Ten people are invited to a luxury mountaintop mansion, only to find that an unseen person is killing them one by one. Could one of them be the killer?
Seven guests, a newly hired personal secretary and two staff are gathered on an isolated island by an absent host and someone begins killing them off one by one. They work together to determine who is the killer?
Director:
René Clair
Stars:
Barry Fitzgerald,
Walter Huston,
Louis Hayward
Ten people are invited to a hotel in the Iranian desert, only to find that an unseen person is killing them one by one. Could one of them be the killer?
A psychological thriller based on the novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving invitation to an isolated island off the coast of England.
Director:
Stanislav Govorukhin
Stars:
Vladimir Zeldin,
Tatyana Drubich,
Aleksandr Kaydanovskiy
Trying to find how a millionaire wound up with a phony diamond brings Hercule Poirot to an exclusive island resort frequented by the rich and famous. When a murder is committed, everyone has an alibi.
As Hercule Poirot enjoys a luxurious cruise down the Nile, a newlywed heiress is found murdered on board. Can Poirot identify the killer before the ship reaches the end of its journey?
Director:
John Guillermin
Stars:
Peter Ustinov,
Mia Farrow,
Simon MacCorkindale
An American movie actress, best known for playing dumb blondes, is Scotland Yard's prime suspect when her husband, Lord Edgware, is murdered. The great detective, Hercule Poirot, digs deeper into the case.
When Miss Marple reports witnessing a murder through the window of a passing train, the police dismiss her as a dotty spinster when no trace of the crime can be found.
Director:
George Pollock
Stars:
Margaret Rutherford,
Arthur Kennedy,
Muriel Pavlow
Filipino take on Agatha Christie's classic story about ten people stuck in a remote place, who are killed one by one by someone as punishment for their supposed crimes.
Director:
Antonio B. Pascua
Stars:
William Martinez,
Herbert Bautista,
Hero Bautista
Up to a house high on a mountain top have been invited ten people who are strangers to each other. When they are all gathered, they hear from their host that each one of them has in someway caused the death of an innocent person and that justice had not be served in their cases. There are eight guests and two servants there for the weekend, but one by one, they are being knocked off according to the poem of "Ten Little Indians". As the number of survivors decreases, they begin to believe that the killer is one of the group, but are unable to decide on which one he or she may be.Written by
Tony Fontana <tony.fontana@spacebbs.com>
The mysterious voice that accuses the invited guests of their specific crimes is an uncredited Sir Christopher Lee. See more »
Goofs
when Shirley Eaton dresses for dinner her underwear is white (as noted in another goof). She then puts on a dress before opening the door for Hugh O'Brien. Later in the movie, when she is locked in her room, she is seen undressing and wearing black underwear. This is not a goof or continuity error. This is the next day and she has obviously changed clothes. She is no longer wearing a dress, but a skirt and sweater. See more »
Quotes
Mike Raven:
[At the dinner table]
Now how does that old song go?
General Mandrake:
My dear sir, what old song?
Mike Raven:
Well, you know sir, uh, the old nursery rhyme "The ten little Indians. There's a copy of the rhyme hanging on the wall in my room upstairs.
Hugh Lombard:
That's funny. There's a copy in my room, too.
Ann Clyde:
And mine.
Mike Raven:
Well then, who's with it? Who's got the first line?
Ann Clyde:
Ten little Indians went out to dine, / One choked his little self, and then there were nine.
Mike Raven:
That's it. Strictly nurseryville. Then what happened?
Ilona Bergen:
Nine little Indians, ...
[...] See more »
Alternate Versions
The film was originally released with a "Whodunit Break" gimmick. Right before Ann is seen firing the gun at Hugh, the action pauses and an off screen voice tells the audience that the film will pause for one minute to give them a chance to solve the crime. The previous murders are shown under a large clock ticking the minute away. After the narrator tells the audience they can figure the mystery out if they have "paid close attention" he finishes by intoning "DO NOT BE SURPRISED BY WHAT YOU ARE ABOUT TO SEE!" At that point the action resumes. Some video and TV prints do not contain this fun "murder minute", but others (including the version shown on TV in the UK) still do. See more »
The first remake of the 1945 classic "And Then There Were None" is a fairly decent effort. While all of the wonderfully sly wit is gone this time, and the locale has been shifted from an island to a mountain resort (resulting in some characters having different nationalities this time) the results are still quite credible. The cast is good, with golden girl Shirley Eaton of "Goldfinger" fame looking quite lovely as the female lead. It's also amusing to see "My Fair Lady" almuni Stanley Holloway and Wilfrid Hyde-White together again in a completely different kind of film and setting. Just like the original, the identity of the killer (and I won't say who!) comes as a surprise because the performer gives a brilliant performance that makes it hard to link that performer with the one who committs all the murders beforehand. All subsequent remakes of this story have been awful. The original is still the best, but this one is okay to look at.
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The first remake of the 1945 classic "And Then There Were None" is a fairly decent effort. While all of the wonderfully sly wit is gone this time, and the locale has been shifted from an island to a mountain resort (resulting in some characters having different nationalities this time) the results are still quite credible. The cast is good, with golden girl Shirley Eaton of "Goldfinger" fame looking quite lovely as the female lead. It's also amusing to see "My Fair Lady" almuni Stanley Holloway and Wilfrid Hyde-White together again in a completely different kind of film and setting. Just like the original, the identity of the killer (and I won't say who!) comes as a surprise because the performer gives a brilliant performance that makes it hard to link that performer with the one who committs all the murders beforehand. All subsequent remakes of this story have been awful. The original is still the best, but this one is okay to look at.