Joe Mannix is visited by Portia and Penelope Penhaven, two elderly, eccentric sisters who insist that Mannix investigate a hit-and-run earlier that day, which damaged one of the headlights on their ...
Sam McCloud is a Marshal from Taos, New Mexico, who takes a temporary assignment in the New York City Police Department. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The show is about doctors Marcus Welby, a general practitioner and Steven Kiley, Welby's young assistant. The two try to treat people as individuals in an age of specialized medicine and ... See full summary »
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Considered one of the most violent television series of its era, this show followed the adventures of Los Angeles, California private investigator Joe Mannix, who first worked for a detective agency known as Intertect, which relied heavily on computers and a large network of operatives. In the second season, Mannix opened his own agency, with police widow Peggy Fair working for him as his secretary. Each episode featured plenty of fistfights, car chases, and shoot-outs.Written by
Marty McKee <firstname.lastname@example.org>
Mannix was of Armenian descent, and spoke fluent Armenian and French. In the opening credits, the screen that says "Mike Connors is" features the colors (red, blue, and orange) and shape (three rectangles) of the Armenian flag. See more »
Throughout the series, Mannix has numerous interactions with the Los Angeles Police Department. The cars represented, however, are not similar to those used by Los Angeles; for one thing, the emergency equipment is different: while sometimes the correct arrangement for the period is shown (two light units side by side with a siren speaker in between), usually the police cars have a rotary beacon on top with an electromechanical siren under the hood, which is incorrect. See more »
Good detective stories that are still enjoyable today
Very good writing and very good camera work, in both angles and continuity. This show is still viewable by today's standards. Some may appreciate how 'car phones' were the leading edge of technology in the late 1960s and early 1970s when not even fax machines existed. Others may reminisce on the occasional fad fashion statement even while the main characters wore what was considered conservative. Few can ignore how thoughtful the episodes were. Sometimes complex, the well scripted plots often kept the armchair detective puzzled until the very end. It is as though every single object, mannerism, and facial expression had a purpose towards telling the story.
Hard action, yes. Violent, maybe. Graphic blood and guts, no. Realistically, cars didn't flip over other cars and burst into flames at every car chase. Just like everyone experiences similar issues within each respective profession, some plots had similarities but they were so well thought out that they were very different in the end. Consequently, soft and caring moments were interspersed with happiness, sadness, and action. It was a fairly real show with few, if any, stupid scenes; a show where people didn't do superhuman stunts. It contains mystery and some suspense. The theme song is classic. It's a good series that can still be enjoyed today, on reruns, of course.
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