Nino Culotta is an Italian immigrant who arrived in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine's folded,...
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Essentially a rerelease of Michael Powell's 'The Edge of the World' (1937), but with color book-ends in which director and actors revisit the island of Foula forty years later and talk about their experiences.
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Nino Culotta is an Italian immigrant who arrived in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine's folded, the cousins done a runner & the money his cousin sent for the fare was borrowed from the daughter of the boss of a local construction firm. So Nino tries to get a job & finishes up ... laying bricks. Nino works hard & makes friends with lots of locals, Nino & Kay argue a lot, Nino & Kay fall in love ... Kay takes Nino to meet 'Daddy' but daddy hates journalists, immigrants and bricklayers (he's now BOSS of a construction firm). Nino starts to win him over with his charm & determination to marry Kay.Written by
Steve Crook <firstname.lastname@example.org>
Delightfully light-hearted look into Sydney pre-Vietnam attitudes, still brimming with confidence straddling 50's conservatism and the beginning of the counter culture movement that emerged in the latter part of the decade. It was a very good time to be a ten pound Pom, or indeed any number of European immigrants who accepted the invitation, as Walter Chiari's character (Giovanni 'Nino' Carlotta) experiences, though not without comic incident as he tries to right his cousin's business debts. As other reviewers have remarked, a sort of humorous propaganda promo for Australian immigration.
The beer flows like rivers of amber nectar in a Gold Top commercial, the formal bars and building site where Nino comes to learn the Aussie vernacular; Ed Devereaux (pre- "Skippy"), John Meillon (who almost steals the show), Chips Rafferty, Anne Haddy was there much younger obviously than her later soapy salad days. Obviously the movie needs to exaggerate reality to create humour and I reckon you'd need to be *bloody* churlish to be offended, it's pretty harmless (self-deprecating in fact) when viewed in context.
A wonderful time capsule and source of nostalgia from Rank, perhaps a little bittersweet too when you consider how much of that beloved character we've since abandoned.... worth watching, should bring a smile to your face.
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