| Complete credited cast: | |||
| Audrey Hepburn | ... | Nicole Bonnet | |
| Peter O'Toole | ... | Simon Dermott | |
| Eli Wallach | ... | Davis Leland | |
| Hugh Griffith | ... | Charles Bonnet | |
| Charles Boyer | ... | DeSolnay | |
| Fernand Gravey | ... | Grammont | |
| Marcel Dalio | ... | Senor Paravideo | |
| Jacques Marin | ... | Chief Guard | |
| Moustache | ... | Guard | |
| Roger Tréville | ... | Auctioneer (as Roger Treville) | |
|
|
Edward Malin | ... | Insurance Clerk (as Eddie Malin) |
|
|
Bert Bertram | ... | Marcel |
In Paris, wealthy Charles Bonnet is well known in the art world as a collector of rare pieces, mostly of the impressionist masters. He will on occasion sell paintings from his collection at auction. In reality, he is an art forger, he only reproducing those pieces known to have gone missing. His daughter, Nicole Bonnet, wants him to stop this business fearing that some day soon he will get caught. She is most concerned about he loaning out his Cellini Venus statue to the Kléber-Lafayette Museum, as she knows that technology can now test for things such as material age which would prove that the statue and by association he is a fraud. He ends up causing a problem for himself when he signs a $1 million insurance policy for the statue for the museum, which unwittingly allows them to test the piece for its authenticity. To save her father from jail, Nicole feels the only thing she can do is try to steal the statue from the gallery which may not be the easiest thing to do especially as ... Written by Huggo
Somehow Audrey Hepburn made fluffy romantic caper movies look
like high art. Take this adorable trifle directed by William Wyler
with Audrey looking glorious in her trademark Givenchy clothing.
Audrey could have phone in a performance, but she's totally
enchanting as always, making us overlook the seams in the script.
She's beautifully supported by Peter O'Toole, who never looked
handsomer or more Cary Grant-ish in his life as Simon, the art
expert who gets talked into stealing Audrey's father's statue of the
Cellini Venus back from the museum when it is learned the statue
has to be authenticated for insurance purposes.
Hugh Griffith, as Audrey's father, is a delightful rogue of an art
forger and Charles Boyer and Eli Wallach just add to the fun. The
actual theft of the statue is quite ingenious, if a little too drawn out.
Still, here's two hours of pure enchantment. That Ferrari still looks
good nearly forty years later, and if Audrey was walking down Fifth
Avenue, dressed in Givenchy's stunning creations today, she'd
cause a riot. Check out that lace cocktail dress with the matching
lace mask at the bar of the Ritz in Paris! It doesn't get any chicer
than this.