The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »
A modern-day politician is faced with an incomprehensible in this mystical-fantasy. Senator Rast is a very powerful man. But his is nothing compared to the extraordinary power of the ... See full summary »
Jealousy and hatred is what separates the Pandavas and Kauravas. The Kauravas fear the Pandavas are after the throne of their father. Yudhishthira of the Pandavas gets told by the deity, Krishna, that he will become king. A war is inevitable.
After Thérèse is acquitted of trying to poison her husband, Bernard Desqueyroux, she recalls the events that lead to her being charged. At the beginning of her marriage to Bernard, the only... See full summary »
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta ... See full summary »
July 13, 1808 at the Charenton Insane Asylum just outside Paris. The inmates of the asylum are mounting their latest theatrical production, written and produced by who is probably the most famous inmate of the facility, the Marquis de Sade. The asylum's director, M. Coulmier, a supporter of the current French regime led by Napoleon, encourages this artistic expression as therapy for the inmates, while providing the audience - the aristocracy - a sense that they are being progressive in inmate treatments. Coulmier as the master of ceremonies, his wife and daughter in special places of honor, and the cast, all of whom are performing the play in the asylum's bath house, are separated from the audience by prison bars. The play is a retelling of a period in the French Revolution culminating with the assassination exactly fifteen years earlier of revolutionary Jean-Paul Marat by peasant girl, Charlotte Corday. The play is to answer whether Marat was a friend or foe to the people of France. ...Written by
The revolution came and went, And unrest was replaced by discontent.
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The opening credits - the play's title, stage credits and the actors appearing in the film - pop on the screen, one word at a time, until it is filled. The closing credits - the film's production staff - start off with a full screen of words, and they then pop off the screen, one word at a time, until it is completely empty...just as it was when the film began. See more »
The first VHS video release of the film, through Water Bearer Films, includes an expositional opening monologue over the opening titles on black. See more »
It was hard for me to follow the film because I know very little about the French Revolution and also because of my english competency. But I was fascinated by the plot itself and by how beautifully it was performed. While watching this, I felt disturbed and something uncomfortable in my stomach. I guess it is because of the bizarre appearances of the characters. The final scene was also greatly disturbing, even though it was somehow predictable from the numerous ruptures in the earlier parts of the play.
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