| Cast overview, first billed only: | |||
| Howard Keel | ... | Waco | |
| Jane Russell | ... | Jill Stone | |
| Brian Donlevy | ... | Ace Ross | |
| Wendell Corey | ... | Preacher Sam Stone | |
| Terry Moore | ... | Dolly | |
| John Smith | ... | Joe Gore | |
| John Agar | ... | George Gates | |
| Gene Evans | ... | Deputy Sheriff Jim O'Neill | |
| Richard Arlen | ... | Sheriff Billy Kelly | |
| Ben Cooper | ... | Scotty Moore | |
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Tracy Olsen | ... | Patricia West |
| DeForest Kelley | ... | Bill Rile | |
| Anne Seymour | ... | Ma Jenner | |
| Robert Lowery | ... | Mayor Ned West | |
| Willard Parker | ... | Pete Jenner | |
Preacher Sam Stone and his new beautiful wife Jill stand by the grave of Sheriff Billy Kelly, who died trying to bring law-and-order to Emporia, Wyoming. Among the mourners are businessman George Gates, mayor Ned West and his daughter Patricia. The mayor rejects Gates' suggestion that he release gunfighter Waco from jail to clean up the town. When Patricia is attacked by a cowboy after leaving her boyfriend Scotty Moore, the mayor finally decides it is time accept the governor;s offer of amnesty for Waco. Jill Stone's first reaction, when learning that Waco has been released, is to leave town before Waco finds out that she, his former fiancée, has married the town preacher while Waco was in jail. Town boss Joe Gore is not overjoyed, either, but Ike and Pete Jenner eagerly await the chance to shoot Waco for the death of their brother. Written by Les Adams <longhorn1939@suddenlink.net>
WACO is the name of the character who is the stereotypical Western hero in Hollywood Westerns. He's fast on the draw, tough, and an outlaw in the beginning, which is standard for Western heroes.of that would be okay, except we never really care for this Waco guy played by Howard Keel. Don't expect the joy ride of THE WAR WAGON. This is strictly Hollywood hate formula. Waco has absolutely no credible motivation. Keel comes across a bit like Joe Don playing Buford, but without the incentive. Absolutely none. Motivation has to be a key, but in the sixties, Hollywood would have none of that. For about three decades, they threw characters who were spoiled brats with unrelenting and unprovoked hatred at us, expecting us to empathize with them. Well, only the sickest and most demon possessed were able to do that, and they were generally the control freaks who decided what the rest of us had to watch. This is a perfect example of what was wrong with the Hollywood era of mid sixties to mid eighties All of that is made worse by the big names being wasted here. As in the hero, motivation is suspect, although Waco is the worst written character perhaps in any Western. That takes away any thrills, and makes this all ho hum, no matter how many horses you see, no matter how many gunshots are fired.