A grumpy hermit hatches a plan to steal Christmas from the Whos of Whoville.A grumpy hermit hatches a plan to steal Christmas from the Whos of Whoville.A grumpy hermit hatches a plan to steal Christmas from the Whos of Whoville.
- Directors
- Writers
- Stars
Boris Karloff
- Narrator
- (voice)
- …
Thurl Ravenscroft
- Singer
- (uncredited)
- …
June Foray
- Cindy Lou Who
- (voice)
- (uncredited)
Dal McKennon
- Max
- (voice)
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is one of the few Christmas shows that deserves its reputation. It never dips into mawkishness and yet makes its point. Chuck Jones gives us a Grinch who has the madcap qualities of Bugs Bunny (and even looks a bit like the waskely wabbit).
The narration and voice of the Grinch are by Boris Karloff, a wonderful choice. The music is clever, and the animation is excellent.
This classic certainly will withstand not only the test of time but also the competition of the live-action version which is unfortunately an example of a big budget and tons of FX burying a sweet, touching, and simple story. Go ahead and see the live-action version -- it has its moments. But definitely see this cartoon version.
The narration and voice of the Grinch are by Boris Karloff, a wonderful choice. The music is clever, and the animation is excellent.
This classic certainly will withstand not only the test of time but also the competition of the live-action version which is unfortunately an example of a big budget and tons of FX burying a sweet, touching, and simple story. Go ahead and see the live-action version -- it has its moments. But definitely see this cartoon version.
In my life, there are very, very few "children's" storyworlds that I believe matter. Few, very few of these have made successful films. I know of only two. Both are American.
One is the "Muppet Movie," the first one, which I think is still a sort of gold standard for films of any type. The other is this.
Suess is the only writer that I believe equals Lewis Carroll on his own terms. He finds that sweet spot triangulating the parts of real life we acutely know, parts of fantasy life that we don't but from non-adjacent locations, and text-centric rhythms. His drawings are the things we notice, in a clever strategy of distraction; we infuse them with the mysteries from those others.
This little movie preserves all those qualities, and I think it is because of a rare collaboration of three giants. One is Suess (Geisel) of course. His books are inherently cinematic, with the drawings containing more information than the words. Sure, the "message" is usually from a Norman Rockwell fantasy, but the means of telling the story is unique.
A second is Chuck Jones. He invented modern animation, the kind of work that grows from the situation rather than simply served. He changed our imagination as much as Kubrick or Hitchcock. Turns out he had been friends with Suess for 25 years before making this. Now, I can report that the entire intent of this thing is that somewhat repellent stuff that has grown up around Christmas, that sickly sweet stuff that is wholly modern and has nothing to do with the Christian celebration or its several predecessors. But the manner in which this is animated is pure genius.
Sure, he had the Suess illustrations and Seuss himself. But look at how he has assembled the thing. The edits are just a hair shorter than you would expect, even today, giving energy. The transitions do something clever, for instance look at the business about the little girl's service of a strawberry (Russian doll-style), how it transitions to the Grinch's eye and how that is mirrored with the transfer from her heart to his.
And third, there is Boris. Its my opinion that merely by being there when scary movies were invented, his presence, even in voice especially in voice turns this project into a masterpiece of illustrated narrative.
Ted's Evaluation -- 3 of 3: Worth watching.
One is the "Muppet Movie," the first one, which I think is still a sort of gold standard for films of any type. The other is this.
Suess is the only writer that I believe equals Lewis Carroll on his own terms. He finds that sweet spot triangulating the parts of real life we acutely know, parts of fantasy life that we don't but from non-adjacent locations, and text-centric rhythms. His drawings are the things we notice, in a clever strategy of distraction; we infuse them with the mysteries from those others.
This little movie preserves all those qualities, and I think it is because of a rare collaboration of three giants. One is Suess (Geisel) of course. His books are inherently cinematic, with the drawings containing more information than the words. Sure, the "message" is usually from a Norman Rockwell fantasy, but the means of telling the story is unique.
A second is Chuck Jones. He invented modern animation, the kind of work that grows from the situation rather than simply served. He changed our imagination as much as Kubrick or Hitchcock. Turns out he had been friends with Suess for 25 years before making this. Now, I can report that the entire intent of this thing is that somewhat repellent stuff that has grown up around Christmas, that sickly sweet stuff that is wholly modern and has nothing to do with the Christian celebration or its several predecessors. But the manner in which this is animated is pure genius.
Sure, he had the Suess illustrations and Seuss himself. But look at how he has assembled the thing. The edits are just a hair shorter than you would expect, even today, giving energy. The transitions do something clever, for instance look at the business about the little girl's service of a strawberry (Russian doll-style), how it transitions to the Grinch's eye and how that is mirrored with the transfer from her heart to his.
And third, there is Boris. Its my opinion that merely by being there when scary movies were invented, his presence, even in voice especially in voice turns this project into a masterpiece of illustrated narrative.
Ted's Evaluation -- 3 of 3: Worth watching.
An oldie but a goodie applies to this short and sweet animation with the voice of legendary Boris Karloff and creator Chuck Jones what could go wrong
If you haven't watch it before what are you waiting for.
If you haven't watch it before what are you waiting for.
