Some teenagers want to obtain a boat to find a brother. When they look around a boat without permission, they find a thief who takes them on his escape. They are caught in a storm and arrive at Letchi Island where natives of Infant Island have been enslaved by the terrorist organisation Red Bamboo. Red Bamboo runs a heavy water factory to process a juice which holds off the monster, Ebirah, which otherwise traps them on the island. The young men meet beautiful but tough Daiyo and wake up Godzilla to put an end to the Red Bamboo.Written by
Scott Hutchins <firstname.lastname@example.org>
Godzilla gets awakened by electricity (lightning) earlier in the film, but when he runs into the electric wires surrounding the Red Bamboo base, he recoils like the electricity hurt him. See more »
It could be Mothra's asleep at present. Our prayers will reach its source and it will arrive. Yes, I'm sure Mothra is soon going to hear us!
It's too bad Mothra has no alarm clock.
Don't make fun of her!
You're really superstitious, eh?
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For the Columbia/Tri-Star U.S. DVD release, which uses the original uncut Japanese version, the English language credits list the noted composer Masaru Sato as "Mararu Sato." See more »
The original version featured a couple of scenes in which Ryota first goes to the Maritime Safety Office and then to a newspaper reporter to ask for help in locating Yata. It is while he is at the newspaper office that Ryota sees a poster on the wall about the dance contest. See more »
This was obviously made because Toho wanted to discover new plot elements for their kaiju film formula, which was falling into something of a predictable rut (humans fight humans, humans fight monster, monster fights monster, sayonara). But simply limiting the amount of time the monsters appear on screen offers no improvement.
"Sea Monster" is one of the weaker entries in the original Godzilla series. Much of the film is directed as light comedy, a mild satire on the James Bond films. Actually, the comedy works pretty well; it's never knee-slapping laugh-out-loud, but it finds and sustains a level of humor most viewers should find fairly easy to live with.
The monsters here are almost tossed in for deus-ex-machina plot devices, saving the day at the last moment. To be sure, it's amusing to see Godzilla sit around pondering what to do with the woman he's just saved from bad guys, but there really isn't much for him to do here. He zaps a giant vulture, pulls the claws off a lobster and smashes a nuclear power plant - and that's about it. For a minute towards the end, it almost looks like things will get complicated by a battle between Godzilla and Mothra, but this doesn't really amount to much either.
For Godzilla completists, it's a relatively harmless sub-par entry - it certainly doesn't scrape the same bottoms as "Godzilla's Revenge" or "vs. Megalon". But if you are not yet a Big G. fan, this should not be your introduction to the series.
Entertaining fluff, nothing more.
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