The story of three teenaged tearaways Johnnie, Bill and Bert who find themselves at odds with society. Following a brush with the law they have a chance meeting with a local choirmaster who offers them a way of making good.
Norman works in a jewellers workshop and fantasises (in the nicest way) about meeting the window dresser across the road from his workshop. He wants to buy her a diamond pendant but ... See full summary »
John Paddy Carstairs
Norman is the assistant helping to run a small, old fashioned dairy which is threatened by a larger, modern organisation. Norman does his best to save the dairy (and his horse) and the ... See full summary »
Accident-prone Fingers runs a pretty unsuccessful gang. They try and rob wealthy but tricky Billy Gordon - who distrusts banks and fears the Inland Revenue - but he sees Fingers and the ... See full summary »
Brenda de Banzie
When Michael Bentine arranges to meet Suzy Kendall at the River Boat, they are in St James's Park, close to Buckingham Palace, and they agree to meet in 30 minutes, yet when they meet they are near Putney Bridge, a distance of over 4 miles and neither uses any transport to get there. See more »
The end credits are played out over a wrestling bout, involving a bikini-clad girl, which has no connection with the rest of the film. See more »
I enjoyed this film very much - in a simple-minded sort of way. It's a very strange mixture of different types of comedy, in fact you could guess that the "script", such as it is, was written to fit whichever film and TV actors Micheal Bentine could persuade to do turns for him.
There are some longeurs, especially a sequence about a heavy-handed motorcycle cop, but never mind because a few minutes later another famous face pops up to amuse us. My favourite characters were the Sikh jazz musicians ("De Sihkers" - groan !) and Norman Wisdom's Irish priest, who tries to instruct a group of boys about gymnastics. Half the fun is in realising that in today's politically correct world, characters like these would never reach the screen - more's the pity. Incidentally, I can imagine Spike Milligan coming up with both the above stereotypes, so maybe the falling out between him and Bentine was more to do with personalities than material.
This film seems to have been made entirely on location around London (and I spotted Tolworth Tower in the escapologist sequence, which is near where I grew up), and you can tell it was made in a great hurry with very little money.
But who was the intended audience? Surely in 1966, at a time when adult cinema-goers were getting used to more sophisticated and subversive films, this one couldn't have held much appeal. In fact its resemblance to the Children's Film Foundation shorts (also funded by the Rank organisation) makes me think that this was intended to be shown at "Saturday morning picture shows" for kids. There is nothing here that a child couldn't understand (though I'm not so sure about the comment,"He's buying me a black jacket, not a red one ! He's kinky, not a communist!"). And what on earth are those wrestlers at the very end all about ???
This film is now available on DVD, curiously in 4:3 picture ratio - is this the only print available ? and it's 90 minutes of innocent fun. If you're still not sure what sort of comedy it is, think:
The Beatles' film "Help". The TV silent classic "The Plank". "Some mothers do 'ave 'em"
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