I know that I will catch a lot of heat for saying this, but this is the ONLY version of Dr. Seuss' tale that you should bother to watch. That's because it closely follows the book (with, of course, songs added for this Christmas special) and the moral of the original tale is preserved (that the Whos don't really NEED presents and they are truly filled with the Christmas spirit). Years ago, an abomination arrived in movie theaters and parents dutifully took their kids to see it--and it was a total bastardization of the story. This time, the moral is completely changed and the Whos are selfish jerks who are 100% commercially-oriented and annoying!! And, to make things worse, since it's only a short story, it's horribly padded by allowing Jim Carrey to shamelessly overact. My advice is stick to the original!
Why is this original telling so great? Well, much of it is because the quality of the animation is very good and Chuck Jones had a wonderfully devilish quality about the Grinch that makes the character come to life. And, with the terrific voice talent of Boris Karloff (who is PERFECT for the role), you can't help but love this rogue! For the special, Seuss wrote some great songs--particularly the Grinch song that was so perfectly sung by Thurl Ravenscroft. You can't help but adore this film from start to finish--it's about as well-made as any Christmas production and is a definite must-see in my home.
UPDATE: When I wrote this in 2008, the other version was the hellishly bad Jim Carrey live action film. So, when I said that this cartoon is the only version to watch, I didn't know they'd one day make a CGI version that was actually quite good. Is it as good as this cartoon? No way...but it is respectably good and is also well worth your time.
Why is this original telling so great? Well, much of it is because the quality of the animation is very good and Chuck Jones had a wonderfully devilish quality about the Grinch that makes the character come to life. And, with the terrific voice talent of Boris Karloff (who is PERFECT for the role), you can't help but love this rogue! For the special, Seuss wrote some great songs--particularly the Grinch song that was so perfectly sung by Thurl Ravenscroft. You can't help but adore this film from start to finish--it's about as well-made as any Christmas production and is a definite must-see in my home.
UPDATE: When I wrote this in 2008, the other version was the hellishly bad Jim Carrey live action film. So, when I said that this cartoon is the only version to watch, I didn't know they'd one day make a CGI version that was actually quite good. Is it as good as this cartoon? No way...but it is respectably good and is also well worth your time.
This has been a favorite Holiday cartoon since I was a kid.
Not only is it based off of a Dr. Suess book, the whole cartoon is done with Chuck Jones' Style.
Plus Boris Karloff is the voice of the grinch, and the Grinch song is sang by the guy who originally did Tony the Tiger.
The story involves this town of Whoville with citizens known as Whos. They love Christmas a lot. But the Grinch who lived high on a mountain top did not. He hates Christmas and the Whos so much he plans to steal it from the Whos. By dressing up as Santa Claus and rob every thing the Whos own.
Has the stuff you'd find in an average Chuck Jones cartoon. Including the style of the characters, Wille Coyoate like gizmos and Gadgets, and plenty of comedic elements.
The story to it is perfect. It's very memorable and enjoyable to see again and again.
It's highly recommend to Dr. Suess, Chuck Jones, Animation, and Holiday Fans.
It's a great Holiday Toon.
Not only is it based off of a Dr. Suess book, the whole cartoon is done with Chuck Jones' Style.
Plus Boris Karloff is the voice of the grinch, and the Grinch song is sang by the guy who originally did Tony the Tiger.
The story involves this town of Whoville with citizens known as Whos. They love Christmas a lot. But the Grinch who lived high on a mountain top did not. He hates Christmas and the Whos so much he plans to steal it from the Whos. By dressing up as Santa Claus and rob every thing the Whos own.
Has the stuff you'd find in an average Chuck Jones cartoon. Including the style of the characters, Wille Coyoate like gizmos and Gadgets, and plenty of comedic elements.
The story to it is perfect. It's very memorable and enjoyable to see again and again.
It's highly recommend to Dr. Suess, Chuck Jones, Animation, and Holiday Fans.
It's a great Holiday Toon.
Storyline
Did you know
- TriviaBoris Karloff's voice changes when he speaks for the Grinch. Originally he spoke in his "Narrator" voice throughout. After recording was complete, the highs in his voice were mechanically removed for the Grinch, giving him the gravelly voice heard in the finished version.
- GoofsAs the Grinch closes the bedroom door, the part of the coat visible between his arm and collar are left unpainted.
- Crazy creditsThe complete credit for Boris Karloff in the opening credits reads as follows: "the sounds of the Grinch are by Boris Karloff... and read by Boris Karloff too!"
- Alternate versionsAmerican network TV prints often eliminate the verse from "You're a Mean One, Mr. Grinch" that begins, "You're a rotter, Mr. Grinch." In addition, a sequence showing the Grinch leering at a little girl with an evil grin is usually deleted.
- ConnectionsEdited into In Search of Dr. Seuss (1994)
- SoundtracksOverture
(1966) (uncredited)
(includes "Welcome Christmas")
Music by Albert Hague
Conducted by Eugene Poddany
Details
- Release date
- Country of origin
- Language
- Also known as
- Dr. Seuss' How the Grinch Stole Christmas!
- Production companies
- See more company credits at IMDbPro
- Runtime26 minutes
- Color
- Aspect ratio
- 1.33 : 1
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Top Gap
What is the Mexican Spanish language plot outline for How the Grinch Stole Christmas! (1966)?
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