5.1/10
854
55 user 16 critic

The Oscar (1966)

Approved | | Drama | 8 July 1966 (UK)
Snotty Hollywood actor becomes even more full of himself after he's nominated for the Academy Award for Best Actor.

Director:

Writers:

(novel), (screenplay) | 2 more credits »
Reviews
Nominated for 2 Oscars. Another 1 nomination. See more awards »

Photos

Learn more

People who liked this also liked... 

Exodus (1960)
Action | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

The state of Israel is created in 1948, resulting in war with its Arab neighbors.

Director: Otto Preminger
Stars: Paul Newman, Eva Marie Saint, Ralph Richardson
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A man, his wife, and their friend, stage a bloody bank robbery, unaware they are stealing money from the Mob.

Director: Don Siegel
Stars: Walter Matthau, Joe Don Baker, Felicia Farr
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.

Director: Robert Aldrich
Stars: Bette Davis, Olivia de Havilland, Joseph Cotten
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A couple's attitudes are challenged when their daughter introduces them to her African American fiancé.

Director: Stanley Kramer
Stars: Spencer Tracy, Sidney Poitier, Katharine Hepburn
The Thin Man (1934)
Comedy | Crime | Mystery
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Former detective Nick Charles and his wealthy wife Nora investigate a murder case, mostly for the fun of it.

Director: W.S. Van Dyke
Stars: William Powell, Myrna Loy, Maureen O'Sullivan
Spellbound (1945)
Certificate: Passed Film-Noir | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

Director: Alfred Hitchcock
Stars: Ingrid Bergman, Gregory Peck, Michael Chekhov
Action | Comedy
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Peter Churchman stopped robbing banks a long time ago and is now living as a wealthy and respected citizen in Pamplona, Spain. But then his former companion Angela appears and blackmails ... See full summary »

Director: Russell Rouse
Stars: Stephen Boyd, Yvette Mimieux, Giovanna Ralli
Edit

Cast

Cast overview, first billed only:
... Frank Fane
... Kay Bergdahl
... Kappy Kapstetter
... Sophie Cantaro
... Kenneth Regan
... Laurel Scott
... Hymie Kelly
... Trina Yale
... Barney Yale
... Grobard
... Orrin C. Quentin
... Sheriff
... Network Executive
... Herself
... Herself
Edit

Storyline

Frankie Fane has clawed his way to the top of the Hollywood heap. Now, as he's preparing to win his Oscar, his friend Hymie Kelly reminisces over their life together, and Frankie's ruthless struggle to the top and the people he's stepped on (i.e., everyone else in the movie) to make it there. Written by <crow_steve@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

This is the story of...The Dreamers and The Schemers...The Hustlers and The Hopefuls...The Free-loaders and The Phonies...The Fakers and The Famous...All Fighting for the Highest Possible Award!! See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

8 July 1966 (UK)  »

Also Known As:

El Óscar  »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Pathécolor)
See  »
Edit

Did You Know?

Trivia

Edith Head: an Oscar nominee for her costume designs for this film, appears in a scene set at a Hollywood party, when Kay calls Frank to congratulate him on his Oscar nomination, and one other scene. See more »

Goofs

The newspaper photos of Cheryl Barker hitting Frankie don't match the scene when it happens. She could have hit him twice (she was angry enough), and the photographers might have caught the second hit. See more »

Quotes

Alfred 'Kappy' Kapstetter: So. We take off the clown's happy face and see tears underneath.
Sophie Cantaro: Don't, Kappy.
Alfred 'Kappy' Kapstetter: You leave a man's career like a bag of broken glass, and you say, "Don't, Kappy"?
See more »

Connections

References The Big Knife (1955) See more »

Soundtracks

Thanks for the Memory
by Leo Robin and Ralph Rainger
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

The Oscar for Best Over-Actor goes to...
13 November 2002 | by See all my reviews

This obscure, sublimely over-heated film is a second cousin to "Valley of the Dolls" in terms of pure, unadulterated Hollywood camp. The film is like a massive wad of cotton candy for those who enjoy a two hour trip to movie hell. Opening at the ceremony for the title statuettes, we see that Boyd is the front-runner for Best Actor. But first, the audience must step back in time to discover how he got there. It falls to Bennett to narrate the with the most dry delivery of horrendous socko '60's scripting. Looking like a Dean Martin wax figure that's been left in the sun for two hours, he is a stumpy, squatty disaster in this film. Billed as "Introducing Tony Bennett", he has zero charisma, receives corpse-lighting, doesn't sing even once and forever after (thankfully) played only himself in films. At any rate, as the film flashes back, lean, mean Boyd (in a performance that ensured he'd never see another "Ben-Hur") is instantaneously irredeemable and agonizing as a big mouthed roamer who's joined by his stripper girlfriend (St. John) and a passive buddy (Bennett.) In these early scenes, St. John actually manages to come off as sexy despite a crazed tigress costume and the tacky surroundings. Soon, though, she's chewing one end of the scenery while Boyd chews the other. They meet in the middle where hapless Bennett is sitting like a bump on a log. Soon Boyd is trying to make it as an actor with the assistance of love-starved talent scout Parker (in a typically dedicated performance) and agent Berle (solid, also, in a non-comedic role...at least it is meant to be non-comedic!) Boyd's eternal bad attitude and horrible personality continue to inflict pain on all those around him and the viewing audience. In the film, he has a magnetic presence that draws everyone to him and causes them to embarrass themselves repeatedly. This charm is invisible to the film's viewers. One of his victims is the lovely Sommer, who looks stunning in an array of Head gowns and intricate hairstyles. His rise to the top of his profession is spoiled by his own ego and eventually he gets tripped up. He even gets one of those hilarious dreams with smoke swirling and actors dully repeating their lines. The movie is jam-packed with bits by stars who should have known better, some of them even Oscar-winners themselves (Crawford, Brennan, Borgnine.) Other cameos of people playing themselves lend a faux verisimilitude to the proceedings (Hopper, shortly before her death, Head, Hope, Oberon, even James Bacon appears at a press conference looking pouty because Archerd got all the lines.) There's a great little part for Hale as a snotty, demanding starlet and it's one time when Boyd comes off well. Lawford has a bit as a fallen star who works in a restaurant. Sadly, his own career would soon hit the skids as well. Adams adds a bit of verve as Borgnine's showy wife. She has one unfortunate scene, though, in which her behind is spread right in front of the camera. The film is a feast of kicky '60's production design, fun clothing and enormous hairdo's. There are a few clever touches in the film. At least twice, scenes involving different people are duplicated to show the parallels. The film has one of the all-time hilarious "surprise" resolutions...one last cackle before the credits roll. A MUST for any connoisseur of bad films!


56 of 65 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 55 user reviews »

Contribute to This Page