Joe Mannix is visited by Portia and Penelope Penhaven, two elderly, eccentric sisters who insist that Mannix investigate a hit-and-run earlier that day, which damaged one of the headlights on their ...
Sam McCloud is a Marshal from Taos, New Mexico, who takes a temporary assignment in the New York City Police Department. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The show is about doctors Marcus Welby, a general practitioner and Steven Kiley, Welby's young assistant. The two try to treat people as individuals in an age of specialized medicine and ... See full summary »
Considered one of the most violent television series of its era, this show followed the adventures of Los Angeles, California private investigator Joe Mannix, who first worked for a detective agency known as Intertect, which relied heavily on computers and a large network of operatives. In the second season, Mannix opened his own agency, with police widow Peggy Fair working for him as his secretary. Each episode featured plenty of fistfights, car chases, and shoot-outs.Written by
Marty McKee <email@example.com>
Mannix was of Armenian descent, and spoke fluent Armenian and French. In the opening credits, the screen that says "Mike Connors is" features the colors (red, blue, and orange) and shape (three rectangles) of the Armenian flag. See more »
Throughout the series, Mannix has numerous interactions with the Los Angeles Police Department. The cars represented, however, are not similar to those used by Los Angeles; for one thing, the emergency equipment is different: while sometimes the correct arrangement for the period is shown (two light units side by side with a siren speaker in between), usually the police cars have a rotary beacon on top with an electromechanical siren under the hood, which is incorrect. See more »
Frankly, the first season of MANNIX was the best. Mike Connors as Joe Mannix not only had to contend with a different adversary every week, but also put up with a corporate, computerized workplace(Intertect)and spar with his coolly abrasive yet supportive boss, Lou Wickersham played by Joseph Campanella.
I remember watching MANNIX on an Admiral 19 inch black and white set as a high school student. Watching it in color on DVD 41 years later, I still recall being very impressed with 'Joe's' hip yet raw common sense approach to each case. That's why the button down office scenes provided such great entertainment in between the carnage.
The on location episodes also provided a gritty, realistic atmosphere. The first show was filmed aboard the Palm Springs Aerial Tramway while a later episode found Joe at a hippie night spot on the Sunset Strip. For this sequence, the dance music wasn't even canned but was provided by Buffalo Springfield.
Of course, Lalo Schifrin's memorable theme score to MANNIX perfectly complemented the opening credits. The groundbreaking multi-screen process was introduced during Expo 67 in Montreal and was later employed in major motion pictures such as THE BOSTON STRANGLER.
It was a foregone conclusion that Joe Mannix preferred bare knuckled punches to settle disputes instead of relying on IBM punch cards. Yet, bullets and the mounting body count in between commercials were nonetheless fast and furious. As a result, the 1967-1968 season was the most violent per episode during the entire run of this show. After Dr. Martin Luther King Jr. and Sen. Robert Kennedy were both shot down in the space of two months, MANNIX was toned down as part of the national crackdown on TV violence.
Yet that first season gives the viewer a stark contrast between the florescent lit, corporate mindset against the loose cannon who gets the job done his way. For that reason, MANNIX delivers the goods with a powerful wallop! Bring your own silencer.
13 of 14 people found this review helpful.
Was this review helpful to you?
| Report this