Set in the ancient past when humans and dinosaurs lived together, a small tribe is struggling to survive by giving a sacrifice of a blond woman to their god, the sun, in return for ... See full summary »
Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
When a spaceship lands on the moon, it is hailed as a new accomplishment, before it becomes clear that a Victorian party completed the journey in 1899, leading investigators to that mission's last survivor.
Caveman Tumak is banished from his savage tribe. He finds a brief home among a group of gentle seacoast dwelling cave people until he is banished from them as well. Missing him, one of their women, Loana leaves with him, deciding to face the harsh prehistoric world with its monsters and volcanos as a couple. Written by
It is interesting to note that, in the 26-year partnership between producer Charles H. Schneer and special effects artist Ray Harryhausen, "One Million Years B.C." is one of just two films (the other being The Animal World (1956)) of Harryhausen's work during that time frame which Schneer did not produce. See more »
The attacking Allosaurus is only about twice as large as his human opponents, when in actuality, it was at least five times bigger. Also, the Triceratops towers over Tumak and Loanna at the same height the Allosaur does, while the Ceratosaurus towers over the Triceratops. Allosaurus was much larger than Ceratosaurus. Of course, it could be speculated that the Allosaurus in this film was a juvenile creature. See more »
This is a story of long, long ago; when the world was just beginning.
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Characters and scenes appearing and names used are imaginary, and every reference to names, characters or facts really happened is purely fictional. See more »
Take off your cultural blinders...the one you put on when you watch a "trashy" movie...and think about what you are actually experiencing as you watch this movie. Is it merely a "trash" entertainment? To be sure, Raquel Welch in her furkini, the now quaint quality of the Harryhausen effects, the girl fight between Raquel and Martine Beswick, all provide the frisson of "trash" delight. But this movie is much more than that, a tour de force of imagination, and a heartbreaking work of staggering genius. The vision of man adrift in a hostile universe, at odds with his fellow creatures, his own untamed emotions, and the apocalyptic earth itself, is haunting and beautiful. Our only hope is Raquel, who offers a transcendent vision of peace and love--without uttering a word.
Special kudos to the music. Where the special effects strain against their limits, as in the terrifying pterodactyl attack and the final upheaval, the music carries home the emotion. I am reminded of Schopenhauer: "The internal relation that music has to the true nature of all things can also explain the fact that, when music suitable to any scene, action, event, or environment is played, it seems to disclose to us its utmost secret meaning and appears to be the most accurate and distinct commentary on it." In a film where words matter so little, the music is especially crucial. As you watch the pterodactyl snatch Raquel and carry her off to feed its young while the other humans watch in helpless dismay, listen to the music, and think about the "utmost secret meaning" of what you are witnessing. This is an artistic moment of astounding ambition, and there are many such moments throughout this sustained meditation on man and the universe.
A few years later, the same team made Creatures the World Forgot, a more "realistic" look at prehistoric survival sans dinosaurs, with a Cain and Abel story that is riveting...and my god, the cave people are hot!
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