The Trouble with Angels

"The Trouble With Angels" is truly a gem. Ostensibly a comedy about the efforts of two slightly disgruntled, high spirited teenage girls (Hayley Mills and June Harding) to turn a convent school upside down, it combines lighthearted pranks with dry humor, most of the latter supplied by the splendid Rosalind Russell. As the worldly and wise Mother Superior, Rosalind is both amused and unsettled at the stunts her two incorrigible charges pull. The supporting cast is well chosen, with Mary Wickes ("Sister Act") and Marge Redmond ("The Flying Nun") standing out among the faculty nuns. Despite the unexpected appearance of legendary stripper Gypsy Rose Lee, cast as (what else?) a teacher of interpretive dance, both nuns and students are believable. Mills sparkles in her role as devilish Mary Clancy, as does June Harding as Rachel Devery, her neophyte partner in crime. Aided tremendously by a truly beautiful score by the great Jerry Goldsmith, (which has the remarkable ability to blend in with the film AND stand alone as a pleasurable listening experience) and directed with a sure hand by actress/director Ida Lupino, "The Trouble With Angels" is both funny and moving, one of the best family films ever made. Strangely enough, reviews were decidedly mixed (when not downright negative) back when the movie was released in 1966. But it was a sizable hit, and spawned an agreeable sequel ("Where Angels Go, Trouble Follows") two years later. Today, it remains as fresh as ever, and head and shoulders above most of the contemporary family films which followed it.

A tour de force for Hayley Mills, the most gifted juvenile actress of her generation. She makes the contrived material about adolescent escapades in a Catholic girls' boarding school look believable. It's a rarity for a Hollywood comedy to show a teenage girl who is intelligent and sensitive, and director Ida Lupino should be applauded for it.

Mills is ably assisted in her antics by her comrade-in-arms played by June Harding, who shows how to put the awkwardness in adolescence. They also have a truly touching scene together near the end.

The movie is also notable for the best latter-career work of high-strung movie star Rosalind Russell, who gives a restrained performance for a change as the Mother Superior. She uses quite a few arched eyebrows, however.

Watch for a rare cameo by the great Burlesque queen Gypsy Rose Lee, who plays a dotty instructor of dance and ladylike comportment.

They don't make 'em like this anymore, alas. There was a time when you could see great "B" movies, like this one, in theaters. They were entertaining pieces, produced for less money, but with just as much fun as their "A" siblings. You don't find many "B" movies anymore (at least good ones) and it's a shame. Even cable and tv movies don't live up to some of these classics.

Hayley Mills and Rosalind Russell are the two opposing forces in this battle of wills, and they're pretty evenly matched. Russell sees some of herself in young Mills, as she comments to Marge Redmond. Mills comes to realize that Russell represents something she has been looking for, but has been unable to define, a sense of community and purpose. Both are orphans who were raised by relatives, with dreams of fashion and glamour, but longing for something greater.

The film treats the Catholic Church and work of the nuns with far greater respect than most films, particularly more modern examples, like Sister Act. We see the depth of their faith and their commitment to serving their fellow human beings. I was raised Protestant and have little experience with the Catholic Church, but have always found a deeper respect for the less glamorous work that the nuns often carry out, compared to their male brethren.

The film is full of great character moments and some laugh-out-loud gags. It has a warmth and charm that grows with age. It's a shame that Haley Mills didn't perform in more films like this, as an adult; she had a real flair for comedy and could shift to drama just as easily. It's understandable for an actress to want to move into more serious parts, but I really think she passed up some great opportunities.

This was a film that deserved a sequel. Too bad that the one it got didn't live up to it's predecessor. It would be interesting to see Haley Mills return as Mary, carrying on the tradition of Rosalind Russell's Reverend Mother, with some "scathingly brilliant" ideas. Unfortunately, I doubt Hollywood would be up to the task.

Rachel Devery encounters rebellious Mary Clancy (Hayley Mills) a train. The teens are two of the girls on their way to a Catholic boarding school for girls run by the Reverend Mother (Rosalind Russell) and the other nuns. The two best friends cause all kinds of trouble and grow up in the process.

Hayley Mills is trying leave her Disney roles behind. She fits very well with this rebellious character. Even as a Disney princess, she has an impish quality. This movie dials that up a few notches without moving much into her sexuality. It's a touching coming-of-age story without any boy drama. It's probably the best way for Hayley to transition out of Disney.

Another of my favorite classics from childhood was 1966's THE TROUBLE WITH ANGELS, a sassy and entertaining comedy from a time long forgotten about two teenagers (Hayley Mills, June Harding) who meet at a Catholic convent school called St. Francis Academy, who become fast friends and cause nothing but headache for the Mother Superior (Rosalind Russell). I remember seeing this movie in the theaters during its original theatrical release and enjoying it immensely. Rosalind Russell and Hayley Mills were both at the top of their game as the protagonists in this comedic cat and mouse game between student and administrator where you know something has got to give at some point and it actually does. Laughs and warmth abide in this entertaining family comedy, the likes of which we will never see again.