Seven guests, a newly hired personal secretary and two staff are gathered on an isolated island by an absent host and someone begins killing them off one by one. They work together to determine who is the killer?
A psychological thriller based on the novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving invitation to an isolated island off the coast of England.
Up to a house high on a mountain top have been invited ten people who are strangers to each other. When they are all gathered, they hear from their host that each one of them has in someway caused the death of an innocent person and that justice had not be served in their cases. There are eight guests and two servants there for the weekend, but one by one, they are being knocked off according to the poem of "Ten Little Indians". As the number of survivors decreases, they begin to believe that the killer is one of the group, but are unable to decide on which one he or she may be.Written by
Tony Fontana <firstname.lastname@example.org>
Producer Harry Alan Towers was unable to film in the UK due to am outstanding arrest warrant, and so made this on Ireland. To save costs, he eschewed using Ardmore Studios and leased a rundown mansion , Kenure House, in Rush , Co Dublin, as his base. See more »
When Mike Raven (Fabian) is playing the piano, his bow-tie is untied. However, when the others are examining the record player, he is shown pacing in the background with his bow-tie tied. In the next shot, it is untied again. See more »
The first remake of the 1945 classic "And Then There Were None" is a fairly decent effort. While all of the wonderfully sly wit is gone this time, and the locale has been shifted from an island to a mountain resort (resulting in some characters having different nationalities this time) the results are still quite credible. The cast is good, with golden girl Shirley Eaton of "Goldfinger" fame looking quite lovely as the female lead. It's also amusing to see "My Fair Lady" almuni Stanley Holloway and Wilfrid Hyde-White together again in a completely different kind of film and setting. Just like the original, the identity of the killer (and I won't say who!) comes as a surprise because the performer gives a brilliant performance that makes it hard to link that performer with the one who committs all the murders beforehand. All subsequent remakes of this story have been awful. The original is still the best, but this one is okay to look at.
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