A Man for All Seasons (1966)

The story of Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarry.

Director:

Fred Zinnemann

Writers:

Robert Bolt (from the play by), Robert Bolt (screenplay)

Stars:

Paul Scofield, Wendy Hiller, Robert Shaw

Won 6 Oscars. Another 27 wins & 8 nominations.

Cast

Cast overview, first billed only:
Paul Scofield	...	Thomas More
Wendy Hiller	...	Alice
Leo McKern	...	Cromwell
Robert Shaw	...	Henry VIII
Orson Welles	...	Cardinal Wolsey
Susannah York	...	Margaret
Nigel Davenport	...	Duke of Norfolk
John Hurt	...	Rich
Corin Redgrave	...	Roper
Colin Blakely	...	Matthew
Cyril Luckham	...	Archbishop Cranmer
Jack Gwillim	...	Chief Justice
Thomas Heathcote	...	Boatman
Yootha Joyce	...	Averil Machin
Anthony Nicholls	...	King's Representative

Storyline

The story takes place in 16th century England. But men like Sir Thomas More, who love life yet have the moral fiber to lay down their lives for their principles, are found in every century. Concentrating on the last seven years of the English chancellor's life, the struggle between More and King Henry VIII hinges on Henry's determination to break with Rome so he can divorce his current wife and wed again, and good Catholic More's inability to go along with such heresy. More resigns as chancellor, hoping to be able to live out his life as a private citizen. But Henry will settle for nothing less than that the much respected More give public approval to his headstrong course.

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Plot Keywords:

divorce | king henry viii | thomas more | catholic | heresy | 

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Taglines:

His silence was more powerful than words.

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Genres:

Biography | Drama | History

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Certificate:

G

Details

Official Sites:

Sony Movie Channel [United States]

Country:

UK

Language:

English Latin Spanish French

Release Date:

3 May 1967 (France)

Also Known As:

El hombre de dos reinos

Filming Locations:

Beaulieu River, Hampshire, England, UK

Box Office

Budget:

$2,000,000 (estimated)

Gross USA:

$28,350,000

Company Credits

Production Co:

Highland Films

Technical Specs

Runtime:

120 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

The trial and execution scenes are based very closely on an eyewitness account, published anonymously in the Paris Newsletter of August 4, 1535.

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Goofs

In the beginning of the film, when the messenger is being rowed to Thomas More's house, the sun is setting in the sky, it is obvious that daylight is fading. When the messenger arrives at More's house, the daylight is no longer fading and instead the brightness of the day indicates early afternoon or even morning.

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Quotes

[first lines]
[first spoken lines are over 6 minutes into the film]
Man: ...there's the country every second bastard born is fathered by a priest.
Matthew: [clears throat to get More's attention]
Man: Why, in Utopia, that couldn't be.
Man: But why?
Man: Well, there the priests are very holy.
Man: Therefore, very few.
Sir Thomas More: Is it anything interesting, Matthew?
Matthew: Bless you, sir, I don't know.
[...]

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Connections

Referenced in House Calls: Man for All Surgeons (1982)

User Reviews

One of the most intelligent and moving films ever

A Man For All Seasons is an erudite examination of the old Biblical maxim: a man cannot serve two masters. Sir Thomas More (poignantly portrayed by Paul Scofield) struggles to be true to both his faith and his monarch (the lusty and hearty King Henry VIII superbly played by Robert Shaw). I think it is difficult for citizens in our present secular society to truly understand just how central a role religion played in a man's life during the period of the film; it was an age of faith when Christianity exerted the most powerful of influences on one's thinking. On a side note, the American Republic wisely sought a nation that "divided church and state." However, the fine distinction remains that it would be a state informed by faith but not run by the church. The aforementioned exemplary performances by the leads are backed by excellent supporting turns, especially from Orson Welles as the less than saintly Cardinal Wolsey and the eternally ebullient Susannah York as Sir Thomas's daughter Margaret. This is a true masterpiece that richly deserves all the accolades and plaudits it has received.