Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Lew Harper is a Los Angeles based private investigator whose marriage to Susan Harper, who he still loves, is ending in imminent divorce since she can't stand being second fiddle to his work, which is always taking him away at the most inopportune of times. His latest client is tough talking and physically disabled Elaine Sampson, who wants him to find her wealthy husband, Ralph Sampson, missing now for twenty-four hours, ever since he disappeared at Van Nuys Airport after having just arrived from Vegas. No one seems to like Ralph, Elaine included. She believes he is cavorting with some woman, which to her would be more a fact than a problem. Harper got the case on the recommendation of the Sampsons' lawyer and Harper's personal friend, milquetoast Albert Graves, who is unrequitedly in love with Sampson's seductive daughter, Miranda Sampson. Miranda, who Harper later states throws herself at anything "pretty in pants", also has a decidedly cold relationship with her stepmother, Elaine...Written by
Lew Harper (Paul Newman)'s fee was $100 per day plus expenses, though he also states, perhaps jokingly, that his going rate was $2000 flat against that. ($1.00 then is equivalent to $7.25 in 2014.) See more »
In the final scene, when Albert Graves (Arthur Hill) prepares to aim his revolver, there is an unmistakable sound of the revolver being cocked. Then, in a close-up of Graves aiming the revolver, the hammer is in an uncocked position. See more »
You were hired by a bitch to find scum.
Yeah... every time I hope it's going to be Prince Charming sending me out to scout out Cinderella.
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It's a "good" thing. From the go-go music and dancing, to the fearless overacting, to the multiple cameos (that Shelley Winters as an over-eating amorous drunk - wow!) by a who's who of famous actors, this film has everything but snappy editing. Enjoyable mainly for its unpredictability and seeing actors given free reign with their characters (Robert Wagner doing a bad James Cagney out of the blue!).
Enjoyable. If I had reviewed this in the 60's I'd have given it a "5". In 2002, I give it an "8".
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