To escape sinful impulses, Ben Harvey, a callow youth, leaves his small town for Chicago in 1910. A pickpocket promptly relieves him of his money, and he nearly starves before Queen Lil ... See full summary »
In the Cold War, when the captain of a Russian submarine comes too close to the Gloucester Island in Massachusetts to give a look at America, the submarine gets stranded. A nine-man team commanded by Lieutenant Rozanov goes onshore to search a motor boat to release the submarine and arrives at the summer house of the New Yorker writer Walt Whittaker that is spending the weekend with his family in Gloucester. When he realizes that they are Russians, he believes that it is an invasion. Soon the information leaks, leading hysteria and paranoia along the inhabitants of the small village.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Alison is wearing a light blue sweater in the first half of the movie and is wearing an identical but tan sweater for the remainder. See more »
When Police chief Mattocks "breaks" Fendall Hawkins' sword over his knee, it doesn't break on the first try (hit between his hands). But you can see half of the sword flopping around outside Mattock's right hand. It is possible either that the sword was already pre-broken/weakened in that spot, and Brian Keith "missed the mark", or that he broke it once in a previous take, but had to do a re-take, and needed to "hide" the first break. See more »
[Rozanov arrives on the bridge of the Russian submarine after learing from the chart man how close they are to the USA coast]
[in Russian; subtitled]
What is it Captain? What are you doing?
[to a chart man]
Show me our position.
[the chart man shows Rozanov how close they are to an island]
What? WHAT? Tovarich Captain...
The Russian Captain:
Take it easy.
Permit me, Captain. Look at our position.
The Russian Captain:
I don't need your advice.
[...] See more »
At the end it says THE KONETS, only with "konets" actually written in the Russian alphabet. The word, of course, means END. [It looks like "KOHEU," only with square corners on the U part.] See more »
Some local stations played a slightly different version of the film in the mid-80's: they cut at least part of both credits. For example, instead of beginning the movie with the credits that show the title, and such things (the one that alternates between Russian and American flags), but the tv version removes most of the opening credits. They only credit the writer, producer and director. This means that most of the credits are cut, and the film opens with the shot of the captain opening his eye over a black screen. Also, the end credits were also shortened-they fade out immediately after the last of the cast list has been shown, and it doesnt show the scroll end. This basically only deletes about three seconds, and all that is really noticable is the rather abrupt ending of the credit music. See more »
I rarely rate a movie 10/10, but this is a welcome exception. It is, without doubt, Alan Arkin's finest hour.
The story line is a laugh riot in it's own right. A Russian sub accidentally grounds on an island off New England. A squad of Russians, led by Alan Arkin, are sent ashore to secure a power boat to help free the sub. It all goes flooey and the laugh riot begins. I did think the ending was sappy, but honestly I couldn't think of one more appropriate, so I had to give them a pass.
The cast, in general, is first rate, but the casting of Alan Arkin in the lead role is inspired. He is absolutely hilarious as things spiral out of his control. "Soon there will be World War III and everybody is blaming YOU!" You will recognize some of the faces. Carl Reiner as the self-important New York writer, Brian Keith as the Town Constable, Jonathon Winters as his befuddled deputy, Ben Blue as the town drunk, and Paul Ford as a pompous retired military type. The only flaw was the casting of John Philip Law. He is an engaging actor, but his portrayal of the sensitive Russian sailor just didn't make the grade.
Usually, in a comedy this frantic, the characters tend to get lost in the slapstick. Not so in this case. Each of the characters are fleshed out to the point that you really think you know what they are thinking.
I don't know why I'm writing this review. For those of you who have seen it - no review is necessary. For those of you who haven't - there is no excuse.
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