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Who's Afraid of Virginia Woolf? (1966)

Not Rated | | Drama | 22 June 1966 (USA)
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A bitter, aging couple, with the help of alcohol, use a young couple to fuel anguish and emotional pain towards each other.

Director:

Mike Nichols

Writer:

Ernest Lehman (screenplay)
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4,157 ( 1,042)
Won 5 Oscars. Another 17 wins & 23 nominations. See more awards »

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Cast

Complete credited cast:
Elizabeth Taylor ... Martha
Richard Burton ... George
George Segal ... Nick
Sandy Dennis ... Honey
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Storyline

George and Martha are a middle aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick and Honey, an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen year old son, whose birthday is the following day. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

You are cordially invited to George and Martha's for an evening of fun and games. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Latin | Spanish

Release Date:

22 June 1966 (USA) See more »

Also Known As:

Edward Albee's Who's Afraid of Virginia Woolf? See more »

Filming Locations:

Cambridge, Massachusetts, USA See more »

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Box Office

Budget:

$7,500,000 (estimated)

Gross USA:

$28,000,000, 31 January 1968

Cumulative Worldwide Gross:

$40,000,000, 31 January 1968
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mercedes McCambridge had portrayed "Martha" onstage and sought after the film role. See more »

Goofs

In almost every scene, to go up the stairs there are four or five steps and then the staircase turns left before continuing. Late in the movie, when Sandy Dennis enters through the front door, the staircase is straight with no turns. Further, if there were separate staircases, they almost certainly would not both go up from the front of the house. See more »

Quotes

[first lines]
Martha: [with disgust] What a dump.
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Connections

Referenced in Elizabeth Taylor - An Intimate Portrait (1975) See more »

Frequently Asked Questions

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User Reviews

Still powerful, harrowing view of the "Anti-Ozzie and Harriet"
3 July 2000 | by rwalker-2See all my reviews

This is still an exceptional film from the 1960s. Though some of the epithets are obviously softening much stronger words, the language is frank and brutal, Martha's bludgeoning body-blows balanced by George's icepick thrusts. Edward Lehman's respectful screenplay gently opens up Edward Albee's one-set play while keeping a certain claustrophobic atmosphere. Mike Nichols' first directing effort is stunning in its lack of artifice; rarely do you feel that the director has done much more than turn on the camera and watch four actors, all at the top of their game, tear into their roles. George Segal's work in this movie is criminally underrated, but his reactive work as studly, ultimately disappointing Nick should be mandatory study by all young actors. Sandy Dennis' fluttery turn as mousy, wifey Honey is powerful also; a lot more is going on than you might think. Richard Burton is staggering as George ("Georgie Porgie Put-upon Pie"), and his performance demonstrates the magic that he could bring to a worthy role. Elizabeth Taylor's work here still astounds. The physical transformation she undertook to become aging harpy Martha is amazing enough, but her performance seems to channel a hurricane's force and fury. By turns hilarious, maddening and then, at the end, exhausted and defeated yet again, Taylor demonstrates acting, particularly film acting, at its best. The film is by no means easy or "Hollywood" in feel-- the audience is as exhausted as the characters at the end. But this was a bracing, necessary antidote to the impossible ideal of marriage usually portrayed in the movies. A towering film.


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