Yeh Raat Phir Na Aaygi

a beautiful film to watch for its songs & music, cinematography, locations, acting, story and direction in that order. Biswajeet looked too handsome, needless to say Sharmila Tagore's beauty equally matched his looks. This film would have been a big hit if it was shot in colour format instead of black and white. Melodious songs provide a canopy to this whole film, with the best being 'Main Shayad Tumhare' by Asha, very well interwoven with the story, the next one being 'Phir miloge kabhi' by Rafi, followed by 'Yehi Woh Jagah Hai' by Asha again and the rest of them are good to the ears too! hats off to music director O.P.Nayyar. It is a privilege from Bollywood to its viewers to bring out beautiful films on subject of mysterious women consistently over a period of time. Rarely have such films failed to enthrall its viewers, with its story, music and locations, starting from Mahal in 1949, followed by Bees Saal baad, Kohra, Woh kaun thi, Raaz etc. Overall an excellent film to watch.