During clashes between demonstrators and police that rage on the streets of Tokyo, a young man hides in the house of his brother - a police officer. The latter is accidentally shot by his wife, which forces the young man to flee with her.
During violent manifestations in late 1960s in Japan, a group of students who called themselves the Rose Colored Regiment hide in the house of a mysterious young man, and have sex with the same girl while waiting for new instructions.
Near a remote Buddhist monastery, a young man falls in love with his sister and gets her pregnant. After a monk finds out, the young man becomes an assistant to a master sculptor, only to proceed to complicate matters with his affairs.
I've seldom seen such a mixture of disturbing violence and heartrending visual poetry as in this film by Koji Wakamatsu. There is but so much you can do with the story of a woman who is kept prisoner in an apartment; where she is repeatedly humiliated, beaten and tortured by her psycho boyfriend. Unless your name is Wakamatsu. This is 1966 and we are treated to visual experimentation from bleachers to freeze frames, inventive choice of camera angles and virtuoso editing. In one torture scene the sound completely disappears and we can only see the woman's face contort with pain. This is not cheap sensationalism but a highly inventive film which, here and there, makes excellent use of classical music to underline the action. Although the violence is disturbing one cannot help but feel sorry for the man. His sick, twisted mind is torn between tender feelings for his prisoner and the violent impulses that make him torture her. Koji Wakamatsu's handling of the script manages to convincingly show this duality. Fascinating in its austere and brutal poetry, this film paved the way for other Wakamatsu masterpieces like Violated Angels (1967) and Go,Go, Second Time Virgin (1969).
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