In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?Written by
Michael Lawn <email@example.com>
The graphic violent content of the film led to its being banned in several countries, and it was rejected by the UK until 1993. It was not rated in the US. See more »
After Django kills four of Jackon's men in the bar and twirls his revolver's trigger guard on his finger, he (uncharacteristically for a highly skilled gunfighter) fumbles while trying to pull back the hammer when aiming the revolver at Jackson himself. See more »
[pulls a blanket from Maria's bed]
I'm taking a blanket.
All that you've done for me.
[starts to leave]
I didn't do it for you.
Thank you, even if it wasn't for me.
I don't know... if I should have save you.
It's not for me to say. But for the first time, I felt like I was a real woman. Someone to protect, and... and to be loved, Django.
[drops the blanket and closes the door]
I'm glad I made you feel like a real woman - very glad. I mean that.
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The USA DVD has both the original version, spoken in Italian, and a dubbed English version. See more »
There is a lot of noise and attention surrounding this movie, including how violent and macabre it is...well, it definitely lives up to the hype. Spaghetti Western fans rank this film right up there with Leone's trilogy, and I can see why. It should be noted, however, that while this movie was violent by 1960s standards, it's pretty standard fare for today, so don't go into this expecting to be shocked. Also, the production values are low, they look even lower than the Leone movies, so don't go expecting pricy Hollywood sets and props. Finally, the English dubbing is just atrocious. So why is this movie still considered special? Simply consider it for its place in time, and remember that this was a couple years before the Wild Bunch and Bonnie and Clyde, and no doubt influenced those films to some degree. If you can take your action movies with a grain of salt and give this one a chance, you'll be surprised!
Django is the mysterious Civil War veteran, all decked out in a black trenchcoat who arrives at a Tex/Mex bordertown horseless, and dragging only a mysterious coffin through the mud. The town is alternately controlled by two warring gangs, one run by Major Jackson, a former Confederate soldier now commanding a cult of red-hooded Klan-like fanatics! Their goal seems to be to wipe out as many Mexicans as possible and grab all the money and gold they can. Their enemies, the Mexican gang, may not necessarily be racists but they are surely evil. Django, the dark stranger, walks right into the middle of this feud and the bullets start flying fast and furious!
Which side will he choose? Why does he refuse to shoot the evil Major Jackson the first time he has the chance? Why does he think he can take on a gang of 50 of Jackson's men single-handedly? And just what is inside that coffin of his???
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