Lew Harper is a Los Angeles based private investigator whose marriage to Susan Harper, who he still loves, is ending in imminent divorce since she can't stand being second fiddle to his work, which is always taking him away at the most inopportune of times. His latest client is tough talking and physically disabled Elaine Sampson, who wants him to find her wealthy husband, Ralph Sampson, missing now for twenty-four hours, ever since he disappeared at Van Nuys Airport after having just arrived from Vegas. No one seems to like Ralph, Elaine included. She believes he is cavorting with another woman. Harper got the case on the recommendation of the Sampsons' lawyer and Harper's personal friend, milquetoast Albert Graves, who is unrequitedly in love with Sampson's seductive daughter, Miranda Sampson. Miranda, whom Harper later states throws herself at anything "pretty in pants", also has a decidedly cold relationship with her stepmother, Elaine. As Harper begins his investigation, he is ...Written by
The make and model of Lew Harper (Paul Newman)' s car was a black-top gray / silver Porsche 356 A Speedster. See more »
Poorly meshed backgrounds whenever we see a front view of the characters driving their cars. See more »
[Having made Fay think he's jealous, he starts pumping the visibly drunk woman for information]
This Ralph, he here now?
Oh, no. Ralph's my oldest friend, but now I only do his astrological charts and a little interior decorating. I did his room here in the hotel, I wish I could show it to you. I have this fabulous taste!
[Looking his plump companion up and down]
Babe, you got everything!
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When originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1995 when the film was granted a '12' certificate for home video. See more »
It's a "good" thing. From the go-go music and dancing, to the fearless overacting, to the multiple cameos (that Shelley Winters as an over-eating amorous drunk - wow!) by a who's who of famous actors, this film has everything but snappy editing. Enjoyable mainly for its unpredictability and seeing actors given free reign with their characters (Robert Wagner doing a bad James Cagney out of the blue!).
Enjoyable. If I had reviewed this in the 60's I'd have given it a "5". In 2002, I give it an "8".
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