The Naked Prey (1965) - News Poster


‘Adrift’ Review: Shailene Woodley Rescues a True Life Survival Thriller from Drowning at Sea

‘Adrift’ Review: Shailene Woodley Rescues a True Life Survival Thriller from Drowning at Sea
Stories of people stranded in the wilderness have always been natural fodder for movies, as ideas of being lost in the jungle or shipwrecked at sea tap into a natural anxiety about the smallness of our place in the world, and the uneasy need for co-dependence that it inspires. And yet, without diminishing some formative examples, or paving over the past’s most hideous aberrations (George C. Scott’s “The Savage Is Loose” springs to mind), it seems as though the whole “lost adventurers” genre is just starting to find itself. “Adrift” may be the first of these movies that actually explains this recent phenomenon.

And it’s been a long time coming: In just the last eight years or so, we’ve seen mainstream American movies about a dude getting wedged beneath a rock (“127 Hours”), an older dude getting stuck in wolf country (“The Grey”), and an even
See full article at Indiewire »

Horror Highlights: Campaign to Save The Exorcist TV Series, Parasites Q&A, Hunting Grounds

Fans of The Exorcist TV series have rallied together to get the attention of Fox and hopefully get a second season of the show. Their latest campaign, as well as a video featuring fans from all over the world, is included in today's Horror Highlights, which also features a Q&A with the director of Parasites and Hunting Grounds VOD release details.

Details on The Exorcist TV Series's 'Fear the Feathers' Campaign: Press Release: "The Global Fandom for the Fox Television show "The Exorcist" launch[ed] their latest campaign "Fear The Feathers" on Friday, December 30, 2016, in an effort to plead with the network to renew the show for a second season.

The 10 episode series has recently ended its season one run with no news of a renewal from the Fox network. Passionate fans of the show, who have named their cohesive group the "Exorcist Congregation,” have been very vocal on social
See full article at DailyDead »

Horror Highlights: Buffy The Vampire Slayer, The Drawing, Gehenna: Where Death Lives, Woom Excerpt, Ithaca Fantastik Fest, The Master Cleanse

"I may be dead, but I'm still pretty." Whether you want to watch Buffy Summers and company battle supernatural beings for the first time or re-live all your favorite moments from the show, reruns of Buffy the Vampire Slayer are playing now on Pop TV. Also: The Drawing short film starring Clarke Wolfe in its entirety, a trailer / acquisition news for Gehenna: Where Death Lives, an excerpt from Duncan Ralston's Woom, the lineup for Ithaca Fantastik Film Festival, and The Master Cleanse at Screamfest.

Buffy the Vampire Slayer on Pop TV: Reruns of Buffy the Vampire Slayer are now playing on Pop TV.

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Watch Short Film The Drawing in its Entirety: Press Release: "Los Angeles, CA: The Drawing is coming! The Drawing is here! The Drawing is a modern monster horror short infused with 80s synth overtones.
See full article at DailyDead »

Horror Highlights: In A Valley Of Violence Poster, Two Minutes With Tom Holland, Ithaca Fantastik Film Festival

  • DailyDead
Relax with the latest Horror Highlights brought to you by your friends here at Daily Dead. The first of three items today is a new poster for festival darling, In a Valley of Violence. Also: GoFundMe details for the 22-episode documentary Two Minutes with Tom Holland and a look at Ithaca Fantastik Film Festival's program announcement.

Check Out The New In a Valley of Violence Poster: Focus World will release In a Valley of Violence in select theaters and on VOD and Digital HD on October 21st, 2016.

“A mysterious drifter named Paul (Ethan Hawke) and his dog (YouTube sensation Jumpy) make their way towards Mexico through the barren desert of the old west. In an attempt to shorten their journey, they cut through the center of a large valley — landing themselves in the forgotten town of Denton, a place now dubbed by locals as a “valley of violence.” The once-popular
See full article at DailyDead »

Netflix comings and goings: Donald Trump parody in, 'Tmnt' out

  • Hitfix
Netflix comings and goings: Donald Trump parody in, 'Tmnt' out
Summer is coming to an end and the 2016-17 TV season is just around the corner (not to mention football and more football). So it’s a good time to cram in a whole collection of shows and movies on Netflix before your schedule gets so full you won’t know what to do with yourself. Some exciting additions are a couple Fast and Furious movies, No Country for Old Men and Funny Or Die Presents: Donald Trump’s Art of the Deal: The Movie, which stars Jonny Depp as Trump. Check out the list. Find a comfortable spot and begin watching. New to Netflix August 1 The American Side An Inconvenient Truth Apex: The Story of the Hypercar Beethoven’s Christmas Adventure Big Daddy Black Widow Critical Condition Deadfall Destination: Team USA Funny Or Die Presents: Donald Trump’s Art of the Deal: The Movie The Family Man The Fast and the Furious
See full article at Hitfix »

