A bright satirical comedy about an innocent high school girl granted her wishes by a student prodigy. A broad satire of teenage culture in the sixties, its targets ranging from progressive education to beach movies.
Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his ... See full summary »
A bored housewife poses as a call girl for a movie star sex-symbol, hoping she can prove to her husband, the star's agent, that she is still desirable to other men and thereby, rekindle the spark in their marriage.
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Mamie Van Doren,
High-school senior Barbara Ann Greene has a lot to overcome to reach her dreams to be popular, get a job, find a husband, and maybe even be a movie star: she's poor, her parents are divorced, and her mother is a cocktail waitress. Right beside her, though, is her best friend and Svengali, Alan. He helps her get 12 cashmere sweaters, a job in the principal's office, spring break at Balboa, and more. Along the way, the satire bites teen mores, beach-blanket bikini movies, adults in charge, the country-club set, Christian-youth programs, older men's fantasies, and teen girls' innocence. How popular will Barbara Ann become, and what lengths will Alan go to get her there?Written by
Barbara Ann's sweaters as mentioned in chronological order: Grape Yum Yum, Banana Beige, Lemon Meringue, Pink Put On, Papaya Surprise, Periwinkle Pussycat, Turquoise Trouble, Midnight A-Go-Go, and Peach Putdown. See more »
When Barbara Ann inscribes her name in cement near beginning of film, she writes the second R in first name twice due to inconsistency in long shot and closeup. See more »
This is not a good day for me. As a matter of fact, the good days get fewer and fewer.
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During closing credits, we hear a duck quacking. See more »
The early nineteen sixties were the great age of black comic satire in American cinema. Everyone remembers Doctor Strangelove and The Nutty Professor and Lolita and One Two Three and The Loved One.In a sense, this neglected masterpiece was the culmination. Even though Axelrod wasn't a genius like Kubrick or Wilder, this film hits its target just as unerringly. Think of it as a darker, much more savage Rushmore, in which almost all the false Gods of our civilization - phony preachers, psychoanalysis, public "education",consumerism, youth 'culture',- are weighed in the scales and found wanting. Roddy Mcdowall and Tuesday Weld give two of the great comic perfomances. Indeed, Mcdowall is inspirational to any would-be anarchist. Should be seen - and discussed - more often. Scorsese once listed this film among his "guilty pleasures": He has nothing to be guilty about-this is wonderful
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