A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night.
Brick Pollitt (Paul Newman), an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie (Dame Elizabeth Taylor). His reunion with his father, Big Daddy (Burl Ives), who is dying of cancer, jogs a host of memories and revelations for both father and son.
A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid the $10,000 he'd stolen in a robbery.
Director:
Charles Laughton
Stars:
Robert Mitchum,
Shelley Winters,
Lillian Gish
Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.
Director:
Alexander Mackendrick
Stars:
Burt Lancaster,
Tony Curtis,
Susan Harrison
In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.
Director:
Peter Bogdanovich
Stars:
Timothy Bottoms,
Jeff Bridges,
Cybill Shepherd
George (Richard Burton) and Martha (Dame Elizabeth Taylor) are a middle-aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fuelled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick (George Segal) and Honey (Sandy Dennis), an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen-year-old son, whose birthday is the following day.Written by
Huggo
It can now be said: 1. Apart from its widespread critical acclaim, it has provoked more discussion, interest and excitement than any other picture in memory. 2. People want to see it - in unprecedented numbers. In its first engagements it has shattered every record in the history of all theatres involved. 3. It has become a significant and extraordinary entertainment event. It is truly a unique motion picture. See more »
In addition to Sleuth (1972) and Give 'em Hell, Harry! (1975), this is only one of three movies in which the entire on-screen billed cast received acting Oscar nominations. (Although Sleuth (1972)'s credits did contain numerous non-existent phony cast members to mislead audiences into thinking it was more than a two-character thriller, and this movie featured two unbilled bit players as roadhouse employees.) See more »
Goofs
When George goes to pour his and Martha's first drink, there is a copy of Virginia Woolf's To the Lighthouse on the bookshelf above the bottles. It is missing in subsequent scenes. See more »
Quotes
[first lines]
Martha:
[with disgust]
What a dump.
See more »
Who's Afraid of Virginia Woolf? (to the tune of Here We Go Round the Mulberry Bush)
Traditional English melody
Original lyrics ("Who's Afraid of the Big Bad Wolf?") by Frank Churchill & Ann Ronell; modified by Edward Albee
Performed by Elizabeth Taylor See more »
User Reviews
That's what comes from too much alcohol and too few mutual respect
'Who's Afraid of Virginia Woolf' tells the story of two couples that are quite different at first sight - one used to each other for years, the other one rather freshly wed in comparison. Actually it doesn't tell their story, but it displays their relationships.
The film begins on a Sunday morning at 2 o'clock, right after a party, and ends just after the sun rises. In these few hours we get to know these four people better then we might possibly want.
George and Martha are the older couple. He is a history professor, she is the daughter of the head of the university. Their relationship seems to be from hell, full of mutual disgust and humiliation. Their guests are Nick and Honey. He is the new, ambitious biology professor, she is his naive young wive. As all these four characters are more or less drunk throughout the entire film, alcohol works as a catalyst, and we quickly see the different kind of character traits they have: George is a cynic, Martha loves to torment her husband, Nick is an opportunist and Honey is very much a stupid blonde.
The two relationships deserve closer examination: We wonder why Martha and George married in the first place. They keep swearing at each other. Martha can't stop humiliating George, when they are alone as well as when Nick and Honey are there. Maybe there is still a rest of love in them, but there mutual respect has vanished completely. And then there is the strange story of their son, who is supposed to visit on his birthday. They way George and Martha talk about him make us feel that there is something peculiar about him. At the end we get to know more about him, and we can only guess how important the son is for their relationship.
Nick and Honey, on the other hand, seem to be quite the opposite. But, being used as weapons by the older couple, we see that their relationship isn't as perfect as it seems to be, either. Nick didn't marry Honey because he loved her, but because he thought she was pregnant and because of her money. And when Martha tries to seduce him to tease George, he plays the game with her, always in mind that this woman's father is the head of the university. Honey, on the other hand, is much more emotional than her husband, but she also is the most passive character, and the one most affected by the alcohol.
Mike Nichols assembled an outstanding cast for his film. Casting Elizabeth Taylor and Richard Burton as Martha and George is a stroke of genius - not only are they terrific actors, but it also heats the imagination of the viewer how much their real-life-marriage resembled the relationship they had in this film. Elizabeth Taylor outshines her co-stars a little. Never was she any better than in this one; although her character is the meanest in the film, she manages that we still feel compassion for her at the end. But Richard Burton, George Segal and especially Sandy Dennis deliver memorable performances, too.
'Who's Afraid of Virginia Woolf' succeeds at something rather difficult: It makes us care for characters we wouldn't want to have anything to do with in real life. And although it actually consist of nothing but four people talking for two hours, it never bored us for a second.
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'Who's Afraid of Virginia Woolf' tells the story of two couples that are quite different at first sight - one used to each other for years, the other one rather freshly wed in comparison. Actually it doesn't tell their story, but it displays their relationships.
The film begins on a Sunday morning at 2 o'clock, right after a party, and ends just after the sun rises. In these few hours we get to know these four people better then we might possibly want.
George and Martha are the older couple. He is a history professor, she is the daughter of the head of the university. Their relationship seems to be from hell, full of mutual disgust and humiliation. Their guests are Nick and Honey. He is the new, ambitious biology professor, she is his naive young wive. As all these four characters are more or less drunk throughout the entire film, alcohol works as a catalyst, and we quickly see the different kind of character traits they have: George is a cynic, Martha loves to torment her husband, Nick is an opportunist and Honey is very much a stupid blonde.
The two relationships deserve closer examination: We wonder why Martha and George married in the first place. They keep swearing at each other. Martha can't stop humiliating George, when they are alone as well as when Nick and Honey are there. Maybe there is still a rest of love in them, but there mutual respect has vanished completely. And then there is the strange story of their son, who is supposed to visit on his birthday. They way George and Martha talk about him make us feel that there is something peculiar about him. At the end we get to know more about him, and we can only guess how important the son is for their relationship.
Nick and Honey, on the other hand, seem to be quite the opposite. But, being used as weapons by the older couple, we see that their relationship isn't as perfect as it seems to be, either. Nick didn't marry Honey because he loved her, but because he thought she was pregnant and because of her money. And when Martha tries to seduce him to tease George, he plays the game with her, always in mind that this woman's father is the head of the university. Honey, on the other hand, is much more emotional than her husband, but she also is the most passive character, and the one most affected by the alcohol.
Mike Nichols assembled an outstanding cast for his film. Casting Elizabeth Taylor and Richard Burton as Martha and George is a stroke of genius - not only are they terrific actors, but it also heats the imagination of the viewer how much their real-life-marriage resembled the relationship they had in this film. Elizabeth Taylor outshines her co-stars a little. Never was she any better than in this one; although her character is the meanest in the film, she manages that we still feel compassion for her at the end. But Richard Burton, George Segal and especially Sandy Dennis deliver memorable performances, too.
'Who's Afraid of Virginia Woolf' succeeds at something rather difficult: It makes us care for characters we wouldn't want to have anything to do with in real life. And although it actually consist of nothing but four people talking for two hours, it never bored us for a second.