11 Good Movies to Watch on Hulu for April 2016

That’s right. Hulu. I’m here to tell you that there’s a cinematic streaming goldmine available on Hulu that includes recent hits, older classics, domestic releases, and foreign imports. It’s even home to hundreds of Criterion titles. Sure there’s plenty of filler and seemingly thousands of titles I’ve never heard of before, but I’m not here to talk about possible gems like Nocturnal Agony… I’m here to recommend some good movies to watch this month on Hulu. Pick of the Month: ’71 (2014) A young British soldier (Jack O’Connell) enters the street of 1971 Belfast in an attempt to keep the peace, but when a riot breaks out and he’s accidentally left behind what he finds is anything but peaceful. This is a crackerjack thriller that brings tension and suspense to what’s in some ways a modern(-ish) update of The Naked Prey. O
See full article at FilmSchoolRejects »

Figures in a Landscape

Where was Leonard Pinth Garnell when we needed him?  Joseph Losey is often accused of pretension but in this case he may be guilty. Robert Shaw and Malcolm McDowell are escapees scrambling across a rocky terrain, pursued by a helicopter that seems satisfied to just harass them. Keeping the audience in the dark doesn't reap any dramatic or thematic benefit that I can see. Figures in a Landscape Blu-ray Kl Studio Classics 1970 / Color / 2:35 widescreen / 110 min. / Street Date January 12, 2016 / available through Kino Lorber / 29.95 Starring Robert Shaw, Malcolm McDowell, Roger Lloyd Pack, Pamela Brown. Cinematography Henri Alekan, Peter Suschitzky, Guy Tabary Film Editor Reginald Beck Art Direction Ted Tester Original Music Richard Rodney Bennett Written by Robert Shaw from the novel by Barry England Produced by John Kohn Directed by Joseph Losey

Reviewed by Glenn Erickson

Joseph Losey is a gold mine for film criticism but a real problem for simple film reviewing.
See full article at Trailers from Hell »

Off The Shelf – Episode 74 – The Best DVDs & Blu-rays from 2015

In this special episode of Off The Shelf, Ryan and Brian take a look at the best DVD and Blu-ray 2015.

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Follow-Up Ryan buys the Ernest and Celestine Blu-ray from Plain Archive Ultra HD Blu-ray Pre-orders Live, March 1st release: Fox, Sony, WB, Shout! and now Lionsgate Curzon Tarkovsky Ryan’s Top 10 List of 2015 Classics from the Van Beuren Studio (Thunderbean Animation) Thunderbirds: The Complete Series (Timeless Media Group / Shout! Factory) The Adventures of Buckaroo Banzai Across the 8th Dimension (Arrow UK) Twice Upon A Time (Warner Archive Collection) Journey to the Center of the Earth (Twilight Time) Watership Down (The Criterion Collection) Walt Disney Animation Studios: Short Films Collection (Disney) 3-D Rarities (Flicker Alley) Spartacus: Restored Edition (Universal) The Apu Trilogy (The Criterion Collection)

Honorable mentions:

Arrow Video: Kiju Yoshida: Love + Anarchism, The Train, The Criterion Collection: The Fisher King, Moonrise Kingdom
See full article at CriterionCast »

Watch: Gaspar Noé Visits The Criterion Collection Closet

Gaspar Noé's very explicit 3D "Love" is undressing itself in arthouses around the country, and the director has been busy chatting with press (read our talk with him right here). However, the folks over at The Criterion Collection managed to allow the filmmaker to fulfill every cinephiles dream —walk into their closet full of releases and walk out with whatever he wanted. Read More: Cannes Review: Gaspar Noe's Hardcore & Softhearted "Love" It's probably not a surprise that Noé pivots toward genre fare, so sorry, no Wes Anderson titles will be found in his hands. Rather, he eyes Pier Paolo Pasolini's "Salo," Paul Schrader's "Mishima," the thriller "The Naked Prey," and shares his penchant for Japanese cinema. So take a few minutes and see Noé flip through Criterion titles below.
See full article at The Playlist »

Watch Gaspar Noé Visit the Criterion Collection Closet and Pick His Favorite Films

“I remember my mother, on my eighteenth birthday, she brought me to see Pasolini’s Salò,” Gaspar Noé recently told us. “I said, ‘Why did you show me this?’” She said, “You’re old enough to understand human cruelty.” [Laughs] To her, it was important that I see that movie. ‘Now you’re a man. You have to face what the humankind is.'”

