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One Million Years B.C. (1966)

Not Rated | | Adventure, Fantasy | 21 February 1967 (USA)
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Prehistoric man Tumak is banished from his savage tribe and meets pretty Loana who belongs to a gentler coastal tribe but he must fight caveman Payto to win her favors.

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(screenplay), (adapted from an original screenplay by) (as Mickell Novak) | 2 more credits »
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Cast

Complete credited cast:
...
...
...
Sakana
...
...
Jean Wladon ...
Lisa Thomas ...
Malya Nappi ...
Tohana
Richard James ...
Young Rock Man
William Lyon Brown ...
Payto
Frank Hayden ...
1st Rock Man
Terence Maidment ...
1st Shell Man
Micky De Rauch ...
1st Shell Girl
...
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Storyline

Caveman Tumak is banished from his savage tribe. He finds a brief home among a group of gentle seacoast dwelling cave people until he is banished from them as well. Missing him, one of their women, Loana leaves with him, deciding to face the harsh prehistoric world with its monsters and volcanos as a couple. Written by Jim Cobb

Plot Summary | Add Synopsis

Taglines:

Recreated as never before - with all its realism, savagery, and scenic splendors captured on the Giant Screen in breathtaking COLOR by DeLuxe See more »

Genres:

Adventure | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 February 1967 (USA)  »

Also Known As:

Un millón de años A.C.  »

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Box Office

Budget:

£422,816 (estimated)

Gross USA:

$8,000,000, 31 December 1966
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

It is interesting to note that, in the 26-year partnership between producer Charles H. Schneer and special effects artist Ray Harryhausen, "One Million Years B.C." is one of just two films (the other being The Animal World (1956)) of Harryhausen's work during that time frame which Schneer did not produce. See more »

Goofs

The attacking Allosaurus is only about twice as large as his human opponents, when in actuality, it was at least five times bigger. Also, the Triceratops towers over Tumak and Loanna at the same height the Allosaur does, while the Ceratosaurus towers over the Triceratops. Allosaurus was much larger than Ceratosaurus. Of course, it could be speculated that the Allosaurus in this film was a juvenile creature. See more »

Quotes

[first lines]
Narrator: This is a story of long, long ago; when the world was just beginning.
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Crazy Credits

Characters and scenes appearing and names used are imaginary, and every reference to names, characters or facts really happened is purely fictional. See more »

Connections

Referenced in The Last Circus (2010) See more »

Frequently Asked Questions

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User Reviews

 
A Heartbreaking Work of Staggering Genius
18 March 2011 | by See all my reviews

Take off your cultural blinders...the one you put on when you watch a "trashy" movie...and think about what you are actually experiencing as you watch this movie. Is it merely a "trash" entertainment? To be sure, Raquel Welch in her furkini, the now quaint quality of the Harryhausen effects, the girl fight between Raquel and Martine Beswick, all provide the frisson of "trash" delight. But this movie is much more than that, a tour de force of imagination, and a heartbreaking work of staggering genius. The vision of man adrift in a hostile universe, at odds with his fellow creatures, his own untamed emotions, and the apocalyptic earth itself, is haunting and beautiful. Our only hope is Raquel, who offers a transcendent vision of peace and love--without uttering a word.

Special kudos to the music. Where the special effects strain against their limits, as in the terrifying pterodactyl attack and the final upheaval, the music carries home the emotion. I am reminded of Schopenhauer: "The internal relation that music has to the true nature of all things can also explain the fact that, when music suitable to any scene, action, event, or environment is played, it seems to disclose to us its utmost secret meaning and appears to be the most accurate and distinct commentary on it." In a film where words matter so little, the music is especially crucial. As you watch the pterodactyl snatch Raquel and carry her off to feed its young while the other humans watch in helpless dismay, listen to the music, and think about the "utmost secret meaning" of what you are witnessing. This is an artistic moment of astounding ambition, and there are many such moments throughout this sustained meditation on man and the universe.

A few years later, the same team made Creatures the World Forgot, a more "realistic" look at prehistoric survival sans dinosaurs, with a Cain and Abel story that is riveting...and my god, the cave people are hot!


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