Man (Lewis) is told by his doctor (Lawford), and best friend, that he has a terminal illness. At his wife's urging, he lives life to the fullest, racking up insurmountable debts. When the ... See full summary »
While fishing on a San Diego beach, Gerald Clamson catches ... a sea diver! Even more weird, the "fish" resembles him. The man, who is not (yet) dead, reveals his secret to the peaceful ... See full summary »
Harold J. Stone,
Susan Bay Nimoy
An artist has an opportunity to go to Paris and wants to bring his fiancee along. However, she's a psychiatrist who currently has three female patients who don't like men. So, he guises ... See full summary »
Lester is a clumsy and awkward TV repair man who is nevertheless gifted technically. In helping out a friend, he is drawn into a mystery involving a missing heir in a rich family. He begins... See full summary »
When he flunks out of med school, Jerome Littlefield goes to work as an orderly in a private rest home where he wreaks havoc for everyone concerned. Dr. Jean Howard is the exasperated head ... See full summary »
Private Meredith Bixby is so out of step in the Army that his six weeks of planned basic training has now stretched to 17 months. After he loses a tank, WAC Major Shelton, a psychologist, ... See full summary »
In Miami Beach, the mute bellboy Stanley works at the luxurious Fontainebleau Hotel. In spite of being a serviceable and friendly employee, the clumsy Stanley gets successively into trouble with his mistakes.
John Paul Steckler was the Junior Officer aboard a destroyer when WWII ended. He gets stuck with the job of sailing the ship to the states to be decommissioned. Now years latter, no one ... See full summary »
In 1989, the Americans and the Russians each have a two-person base on the moon. The Americans have had to keep replacing their astronaut teams because they quickly go crazy; they have been using only male astronauts on the unspoken assumption that this would avoid any possibility of impropriety. The Russians, as godless Communists, are under no such constraints, and their male-female team has remained well-adjusted. At the start of the film, a male and female American astronaut team is sent up to replace the sex-starved all-male team. The government insists on them being married first to preserve morality. Most of the story revolves around the eventual consummation of this marriage of convenience, and around their relationship with their Russian neighbors, who keep casually dropping by.Written by
Some of the sets were recycled for Lost in Space (1965) that was being filmed around about the same time. See more »
On their first night on the moon the valve on Pete's pillow appears and disappears. See more »
[Mattemore staggers into Quonset's office in spasms, propped up by Ponsonby]
What's going on?
I don't know. I- I just got him out of them centrifuge and... and...
[places Mattemore in chair]
there it was.
Does that thing always affect you like that?
No... NO, uh, only when it turns... only when it turns.
See more »
We have VHS! So I rented it last night--first laid eyes on this gem back in '66 when I was ten years old. Ten year olds shouldn't see movies like this, hehe.
Jerry Lewis does less of his wacky character here, and tries playing it straight, not for gonzo laughs. He's nearly laid back compared to Robert Morley's curtain rattling performance as Jerry and Connie Stevens "first married couple on the moon. He's a handler like Leo G. Carroll was for Napoleon Solo in the Man From Uncle. Brian Keith appears several times in short inserts as a gruff-but-still-gruffer General who orders third act action where Jerry must "secure the moon".
Sure, all the sets are drenched in futuristic lighting as the story is set sometime after the Sixties, doesn't say when though. So in the background are cool concept cars of the future, during the Earth based scenes. You see solid patches of red and brilliant white furniture,(and very cool clear, plastic pillows), straight out of movies like "In Like Flint" or the British set designer for Sixties movies Ken Adam.
The Moon base location has cool looking pods for sleeping/working--and yes the patented "Batman"-style, big, blinking lights computers are strewn all over your eyeline, which I totally loved as a kid. Lighting-wise, the production simply pours all available light at all times during the indoor moon scenes, which has a television-feel about it; later verified by the technical names, especially Jack Martin Smith, who worked scores of sci-fi/fantasy pics during the Sixties for TV and low budget independents.
The film is super-sexy with tease galore supplied by Anita Ekberg's fab legs, shot from at least three angles during her opening house call on the American married couple living next door on the moon. There's all sort of adult-level innuendo that flew over my head at the time: things about wife swapping, watching two girls makeout on one's wedding night, and others that are cleverly enfolded into the dialog, some PC types of the Two-Thousands would call this "leering" and it probably is, hehe.
Dick Shawn as the Tarzan-like Russian counterpart to Jerry simply does his patented "thing" with grimacing and good accents. There's an extended sequence of everybody getting drunk and kinda swapping, which today's producers would be cutting out because bad things happen to people who drink to excess, right? --oh yeah everybody knows that. The drunk thing was big in the sixties for some reason. Dick Shawn's other picture that year "What Did You Do In The War, Daddy?" had him being drunk through days of story time.
Seeing this movie without any warning would certainly remind some of Austin Powers; it's inescapable really. However I saw this tonight with a 28 year old who reminded me, "Austin Powers got it's look from this, not the other way around"
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