Based on a story from the BBC TV serial "Doctor Who". Dr. Who and his companions arrive on Earth in the year 2150 AD, only to discover that the planet has been invaded and its population enslaved by the dreaded Daleks. The time travellers assist human resistance groups to foil the Daleks' plan to mine the Earth's core.Written by
Alexander Lum <email@example.com>
This film was part-financed by the Quaker Oats Company, then-makers of the "Sugar Puffs" cereal, in return for an exclusive merchandising deal. Quaker combined with the film team in a £50,000 campaign which included 3½ million boxes of "Sugar Puffs" advertising the film, and a competition to win toy Louis Marx Daleks or the top prize, a full-size Dalek prop. Several posters for "Sugar Puffs" cereal are visible during the movie, an early (for a British film) example of product placement. Two special screenings for grocery traders were also arranged via the deal with executive producer Joe Vegoda. See more »
When the van rams through the ranks of blue/silver Daleks in the street, some of those knocked flying and destroyed are clearly seen to be completely empty casings. See more »
Some versions of the film open with the credits sequence before switching to Tom's night-time street patrol. The original version opens with the raid, then the titles, then Tom's awakening in TARDIS. See more »
When I first saw this on TV as a kid, I was really taken with the fanciful far-out concepts of a conquered Earth. For a 12 year-old boy into sci-fi, this was and is the ultimate escapist fare. I had no knowledge of the British TV series at the time so my intro to Dr.Who was Peter Cushing (playing older than he is), the movie version of the old-time traditional Doctor. I probably saw this film before the previous one "Dr. Who and the Daleks" as I was puzzled by the Doctor's recognition of his old foes, the unforgettable Daleks. Yes, who can forget those frog-like voices, warped by metallics, usually screaming for the death of humans. The British cast is really keen, especially Cribbins as an out-of-place copper and Andrew Keir as a hobbled resistance fighter. They bring a curious reality to the fantastic setting.
The picture has a decidedly British flavor and, of course, is filmed in the British countryside. Though I didn't reason this out at the time when I was a kid, it had an obviously different taste to it; I was mostly familiar with U.S. low budget sci-fi pics of the '50s and '60s at the time. The scope of the picture seemed really huge back then: London in a destroyed state, humanity decimated. There was that really cool flying saucer, looking fully functional and detailed. And there were the creepy Robo-men, in their slick black bodysuits and far-out helmets, like some futuristic Nazis or space zombies. All of this stuff really just took me over and I couldn't wait for the next time the local TV channels would run it again (not very often, as it happened). Some years later, I realized the title, 2150 AD, sounded cool, but the invasion by the Daleks must have occurred only a few years before the events of this movie, and the dilapidated buildings all looked like they'd been wrecked in the sixties. Ah, no matter. Many years later, I got the DVD and the thrill, tho muted by the long passage of experience and adulthood, is still there. They really knew how to make 'em back then.
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