A businessman facially scarred in a laboratory fire receives psychotherapy from a psychiatrist, and obtains an amazingly lifelike mask from the doctor. Soon after being fitted for the mask, he seduces his wife and succeeds. But his wife claims she was aware all along who he was and believed that both were just masquerading together as most couples usually do in different ways. Strangely enough, his personality seemingly begins to change after he puts on the mask as if the mask has influenced his personality. His new identity does not enable him to reintegrate into society after all. A subplot is inserted in fragments. A good-natured young woman, the right side of whose face is disfigured, has been hurt by others' inquisitive eyes and insults, and has been shunned by men. She asks her older brother, the only man who understands her pain and solitude, to make love to her, hiding from him the intent of killing herself after then.
Did You Know?
During its initial release, the film was generally poorly received by critics in Japan and the United States. It also received an extremely limited release in the United States and remained unseen by American audiences for many decades. Modern film critics have warmed to the film and its merits, and now consider it a major example of the quality of Japanese films from the 1960s. See more
You're not the only lonely man. Being free always involves being lonely. Just there is a mask you can peel off and another you can not.
Referenced in Funeral Parade of Roses
Music by Tôru Takemitsu
Lyrics by Tatsuji Iwabuchi See more