En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams and past experiences.En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams and past experiences.En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams and past experiences.
- Molly (Mr. Sarkar's wife)as Molly (Mr. Sarkar's wife)
- (as Susmita Mukhopadhyay)
- Aghore, elderly journalistas Aghore, elderly journalist
- (as Jogesh Chattopadhyay)
A matinee idol Arindam Mukherjee (Uttam Kumar) is going by train to collect an acting award. On the train, he is confronted by a journalist Aditi (Sharmila Tagore) who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets. On a parallel track, a number of sub-plots unfold (involving an advertising executive and his wife, a businessman and his family, a silent swami and a cranky old man) to reveal the hypocrisies and frailties of the society. The film reaches a climax when Arindam, overcome by his guilt, contemplates suicide and is dissuaded by Aditi. The next morning, Aditi who had surreptitiously taken notes of their conversation destroys them - not wanting to reveal Arindam's darkest secrets. When the train reaches its destination, Arindam alights and is surrounded by his fans and is back to his normal star self where there is no place for guilt, confessions and Aditi. —Diptakirti Chaudhuri <email@example.com>
catch the two giants of 1960s Bengali cinema in one movie
Uttam Kumar is regarded the greatest star of Bengali Cinema (a MahaNayak). It is quite apparent that Ray's favourite actor was Soumitra Chatterjee. Nayak and Chiriakhana are the only two films Ray made with Uttam. It is an ironic film made at a time Uttam was at his peak of his star status like his character Arindam and this movie almost feels like a Ray's satirical tribute to Uttam - smooth professional that he was Uttam unperturbed gives a superb performance. Nayak is my personal favourite of Ray films and certainly the best of Uttam's films. Sadly, I have never been able to see Chiriakhana. has anyone seen this film? It is the only whodunit Ray filmed without Soumitra in the lead role. Wonder why Satyajit didn't continue with Uttam after this performance...
- Oct 18, 2005
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