7.4/10
3,563
24 user 38 critic

The Hawks and the Sparrows (1966)

Uccellacci e uccellini (original title)
Innocenti Totò and his son Innocenti Ninetto are drifting on a road in Italy, when they meet a Marxist speaking crow. The trio travels together in a long journey as their hunger increases.

Writers:

Pier Paolo Pasolini (story), Pier Paolo Pasolini (screenplay) | 1 more credit »
Reviews

Watch Now

With Prime Video

ON DISC
ALL
4 wins & 4 nominations. See more awards »

Photos

Learn more

More Like This 

Accattone (1961)
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A pimp with no other means to provide for himself finds his life spiraling out of control when his prostitute is sent to prison.

Director: Pier Paolo Pasolini
Stars: Franco Citti, Franca Pasut, Silvana Corsini
Porcile (1969)
Drama
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »

Director: Pier Paolo Pasolini
Stars: Pierre Clémenti, Jean-Pierre Léaud, Alberto Lionello
Oedipus Rex (1967)
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »

Director: Pier Paolo Pasolini
Stars: Franco Citti, Silvana Mangano, Alida Valli
Mamma Roma (1962)
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Having renounced her ignominious past, a former streetwalker reunites with her son. However, an extortion scheme endangers her aspirations for a decent bourgeois life. Can she protect him from the same snares that wounded her youth?

Director: Pier Paolo Pasolini
Stars: Anna Magnani, Ettore Garofolo, Franco Citti
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a Marxist avant-la-lettre and therefore uses half of the text of Matthew.

Director: Pier Paolo Pasolini
Stars: Enrique Irazoqui, Margherita Caruso, Susanna Pasolini
Documentary
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's ... See full summary »

Director: Pier Paolo Pasolini
Stars: Lello Bersani, Alberto Moravia, Cesare Musatti
Medea (1969)
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her furious revenge. Can they escape her wrath?

Director: Pier Paolo Pasolini
Stars: Maria Callas, Massimo Girotti, Laurent Terzieff
The Decameron (1971)
Comedy | Drama | History
    1 2 3 4 5 6 7 8 9 10 7/10 X  

An adaptation of nine stories from Boccaccio's "Decameron".

Director: Pier Paolo Pasolini
Stars: Franco Citti, Ninetto Davoli, Jovan Jovanovic
Comedy | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Director: Pier Paolo Pasolini
Stars: Hugh Griffith, Laura Betti, Ninetto Davoli
Comedy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

Directors: Mauro Bolognini, Mario Monicelli, and 4 more credits »
Stars: Totò, Ugo D'Alessio, Regina Seiffert
La rabbia (1963)
Documentary
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

"La Rabbia" employs documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, ... See full summary »

Directors: Giovanni Guareschi, Pier Paolo Pasolini
Stars: Giorgio Bassani, Renato Guttuso, Gigi Artuso
Teorema (1968)
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A mysterious young man seduces each member of a bourgeois family. When he suddenly leaves, how will their lives change?

Director: Pier Paolo Pasolini
Stars: Silvana Mangano, Terence Stamp, Massimo Girotti
Edit

Cast

Cast overview, first billed only:
Totò ... Innocenti Totò / Brother Cicillo
Ninetto Davoli ... Innocenti Ninetto / Brother Ninetto (as Davoli Ninetto)
Femi Benussi ... Luna
Umberto Bevilacqua Umberto Bevilacqua ... Incensurato
Renato Capogna Renato Capogna ... Scoundrels Leader
Alfredo Leggi
Pietro Davoli Pietro Davoli ... Scoundrel
Renato Montalbano Renato Montalbano
Rosina Moroni Rosina Moroni ... Poor Cottage Owner
Flaminia Siciliano Flaminia Siciliano ... Scoundrel
Lena Lin Solaro Lena Lin Solaro ... Urganda
Gabriele Baldini Gabriele Baldini ... Dante's Dentist
Giovanni Tarallo Giovanni Tarallo ... Starving Peasant
Ricardo Redi Ricardo Redi ... Mansion Owner
Vittorio Vittori ... Ciro Lococo
Edit

Storyline

This richly symbolic film is really impossible to understand without some knowledge of 20th Century Italian history, and particularly the power of the Roman Catholic Church. The Lateran Treaty of 1929 finally politically separated Italy from Church power by creating the Vatican as a sovereign state. But the trade off was the that the Church was still left in power over many aspects of everyday Italian life. For instance, Italy finally established a civilian divorce law through a bitterly contested 1970 referendum. Before then, divorce was under strictly in the domain of Church law, and the Church NEVER granted a divorce, even in extreme cases like when a spouse was abandoned many years hence. Overall, however, the power of the Church still resided in the blind allegiance of Italians at all levels to Church morality. Over decades, this led to impeding Italy's social and political progress, and greatly maintained the status quo in the division between the privileged upper class and the ... Written by Joe Kulik

Plot Summary | Add Synopsis

Taglines:

An off-beat comedy about serious matters by PIER PAOLO PASOLINI. See more »

Genres:

Comedy | Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

Italy

Language:

Italian

Release Date:

10 December 1969 (West Germany) See more »

Also Known As:

The Hawks and the Sparrows See more »

Filming Locations:

Assisi, Perugia, Umbria, Italy See more »

Company Credits

Production Co:

Arco Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Film's opening credits are not only displayed on screen but also comically sung in Italian to a jaunty Ennio Morricone score, with a memorably droll rhyming of the film title with the director's full name. See more »

Crazy Credits

The opening credits are performed as a song. See more »

Connections

Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1999) See more »

Soundtracks

Teatrino All'Aperto 2
Composed by Ennio Morricone
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

You've never seen anything like this!
14 August 2000 | by Zen BonesSee all my reviews

How does one describe a film like this? Imagine a Bunuel film like THE MILKY WAY. A couple of men walking on an empty road. They're on a strange journey only their destination is the beginning of their journey (huh?) and the two men are as funny as the best cinema clowns in screen history. Somewhat Felliniesque, somewhat Chaplinesque, throw in a little De Sica and even a dash of Monty Python and you can begin to have some idea of what this incredible blend of absurd and hilarious satire is like. Unlike Bunuel's films, this film is joyous. It has heart, passion, and an imagination springing somewhere from the soul. The film takes its stabs at religion, academics, and government but it does it in a playful way that leaves one feeling rejuevenated instead of that sour feeling that one feels after watching most social satires. It's hard to believe that this is a Pasolini film. It's about as far on the spectrum from SALO that one can get, yet it's sad that in comparison this film is almost completely unknown.

This is definitley worth seeking out on video. I'm hoping that I can find a soundtrack recording for this. It is one of the best Ennio Morricone scores I've heard, which is saying a great deal!


12 of 14 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 24 user reviews »

Contribute to This Page



Recently Viewed