It’s no surprise that the director, while doing press for Love here in New York City, picked the aforementioned film upon a stop-in at the Criterion Collection closet. His other choices included Seconds (which says he had planned to remake), Pigs, Pimps, and Prostitutes: 3 Films by Shohei Imamura, Master of the House, Safe (a film he’s seen “two or three times”), State of Siege, Sundays and Cybèle, Jigoku, Island of Lost Souls, The Naked Prey, and his optimal double bill: Yukio Mishima‘s Patriotism and
See full article at The Film Stage »

Learning From The Masters Of Cinema: Cornel Wilde's The Naked Prey

Celebrating its 50th anniversary this year, The Naked Prey remains the only film directed by Cornel Wilde to be widely available, a situation that based on this example, is a lamentable state of affairs indeed. An incredibly physical actor, who was at least as proficient an athlete, Wilde found himself regularly typecast in classically heroic roles after moving to Hollywood. He had been offered a place on the Us Olympic fencing team in 1936, but turned it down to pursue his acting career. In 1940, Wilde played Tybalt in Laurence Olivier's New York stage production of Romeo & Juliet, for which he also choreographed the sword fights. Then in 1945 he was cast as composer Frederic Chopin opposite his acting hero Paul Muni in Charles Vidor's A...

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See full article at Screen Anarchy »

Toronto Film Review: ‘The Reach’

Toronto Film Review: ‘The Reach’
Judging by Michael Douglas’ presence as producer and star, “The Reach” must have been some sort of passion project for the aging Hollywood icon. Well, as Pascal observed, the heart has its reasons — which, in Douglas’ case, remain impenetrable at the end of “The Reach,” for upwards of 90 minutes, while the audience looks on in quiet disbelief. A hopelessly misguided mashup of Cornel Wilde’s 1955 cult favorite “The Naked Prey” and “The Most Dangerous Game,” with Douglas playing a mutant hybrid of Gordon Gekko and the Glenn Close character from “Fatal Attraction,” this inauspicious English-language debut for promising French helmer Jean-Baptiste Leonetti doesn’t look to reach far from its Toronto premiere (where Lionsgate paid a surprising $2 million for the U.S. rights).

If there were a festival prize for most Chekovoian use of a handgun, it would surely go to “The Reach” for the early scene in which small-town
See full article at Variety - Film News »

Review: WWII Triple Feature: "Attack" (1955), "Beach Red" (1967) And "Attack On The Iron Coast"

  • CinemaRetro
By Lee Pfeiffer 

Now this is what you call a bargain: three terrific WWII flicks for only $10 on Amazon, courtesy of Shout! Factory's Timeless Media label, which continues to distribute first rate editions of films that were often considered to be second-rate at the time of their initial release. This "War Film Triple Feature" package includes three gems that were not particularly notable at the time of their release. Two have grown in stature, while the third has benefited only from Cinema Retro writer Howard Hughes' enthusiastic coverage in issue #25. The films included in the set are:

"Attack" (1955)- During the period of WWII, both the Allied and Axis film industries concentrated on feature films that were pure propaganda designed to motivate their fighting men and the public at large. By the early-to-mid-1950s, however,  more introspective viewpoints emerged among Hollywood directors and writers. With the conflict now over,
See full article at CinemaRetro »

‘Heatstroke’ Review: Maisie Williams Leaves Winter Behind for an African Adventure

Savage Harvest is a 1981 movie starring Tom Skerritt as the patriarch of a family under siege by a pride of lions in Africa. It is awesome. Heatstroke gives the impression early on that it’s aiming for a similar feel — albeit with the lions replaced by hyenas — but what follows is nothing of the sort. There is only one hyena. And it’s less of a carnivorous threat than it is the reassuring reincarnation of Stephen Dorff (probably). Paul (Dorff) is a hyena expert teaching classes on hyenas. The divorced father of one is planning a trip to South Africa with his girlfriend Tally (Svetlana Metkina), but a call from his distraught ex-wife worried that their daughter Jo (Maisie Williams) is using drugs leads to the ornery teenager joining the research safari. Tally has little interest in taking care of a child, but she tries her best in the face of Jo’s constant attitude and ungratefulness
See full article at FilmSchoolRejects »

The Unseen: 'Cannibal Ferox'

  • FEARnet
The Unseen: 'Cannibal Ferox'
In my slightly sordid past, I have been dared to do a number of things including drink a pint of scotch in just an hour, dance on stage with a male stripper named Turbo, and also watch Cannibal Holocaust and Cannibal Ferox back-to-back before I knew anything about them. Out of all of these tasks, the cannibal films were the hardest to get through and resulted in more nausea than the scotch. In short, I have a thing about animals. I can watch the most extreme horror films where people are the victims. But show me a slightly sad puppy or a mildly inconvenienced raccoon, and I’m disturbed for the remainder of the day. Why? Animals aren’t acting, and in the case of these classic cannibal films, the animal deaths are all real. That said, I have an odd appreciation for these films simply for attempting to push the envelope of decency.
See full article at FEARnet »

