Remake of Persona
In the opening montage, the boy played by Jörgen Lindström is seen reading Mikhail Lermontov's "Hero of Our Time." This is the same book read by Lindström's character in The Silence (1963).
The plot and themes are essentially the same, with some character names being identical as well as both films being based loosely off the same discarded script
A poster is displayed outside of a movie theater.
Mentioned in dialogue.
Movie is mentioned.
The nurse stands behind Katarina speaking in her ear in the same way that Bibi Andersson did with Liv Ullmann.
When Sandy's at the beach he is dressed like Bergman during the shooting of Persona. Besides, after the opening train scene, the following sucession of images references the opening of Persona.
Mentioned by character
It is referenced.
Video case is shown in a video store.
(Two women stand near each other) Mike: Persona. Servo: Interiors. Mike: Same diff.
One character expects another to step on a piece of broken glass
Mentioned in dialogue
Dave mentions that this is Lisa's favorite movie
The idea of an image of a penis spliced into a cartoon was borrowed from Persona
A still from the production of this film is shown.
The scene just before the nude scene between actresses comes from that
A still of Bibi Andersson and Liv Ullmann is shown in Matthew's room
Near the ending the picture is split in two halfs showing the faces of Oh Dae-su and Evergreen as one
The title is visible in the "Three Women" article.
56 min into the film, Henry (Eric Bogosian) proposes a musical stage version of the old film to a female producer at Diana's party.
In one particular scene which features the famous "two"-shot of this title.
Among the Ingmar Bergman-inspired Double Jeopardy! category names is "Persona"
In "Experimental Film", the scene with the film apparently burning (the one that Homestar credits to Strong Sad loading the film wrong) is a reference to this Bergman film.
Film stock burns up and melts in scene in hockey rink like in "Persona".
Fernando continually reads Bergman's script. Plus, in the end, Nina and Hildegunn pose like Elisabeth and Alma.
A tarantula walks across a white screen in the beginning of Bergman's Persona. The same shot is used in I'm Not There, but in reference to Dylan's book.
Dana Polan mentions this film.
Final scene of this film is referenced during theater scene.
The pacing and atmosphere was influenced by Ingmar Bergman, specifically this film
When Oliver recounts his mother's days as an actress, she strongly reminisces Liv Ullmann near the start of Persona.
Mentioned by Geoffrey Rush during a review of Margaret and David.
Photograph is shown.
Video case is shown.
Opening is a shot-for-shot homage to Persona's opening scene.
Keith says he'll give 100$ to anyone who'll name three movies by Bergman and Sara mentions "The Seventh Seal" and "Persona"
The opening pre-title montage was inspired by the scene at the start of the Bergman film.
Pick of the Week
Poster seen outside video store.
This film is referred to and discussed.
The main male character argues about the necessity of multiple interpretations in film and uses this film as an example.
During the montage in the beginning of the film, there is a quick shot of the eye-slicing scene from Luis Bunuel's Un Chien Andalou.
"Silent film" clips of a man being comically chased by a skeleton and the devil are featured during the opening montage.
Anna's shout is briefly heard in the middle of the movie.
A film excerpt is shown, before Bergman's present words evoking it.
Discussed with clips shown
Aparecen partes del comienzo de Persona
Featured in documentary
Shown at the cinema.
Shown during the In Memoriam tribute (Ingmar Bergman)
Footage from this movie is used.
Subject of documentary
Clip is presented
Discussed and analyzed
Show clip(s) from this film.
The wheat scene with towards the end of the film is a direct visual parody of Ingmar Bergman's classic Persona. The juxtaposition of faces is an homage to Bergman's trademark shots.
Part of basis for parody "Whispers of the Wolf".
The scene where Gabe imagines Sam and Reggie togheter before sex recreates the composition of faces of Bergman's film.
Mueller's profile against Trump's face is a direct nod to an iconic shot in Ingmar Bergman's "Persona."