Nino Culotta is an Italian immigrant who arrived in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine's folded,...
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Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ... See full summary »
A grizzled Australian painter decides to jolt his stale creativity in a remote island on the Great Barrier Reef, where he meets an alluring young islander who becomes his enchanting model. Could the untamed girl be his long-awaited muse?
Essentially a rerelease of Michael Powell's 'The Edge of the World' (1937), but with color book-ends in which director and actors revisit the island of Foula forty years later and talk about their experiences.
Nino Culotta is an Italian immigrant who arrived in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine's folded, the cousins done a runner & the money his cousin sent for the fare was borrowed from the daughter of the boss of a local construction firm. So Nino tries to get a job & finishes up ... laying bricks. Nino works hard & makes friends with lots of locals, Nino & Kay argue a lot, Nino & Kay fall in love ... Kay takes Nino to meet 'Daddy' but daddy hates journalists, immigrants and bricklayers (he's now BOSS of a construction firm). Nino starts to win him over with his charm & determination to marry Kay.Written by
Steve Crook <firstname.lastname@example.org>
Recently restored and remastered (within a limited budget) for DVD release, this movie was a revelation in Aussie ways and customs, a near-to-totally honest portrayal of what it was like for immigrants arriving here back in the last half of the 20th Century (yes, it seems a long time ago).
The house that Nino built occupied a block in Greenacre, NSW, less than half a mile from where I was living at the time. I must have driven by it thousands of times. Previous prints screened on TV have been abysmal with washed out colour and scratchy images and sound. To see this near-as pristine print (for the most part) was an eye-opener and the scenes of Greenacre, Bankstown and other Sydney locations brought memories flooding back.
The cast of fine supporting actors makes the film worth watching, while the lead actor is simply perfect. One can't imagine anyone else in the part. The film flags towards the end but generally, it's great viewing.
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