Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
Severine is a beautiful young woman married to a doctor. She loves her husband dearly, but cannot bring herself to be physically intimate with him. She indulges instead in vivid, kinky, erotic fantasies to entertain her sexual desires. Eventually she becomes a prostitute, working in a brothel in the afternoons while remaining chaste in her marriage.Written by
James Meek <firstname.lastname@example.org>
Luis Buñuel knew that Catherine Deneuve was unhappy, but he felt that it was mostly because she didn't understand his working style and the reasons behind his choices. "She didn't want her breasts to be seen," he recalled, "and the hairdresser put a strip of fabric around her. She had to appear nude for a moment, putting on a stocking to keep her breasts from being seen during that movement, she bound them up in a taffeta band." See more »
When Mr. Adolphe first unzips Belle's dress she has a slip under it, but when she rushes out and then comes back in, Adolphe unzips her dress again and she isn't wearing the slip anymore. See more »
You go in. The women are there. You pick one. You spend half an hour alone with her and after you leave, you're depressed all day. But what can you do? Semen retentum venenum est.
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Catherine Deneuve is perfectly cast as an upper-class Parisian housewife who decides to spend her afternoons working in a brothel in Luis Bunuel's subversive masterpiece which proves that intimation can be just as effective as exploitation. Just about everything here--especially the shocking conclusion--is open to interpretation, from impulse to rationalization, and it's to Bunuel's genius that he is able to stand back, letting his audience fill in the gaps in their imagination and, if necessary, implicate themselves. And in Deneuve, Bunuel has found a brilliant blank canvas for the audience to express themselves upon; never fully clear on her motivations (though some tantalizing flashbacks offer hints), she alternates between classic French coldness and classic French passion and though she's intentionally unreachable, she's always fully aware of how to manipulate the spell she's cast over you. A great example of a master of cinema in deep collaboration with a master actress--their exploration of the female psyche runs the gamut of every possible emotion while never being crass or lowering themselves to merely reducing and simplifying.
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