Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Director:
François Truffaut
Stars:
Jean Desailly,
Françoise Dorléac,
Nelly Benedetti
In a terrifying care-free future, a young man, Guy Montag, whose job as a fireman is to burn all books, questions his actions after meeting a young woman - and begins to rebel against society.
After being discharged from the army, Antoine Doinel centers a screwball comedy where he applies for different jobs and tries to make sense of his relationships with women.
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Claude Jade,
Delphine Seyrig
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?
Director:
François Truffaut
Stars:
Jeanne Moreau,
Jean-Claude Brialy,
Michel Bouquet
Antoine Doinel works dying flowers in the courtyard outside his apartment. He is married to Christine, who is pregnant. He has an affair with a Japanese woman, jeopardising his marriage.
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Claude Jade,
Hiroko Berghauer
Charlie is approached by his crook brother Chico, who is chased by two gangsters. Charlie helps him to escape, but he upsets the criminals, so when his brother Fido is kidnapped, Charlie has to take an attitude with tragic consequences.
Director:
François Truffaut
Stars:
Charles Aznavour,
Marie Dubois,
Nicole Berger
In a French forest in 1798, a child is found who cannot walk, speak, read or write. A doctor becomes interested in the child and patiently attempts to civilize him.
Director:
François Truffaut
Stars:
François Truffaut,
Jean-Pierre Cargol,
Françoise Seigner
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Claude Jade,
Marie-France Pisier
Bertrand Morane's burial is attended by all the women the forty-year-old engineer loved. We then flash back to Bertrand's life and love affairs, told by himself while writing an ... See full summary »
Director:
François Truffaut
Stars:
Charles Denner,
Brigitte Fossey,
Nelly Borgeaud
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured.Written by
Brian Rathjen <briguy_52732@yahoo.com>
François Truffaut reportedly said that he found science fiction films uninteresting and arbitrary. Because of this, a friend of his told him the story of Ray Bradbury's novel 'Fahrenheit 451'. Immediately afterward, Truffaut wanted to make a film from the novel and subsequently spent years raising the financing. See more »
Goofs
Montag's hair in the final scene is different than it is in the rest of the film. This is because Oskar Werner, to show his dislike of director François Truffaut, purposely did this to create a continuity error. See more »
Quotes
[first lines]
Announcer:
An Enterprise Vineyard Production. Oskar Werner, Julie Christie... in Fahrenheit four-five-one.
See more »
Crazy Credits
The beginning credits are spoken instead of written on the screen. See more »
Alternate Versions
Originally Noel Davis (who plays Cousin Midge) did the opening voice over. In the current version it is done by Alex Scott ("The Life of Henry Brulard" Book Person). See more »
After reading several whinny comments about how the movie is so different from the book I just had to add my two cents. Hello people! These are two different mediums here, like comparing Katherine Hepburn to Audrey Hepburn. They are two different entities which stand alone on their own merits.
I read the book years and years ago, and frankly, I don't remember much about it. I'd seen the movie in years past, and it never knocked my socks off. But upon viewing it last night, I have to say I found myself thoroughly engrossed in it. The scene in the monorail where all the passengers are trying to stimulate themselves through their sense of touch is quite moving. As is the neighbor who declares, "They aren't like us, are they?"
It's never going to be a movie in which you want to see over and over again (like the fluffy Wizard of Oz, again a book that is totally different from the movie, where are the complaining people now?) but it's a movie that should be seen. I also wonder how many people will complain when the new version comes out? I can hear them now, "The first movie was so much better!"
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After reading several whinny comments about how the movie is so different from the book I just had to add my two cents. Hello people! These are two different mediums here, like comparing Katherine Hepburn to Audrey Hepburn. They are two different entities which stand alone on their own merits.
I read the book years and years ago, and frankly, I don't remember much about it. I'd seen the movie in years past, and it never knocked my socks off. But upon viewing it last night, I have to say I found myself thoroughly engrossed in it. The scene in the monorail where all the passengers are trying to stimulate themselves through their sense of touch is quite moving. As is the neighbor who declares, "They aren't like us, are they?"
It's never going to be a movie in which you want to see over and over again (like the fluffy Wizard of Oz, again a book that is totally different from the movie, where are the complaining people now?) but it's a movie that should be seen. I also wonder how many people will complain when the new version comes out? I can hear them now, "The first movie was so much better!"