Fahrenheit 451 (1966)

In an oppressive future, a fireman whose duty is to destroy all books begins to question his task.

Director:

François Truffaut

Writers:

François Truffaut (screenplay), Jean-Louis Richard (screenplay)

Stars:

Oskar Werner, Julie Christie, Cyril Cusack

Nominated for 1 BAFTA Film Award. Another 2 nominations.

Cast

Complete credited cast:
Julie Christie	...	Clarisse / Linda Montag
Oskar Werner	...	Guy Montag
Cyril Cusack	...	Captain Beatty
Anton Diffring	...	Fabian / Headmistress
Jeremy Spenser	...	Man with the Apple
Bee Duffell	...	Book Woman
Alex Scott	...	Book Person: 'The Life of Henry Brulard'

Storyline

Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured.

---

Plot Keywords:

haircut | futuretro | memorizing a book | 1960s | near future | 

---

Taglines:

What if you had no right to read?

---

Genres:

Drama | Sci-Fi

---

Certificate:

Not Rated

Details

Country:

UK

Language:

English

Release Date:

14 November 1966 (USA)

Also Known As:

Farenhajt 451

Filming Locations:

14 Linkway, Edgcombe Park, Crowthorne, Berkshire, England, UK

Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$11,206, 25 April 1999

Gross USA:

$509

Cumulative Worldwide Gross:

$509

Company Credits

Production Co:

Anglo Enterprises, Vineyard Film Ltd.

Technical Specs

Runtime:

112 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Truffaut originally wanted Tippi Hedren and Jean Seberg to play the parts of Linda Montag and Clarisse. However, Alfred Hitchcock told Truffaut that Hedren was not available to work with him, and Seberg was considered "not bankable enough" by the producers, so Julie Christie was cast instead in both parts.

---

Goofs

After Montag comes out of the first raid to burn the books, the placement of the fire protective clothing (helmet and gloves) are unnatural movements and appear to be a reverse run of film footage. This is further compounded by the fact that he walks backwards to get the flamethrower which has flame entering the nozzle instead of leaving the nozzle.

---

Quotes

[first lines]
Announcer: An Enterprise Vineyard Production. Oskar Werner, Julie Christie... in Fahrenheit four-five-one.

---

Crazy Credits

The beginning credits are spoken instead of written on the screen.

---

Alternate Versions

Originally Noel Davis (who plays Cousin Midge) did the opening voice over. In the current version it is done by Alex Scott ("The Life of Henry Brulard" Book Person).

---

Connections

Remade as 451 (2012)

User Reviews

A cautionary tale for our times

My first viewing of "Fahrenheit 451" since its initial relase ca. 1966 was last night, via DVD. I highly recommend this DVD version--it includes excellent bonus material, including a moving account of composer Bernard Herrman's role in making the film.

I rated the film a "9" despite not being a big Truffaut fan; there's something about the "feel" of his movies that makes me fidgety and leaves me dissatisfied. But that same feel seems just right in this atypical piece of his--he felt he had failed to make the movie right, and he had difficulties with it that are explained in the bonus material. I think what resulted was an unsuspected and unintended success, instead.

Now more than ever in recent history, we face problems with individual liberties that are uncannily reflected in this film. Watch it as a cautionary tale, as a visually stunning experience, and as an example of some of the best film music ever composed: but watch it. I think you'll be glad you did.