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How to Steal a Million (1966)

Not Rated | | Comedy, Crime, Romance | 19 August 1966 (UK)
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Romantic comedy about a woman who must steal a statue from a Paris museum to help conceal her father's art forgeries, and the man who helps her.

Director:

William Wyler

Writers:

George Bradshaw (based on a story by), Harry Kurnitz (screenplay)
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1 nomination. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Nicole Bonnet
Peter O'Toole ... Simon Dermott
Eli Wallach ... Davis Leland
Hugh Griffith ... Charles Bonnet
Charles Boyer ... DeSolnay
Fernand Gravey ... Grammont
Marcel Dalio ... Senor Paravideo
Jacques Marin ... Chief Guard
Moustache ... Guard
Roger Tréville Roger Tréville ... Auctioneer (as Roger Treville)
Edward Malin Edward Malin ... Insurance Clerk (as Eddie Malin)
Bert Bertram Bert Bertram ... Marcel
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Storyline

In Paris, wealthy Charles Bonnet is well known in the art world as a collector of rare pieces, mostly of the impressionist masters. He will on occasion sell paintings from his collection at auction. In reality, he is an art forger, he only reproducing those pieces known to have gone missing. His daughter, Nicole Bonnet, wants him to stop this business fearing that some day soon he will get caught. She is most concerned about he loaning out his Cellini Venus statue to the Kléber-Lafayette Museum, as she knows that technology can now test for things such as material age which would prove that the statue and by association he is a fraud. He ends up causing a problem for himself when he signs a $1 million insurance policy for the statue for the museum, which unwittingly allows them to test the piece for its authenticity. To save her father from jail, Nicole feels the only thing she can do is try to steal the statue from the gallery which may not be the easiest thing to do especially as ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Having a Wonderful Crime! Wish You Were Here! See more »

Genres:

Comedy | Crime | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

19 August 1966 (UK) See more »

Also Known As:

William Wyler's How to Steal a Million See more »

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Box Office

Budget:

$6,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

World Wide Productions See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Color by Deluxe)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Peter O'Toole breaks into the house, Audrey Hepburn is in bed reading Alfred Hitchcock's mystery magazine. In her Oscar winning performance as the princess in Roman Holiday (1953) in 1953, she is shown in bed reading a book about Alfred Hitchcock. See more »

Goofs

The Venus statue and its silver stand sit on a green marble plinth throughout the film. After the statue is stolen and the guard points at the replacement bottle, the zoomed-in shot has the bottle on a white marble plinth. See more »

Quotes

Simon Dermott: Look, it's early, why don't I show you the real Paris?
Nicole Bonnet: That's very kind of you, but I live here; I was born in Paris.
Simon Dermott: Oh, that's right, I forgot. Well why don't you show me the real Paris.
See more »

Connections

Referenced in Virage de modes (2005) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
In the score when the statue is transported to the museum
See more »

Frequently Asked Questions

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User Reviews

Galoshes
25 May 2008 | by Stamp-3See all my reviews

What makes a movie like this so wonderful? It's probably just an age thing (I remember seeing this movie at the cinema), but when I saw it again recently I just felt a sense of joy and pleasure and, yes, optimism. Now these are words that may be almost incomprehensible to today's jaded, cynical and, often, brutalised audiences, and I am sure that many would see this movie as slow, naive and totally irrelevant.

But for me the effortless playing, the perfect timing and understated sophistication is so much more intelligent, witty and rewarding than the clunking, crude sign-posted so called "rom-coms" of today.

This is not their best film by any means, but to watch O'Toole and Hepburn playing off each other with such natural and fluent grace is simply magical. Lighthearted fluff like this completely works when the actors really know what they are doing.

And has there ever been anybody who is simultaneously so sophisticated and vulnerable as Audrey Hepburn? There is a scene where she is wearing a chaste little nightdress and she put on a pair of ordinary street galoshes. As she clumps across the room she displays more sex appeal and sheer class than any of today's moussed up, made up, blown up actresses could ever comprehend.


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