Coming of age story for two girls, Mary Clancy and Rachel Devery, who find themselves as students at the St. Francis Academy, a Catholic boarding school for girls. The story spans three years and follows the girls and their many pranks including setting off fire alarms, smoking cigars in the basement and putting bubble baths in the nuns' sugar bowls. As the girls mature, they gain a greater respect for their teachers and the commitment and devotion required to be a nun, leading one of them to make a life changing decision.Written by
This gentle comedy would be the final theatrical film directed by Ida Lupino. She would finish her directing career working in television. See more »
When Rachel knocks over the bust in the art room, there is already debris on the floor from something else (probably another bust used in a take) and when Rachel goes to pick up the pieces of the newly broken bust, she picks up the stuff that was already there. See more »
As for the social graces, I'm convinced that your school encourages barbarism and concerns itself only with free thinking, free wheeling and finger-painting.
The finest educational minds in the country happen to be on our side!
God is on ours!
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A halo appears over the A when the Columbia name appears on the torch lady logo. Then, Hayley Mills' "Angel" cartoon appears from behind the A, flies around the screen a bit, then blows out the Columbia torch. See more »
They don't make 'em like this anymore, alas. There was a time when you could see great "B" movies, like this one, in theaters. They were entertaining pieces, produced for less money, but with just as much fun as their "A" siblings. You don't find many "B" movies anymore (at least good ones) and it's a shame. Even cable and tv movies don't live up to some of these classics.
Hayley Mills and Rosalind Russell are the two opposing forces in this battle of wills, and they're pretty evenly matched. Russell sees some of herself in young Mills, as she comments to Marge Redmond. Mills comes to realize that Russell represents something she has been looking for, but has been unable to define, a sense of community and purpose. Both are orphans who were raised by relatives, with dreams of fashion and glamour, but longing for something greater.
The film treats the Catholic Church and work of the nuns with far greater respect than most films, particularly more modern examples, like Sister Act. We see the depth of their faith and their commitment to serving their fellow human beings. I was raised Protestant and have little experience with the Catholic Church, but have always found a deeper respect for the less glamorous work that the nuns often carry out, compared to their male brethren.
The film is full of great character moments and some laugh-out-loud gags. It has a warmth and charm that grows with age. It's a shame that Haley Mills didn't perform in more films like this, as an adult; she had a real flair for comedy and could shift to drama just as easily. It's understandable for an actress to want to move into more serious parts, but I really think she passed up some great opportunities.
This was a film that deserved a sequel. Too bad that the one it got didn't live up to it's predecessor. It would be interesting to see Haley Mills return as Mary, carrying on the tradition of Rosalind Russell's Reverend Mother, with some "scathingly brilliant" ideas. Unfortunately, I doubt Hollywood would be up to the task.
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