The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son...
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Pima Indians are attacking and killing Apaches in the area. Blue and Buck find two orphaned Apache boys that trail them back to the High Chaparral and morph into ten Apache kids. One is the grandson ...
John and Buck go south to strike a deal with Montoya. They encounter the man who stole John's horse and says he can take them to Montoya. He turns out to be Montoya's delinquent son and John gets his...
An Army shipment of rifles is stolen by Apaches. Blue is taken captive by the Chief Morales until Big John proves the Apaches were not involved in the attack. Manolito locates the real culprits but ...
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Colonel MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, ... See full summary »
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son Billy Blue. When Blue's mother was killed (in the first episode) John united his family with the powerful Montoyas by marrying their daughter Victoria (whose brother Manolito now lives with them as well).Written by
Ed Stephan <email@example.com>
From David Dortort, one of the producers of the popular "Bonanza," "The High Chaparral" told the story of two families, The Cannons and The Montoyas, brought together by a marriage of convenience. Leif Ericson played "John Cannon," the patriarch of the family that lost his wife when they were making their way west. Linda Crystal played "Victoria," the headstrong daughter of Don Sebastian de Montoya (Frank Silvera) and brother to Don Sebastian's equally assertive son, Manolito (Henry Darrow). Mark Slade played John's son, "Blue," while perennial heavy Cameron Mitchell played John's brother "Buck." Rounding out the cast were frequent western performers Don Collier and Rodolfo Acosto.
What set the program apart from other "sagebrush sagas" of the period were its strong portrayals of Native Americans, as well as non-condescending looks at life among our Mexican neighbors. Set against the sprawling American southwest, the stories were engaging, filled with brilliant character studies, along with typical western situations.
It had a great casting coup by having black actor Frank Silvera assay the role of Don Sebastian. Silvera made a career out of playing a variety of "ethnicities," a tribute to his talent, as well as his "chameleon-like" appearance.
Another noteworthy bit of casting would be that of Crystal, Darrow, and Acosto, all Hispanic actors.
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