1.9/10
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680 user 100 critic

Manos: The Hands of Fate (1966)

Not Rated | | Horror | 15 November 1966 (USA)
A family gets lost on the road and stumbles upon a hidden, underground, devil-worshiping cult led by the fearsome Master and his servant Torgo.

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Cast

Cast overview, first billed only:
Tom Neyman ... The Master
John Reynolds ... Torgo
Diane Adelson ... Margaret (as Diane Mahree)
Harold P. Warren ... Michael (as Hal Warren)
Stephanie Nielson ... Master's Wife
Sherry Proctor ... Master's Wife
Robin Redd ... Master's Wife
Jackey Neyman Jones ... Debbie (as Jackey Neyman)
Bernie Rosenblum ... Teenager in Car
Joyce Molleur ... Teenager in Car
William Bryan Jennings ... Cop
Jay Hall ... Girl in Convertible
Bettye Birns ... Master's Wife
Lelanie Hansard ... Girl in Convertible
Pat Coburn ... Master's Wife
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Storyline

A family driving through a small town gets lost and winds up at a backwoods shack managed by Torgo, who takes care of it while The Master is away. The Master worships Manos, an evil deity, and he also wears a neat cape. When Torgo lets the family stay, The Master awakens and does mean stuff like burning off Torgo's hand and sicking his dog on the family pet. Meanwhile, The Master's wives wrestle for his favor. Written by Jeremy Yuenger <yuenger@tony.bc.edu>

Plot Summary | Plot Synopsis

Taglines:

A cult of weird, horrible people who gather beautiful women only to deface them with a burning hand! See more »

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 November 1966 (USA)  »

Also Known As:

Fingers of Fate  »

Filming Locations:

 »

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Box Office

Budget:

$19,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.30 : 1
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Did You Know?

Trivia

One day, to mock Harold P. Warren's prima donna attitude to directing, Bernie Rosenblum impersonated Erich von Stroheim, wearing a safari suit and barking out orders. See more »

Goofs

When the cop pulls over the family for the busted tail light, he begins writing the ticket without asking to see a license. See more »

Quotes

[first lines]
Margaret: We're almost there, honey. Just a little while longer and your vacation starts.
Debbie: I'm getting cold, mother, and hungry!
See more »

Crazy Credits

The End? See more »

Frequently Asked Questions

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User Reviews

 
If nothing else, then at least you'll learn that nothing else could ever be this bad...
3 January 2007 | by See all my reviews

I watched Manos last night.

Oh, I was the cocky one, intrigued by all the attention Manos receives, even though it is, after all, 40 years old. Sure, I thought, it'll be a laugh to investigate the claim that this might be the worst film ever made. Why, if its that bad, there must at least be comedy value in its awfulness? And in consolation, it is only an hour long.

No, the warnings are true and serious, this is bloody terrible.

After twenty minutes, I had stopped sniggering at the unimaginable ineptitude. I only realised that twenty minutes had passed when i flicked on the timer on the DVD; I honestly thought it was closer to forty-five.

After forty minutes I was shifting uncomfortably in my chair and I wanted to cry.

After an hour, I was submerged in despairing, pointless anger. I was angry with everyone involved in the film, angry with my cup of tea, my flat, the world, even God Himself (or Herself).

You will lose faith in humanity watching this film.

Imagine any conceivable measure for any possible aspect of film-making, and Manos still gets zero out of whatever. This "film" fails so utterly in every way, you'll wonder if anyone involved in its creation had ever seen or even heard of films or television. No, more than that, you'll wonder if they'd ever even spent a day on this planet. There isn't one single moment that you forget that these people are standing in front of a camera, ineptly executing one of the most awful scripts ever imagined.

I've never been so insulted by any form of "entertainment". I lost count of the number of times I was beaten over the head with a totally obvious point. I lost count of the number of times completely random stuff just *happened* with no genesis or consequence. I certainly didn't lose count of the number of locations used, or the number of musical cues, you could count those on one hand, after a circular saw accident. It baffled me that they never realised that you can't shoot film at night without some form of lighting. And the music itself... oh God.

I don't need to warn you about spoilers, there's plenty to complain about without resorting to inconsequential detail. Like the way that every time it cuts to the family, they're just standing, for no reason, in the same spot, waiting to talk to the camera. Like the absolutely shocking and disgraceful editing. People jump from awake to asleep and back, from one spot to another, from happy to sad, instantaneously. The awful acting... I don't know, its like everyone was given a piece of paper with some emoticons for happy, sad, scared and angry, and told to learn them off. The dialogue... well, technically it *is* dialogue, in the same way that McDonalds is food. Well, some people might enjoy McDonalds. See, I can't think of a parallel awfulness; "Manos" is to "bad" as... you can't finish that sentence.

Good Lord, I could go on, and on, and on, but I won't. This film cannot warrant anything but a 1/10 on IMDb. I haven't seen any of the other bottom 100 as of today, but i'm willing to bet that they are at least a rough approximation to what we call a "film". This is not.

Seriously, you really, really need to be in a masochistic kinda mood to see this out. I had to leave the screen timer on after 45 minutes just so I could keep reminding myself that, second by second, it *would* end. Because Hell itself might just be never-ending Manos.


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