‘Riddick’ Review: In Space No One Should Have to Hear Your Nipple Banter

Richard B. Riddick (Vin Diesel) awakens on a dusty and deserted planet and immediately starts yammering on about how down on his luck he is, how nobody likes him, and how he may as well just die. But if there’s one consistent thing about Riddick (there are actually nothing but consistent things about Riddick) it’s that he is one difficult bastard to kill. Seems like just yesterday he was pouting on his throne as leader of the Necromongers, but after refusing to partake in a fivesome, he’s shipped off ostensibly to search for his home planet of Furya. Joke’s on him, though, as the bullies actually abandon him on the otherwise empty planet of Not Furya where he’s forced to avoid becoming dinner for creatures from land, sea, and air. He soon grows tired of performing his one-man show, a mash-up of The Lion King and The Naked Prey, for
See full article at FilmSchoolRejects »

Film Review: ‘Riddick’

Film Review: ‘Riddick’
Having been left for dead in more ways than one after the critical and commercial failure of 2004’s “The Chronicles of Riddick,” Vin Diesel’s futuristic fugitive Richard B. Riddick gets his lean, mean, R-rated mojo back for “Riddick,” an improbable but very enjoyable sequel that recaptures much of the stripped-down intensity of Diesel and director David Twohy’s franchise starter “Pitch Black” (while treating “Chronicles” like the dream season of “Dallas”). Once again pitting Diesel’s eponymous anti-hero against human and alien adversaries on a rugged desert planet, this exuberantly gory chase pic won’t orbit the same box office galaxy as the star’s “Fast & Furious” series, but will have no trouble recouping its reported $38 million budget (one-third the cost of “Chronicles”).

In an image that can be seen as a metaphor for the entire Riddick franchise, the new film opens with Diesel emerging from under a pile
See full article at Variety - Film News »

Fright At Home: August 27th’s DVD & Blu-ray Releases!

Today may not be a massive day for home video for some people, but most people have not been introduced to the insane fun of I Come In Peace (or Dark Angel, whichever floats your Lundgren boat). It’s something of a miracle that Scream Factory’s brought it to Blu-ray, and a testament to how incredible they are. Also out from Scream & Shout Factory are Larry Cohen’s Q: The Winged Serpent on Blu-ray, Charles Bronson & Lee Marvin’s western team-up Death Hunt, an action-packed double feature of The Barbarians and The Norseman, and last but not least Season 3 of The Walking Dead from Anchor Bay.

I’ve attached artwork and links below to purchase if you so desire!

Fright At Home: August 27th’s DVD & Blu-ray Releases

Purchase: Dark Angel (I Come In Peace) (Blu-ray/Scream Factory)

Detective Jack Caine (Dolph Lundgren, Joshua Tree, The Expendables) thought he
See full article at Icons of Fright »

Review: “Naked & Afraid”

Just the title “Naked & Afraid” already sounds like a ratings winner for Discovery Channel, if one that will no doubt be easily confused with latenight fare available on Cinemax. Putting the budget for digitally obscured genitalia to the test (think “Borat,” only not consciously played for laughs), each episode will pit a pair of survivalists against an exotic locale, trying to hold out for three weeks with no food, water or (drum roll, please) clothes. What ensues is pretty typical of the genre, but it’s still kind of a risible kick, if only for how seriously the show takes itself.

A self-described “Everest of survival challenges,” the series promises — and then frequently restates — that the participants are accompanied by only a small crew with “clear instructions not to intervene unless there is a medical emergency.” In other words, it’s very important to believe these people might die, even
See full article at Variety - TV News »

Mad Men @ The Movies: Born Free, Feeling Trapped

In this series we explore the connections between Mad Men and the cinema. Season five has, thus far, not used the movies as much as they have in previous seasons. Though it's also possible that blogging concurrently with airings could result in missed references. Needless to say, I am behind so let's discuss the past couple of weeks of Mad Men.

Driving lessons for sad Pete Campbell

5.5 "Signal 30"

This episode focused on Pete, one of the show's least likeable characters who has, over the course of five years, grown more sympathetic and even more admirable while not really becoming more likeable per se. It's a nifty balancing act that actor Vincent Kartheiser performs tremendously well. Other than fame and fortune, this has been a thankless character for him as his fellow cast members have reaped abundant nominations (if strangely no wins) and increased big screen traction. If they have any
See full article at FilmExperience »
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