The daughter of an art forger teams up with a burglar to steal one of her father's forgeries and protect his secret.The daughter of an art forger teams up with a burglar to steal one of her father's forgeries and protect his secret.The daughter of an art forger teams up with a burglar to steal one of her father's forgeries and protect his secret.
- Director
- Writers
- George Bradshaw(based on a story by)
- Harry Kurnitz(screenplay)
- Stars
Top credits
- Director
- Writers
- George Bradshaw(based on a story by)
- Harry Kurnitz(screenplay)
- Stars
- Awards
- 1 nomination
Roger Tréville
- Auctioneer
- (as Roger Treville)
Edward Malin
- Insurance Clerk
- (as Eddie Malin)
Georg Stanford Brown
- Waiter
- (uncredited)
Louise Chevalier
- Cleaning Woman
- (uncredited)
Rémy Longa
- Young Man
- (uncredited)
Pierre Mirat
- Guard
- (uncredited)
Jacques Ramade
- Guard
- (uncredited)
Olga Valéry
- Lady with the dog
- (uncredited)
- Director
- Writers
- George Bradshaw(based on a story by)
- Harry Kurnitz(screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWalter Matthau was the first choice for the Eli Wallach part but was looking for $200,000, so they went with the less expensive George C. Scott. Scott had been on the set a few weeks before shooting began. However on his first day of shooting, he didn't turn up until after lunch, and director William Wyler made the decision to fire him. He already was finding it difficult to handle two heavy drinkers, Peter O'Toole and Hugh Griffith, and the prospect of a third one was just too overwhelming. On hearing of Scott's removal from the production, Audrey Hepburn became quite inconsolable.
- GoofsWhen Bonnet gives the curator the statue, the curator touches the white marble with his bare hands. A real curator would never touch a marble work of art with bare hands, as the oils from the skin can stain the marble, turning it yellow. Curators always wear white gloves before touching any work of art.
- Quotes
[Nicole describes the burglar to her Papa]
Nicole Bonnet: Well, it was pitch dark and there he was. Tall, blue eyes, slim, quite good-looking... in a brutal, mean way, Papa. A terrible man!
- ConnectionsFeatured in Star Wars: Music by John Williams (1980)
- SoundtracksLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
In the score when the statue is transported to the museum
Review
Featured review
AUDREY THE GREATEST!
Somehow Audrey Hepburn made fluffy romantic caper movies look
like high art. Take this adorable trifle directed by William Wyler
with Audrey looking glorious in her trademark Givenchy clothing.
Audrey could have phone in a performance, but she's totally
enchanting as always, making us overlook the seams in the script.
She's beautifully supported by Peter O'Toole, who never looked
handsomer or more Cary Grant-ish in his life as Simon, the art
expert who gets talked into stealing Audrey's father's statue of the
Cellini Venus back from the museum when it is learned the statue
has to be authenticated for insurance purposes.
Hugh Griffith, as Audrey's father, is a delightful rogue of an art
forger and Charles Boyer and Eli Wallach just add to the fun. The
actual theft of the statue is quite ingenious, if a little too drawn out.
Still, here's two hours of pure enchantment. That Ferrari still looks
good nearly forty years later, and if Audrey was walking down Fifth
Avenue, dressed in Givenchy's stunning creations today, she'd
cause a riot. Check out that lace cocktail dress with the matching
lace mask at the bar of the Ritz in Paris! It doesn't get any chicer
than this.
like high art. Take this adorable trifle directed by William Wyler
with Audrey looking glorious in her trademark Givenchy clothing.
Audrey could have phone in a performance, but she's totally
enchanting as always, making us overlook the seams in the script.
She's beautifully supported by Peter O'Toole, who never looked
handsomer or more Cary Grant-ish in his life as Simon, the art
expert who gets talked into stealing Audrey's father's statue of the
Cellini Venus back from the museum when it is learned the statue
has to be authenticated for insurance purposes.
Hugh Griffith, as Audrey's father, is a delightful rogue of an art
forger and Charles Boyer and Eli Wallach just add to the fun. The
actual theft of the statue is quite ingenious, if a little too drawn out.
Still, here's two hours of pure enchantment. That Ferrari still looks
good nearly forty years later, and if Audrey was walking down Fifth
Avenue, dressed in Givenchy's stunning creations today, she'd
cause a riot. Check out that lace cocktail dress with the matching
lace mask at the bar of the Ritz in Paris! It doesn't get any chicer
than this.
helpful•6526
- gregorybnyc
- Jun 22, 2004
Details
Box office
- Budget
- $6,000,000 (estimated)
- Runtime2 hours 3 minutes
- Aspect ratio
- 2.35 : 1
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