The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
When the overworked and stressed-out White House presidential shrink runs away, the CEA and the FBR scramble to retrieve him before he could be abducted by various competing foreign intelligence services.
Theodore J. Flicker
In this, the first Matt Helm movie, we see Matt Helm coaxed out of semi-retirement by an attractive ex-partner. It seems that the evil Big O organization has a nefarious plan called "Operation: Fallout." If this plan comes to fruition, Big O will explode an atomic bomb over Alamogordo, NM, and start WWIII. Only Matt Helm can stop them.Written by
The gorgeous statuesque blond stripper in the opening title sequence is dancer Larri Thomas who would later portray Henrietta Hippo on TV's New Zoo Revue in the early 1970s. See more »
When Matt Helm slides off into the bathtub there are already several water stains visible on the sheets, including one where likely he was wearing a swimsuit, already wet from previous takes. See more »
Woven (almost literally) through the opening credits are three cleverly staged striptease dances by Mary Jane Mangler (brunette in blue), Larri Thomas (blond in white), and 'guest star' Cyd Charisse in red (who also performs the title number, voice dubbed by Vikki Carr). Charisse emerges roughly 40 minutes later in the film as an actual character - nightclub dancer Sarita. See more »
I recently bought the DVD, and I forgot how much fun it was. It's not rocket science at all, and one could argue that even as an obvious spy spoof (in the best Bond and Flint traditions) it hiccups a bit throughout its own pretensions: Dean Martin's photographer-as-spy is properly cool, but there's a fine line between being laid-back and appearing to sleep on camera. (I could also say something about a modern audience being more than a bit startled at the immense objectifying of women throughout the whole film, but society is currently enjoying a renaissance of all things politically INcorrect and telling the rest of us to shut up- so I'll shut up.) Martin's female co-stars are all a smörgåsbord of beauty and sex appeal- every last one of them, but the one who seems to have emerged with the strongest impression is Stella Stevens' accident-prone klutz (whose airhead personality got on my nerves after a while, but I cannot deny that she looked fantastic as a redhead). For me, I preferred the enigma that is Daliah Lavi (a black-haired siren of Mideastern gorgeousness), who emerges a double agent and semi-lover of Helm's. The film does two brilliant things which take its visual appeal to dizzying heights: It launches the film with clever opening credits which peek under a bevy of gorgeous strippers, each doing a 'legitimate' strip-tease (no true nudity). Ending the strip parade is the film's other secret weapon: Cyd Charisse. I love that TPTB had the foresight to acknowledge a younger and older demographic at the same time- while simultaneously spotlighting one of filmdom's greatest dancers in a cameo (at the age of 45)- with the longest, most gorgeous legs in history. After singing the title song Charisse emerges a second time about 37 minutes into the film (in an important plot point) to perform a stunning dance in a Vegas nightclub to the Vikki Carr song "In Santiago-" then disappears much too quickly. Otherwise, there is a lot of fun with Martin poking fun at his own persona: many songs become sexual double-entendre, an audio cameo by Sinatra is quickly nixed, and so forth.
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