prostitute, working in a brothel in the afternoons while remaining chaste in her marriage.Written by
James Meek <email@example.com>
There is no music whatsoever in the film. See more »
When the client that wants to be spanked rejects Belle Du Jour she puts her robe back on but not her bra. Then when she sees the Asian client a few moments later, she takes off her robe and her bra is on. See more »
Sèverine is perfect, she's Catherine Deneuve. She consciously inhabits her subconscious and the comings and goings are tinted with pristine, erotic decadence. Her perfection includes outrage without rage, panic without fear. Having or not having is the question she never asks. Her husband Pierre, the exquisite Jean Sorel, is like one of her garments. There, stunning, understated, reliable, existing without existing. Marcel, in the other hand, the riveting Pierre Clementi, seems determined to provoke. Provoke what? Where is that need creeping from? I love to meander through "Belle de Jour" allowing Luis Bunuel to have his fun. He deserves it. His puzzle is just that, a puzzle and his genius, challenge us to find the non existent pieces. The pieces are ours coming from our own wishes, wantings and longings.
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