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The Good, the Bad and the Ugly (1966)

Il buono, il brutto, il cattivo (original title)
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A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Director:

Sergio Leone

Writers:

Luciano Vincenzoni (story), Sergio Leone (story) | 4 more credits »
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482 ( 111)
Top Rated Movies #9 | 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Eli Wallach ... Tuco
Clint Eastwood ... Blondie
Lee Van Cleef ... Sentenza / Angel Eyes
Aldo Giuffrè ... Alcoholic Union Captain (as Aldo Giuffre')
Luigi Pistilli ... Father Pablo Ramirez
Rada Rassimov ... Maria
Enzo Petito Enzo Petito ... Storekeeper
Claudio Scarchilli Claudio Scarchilli ... Mexican Peon
John Bartha John Bartha ... Sheriff (as John Bartho)
Livio Lorenzon Livio Lorenzon ... Baker
Antonio Casale Antonio Casale ... Jackson / Bill Carson
Sandro Scarchilli Sandro Scarchilli ... Mexican Peon
Benito Stefanelli Benito Stefanelli ... Member of Angel Eyes' Gang
Angelo Novi Angelo Novi ... Monk
Antonio Casas ... Stevens
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Storyline

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ... Written by Jeremy Thomson

Plot Summary | Plot Synopsis

Taglines:

They formed an alliance of hate to steal a fortune in dead man's gold. See more »

Genres:

Western

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | Spain | West Germany

Language:

Italian

Release Date:

29 December 1967 (USA) See more »

Also Known As:

The Good, the Bad and the Ugly See more »

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Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$6,100,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (dubbed) | (2003 extended English) | (1968) (cut)

Sound Mix:

Mono | Dolby Digital (2003 Extended English version)

Color:

Color (Technicolor) (Techniscope)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Blondie and Angel Eyes are traveling to the cemetery, Blondie shoots a skulker, then counts the number of people that will be traveling together. He says, "Six. A perfect number." In mathematics, a number is perfect if the sum of its factors (excluding itself) equals itself. Six is a perfect number because 1, 2, and 3 are factors and 1 + 2 + 3 = 6. (The next perfect number is 28.) See more »

Goofs

Angel Eyes' grip on his spoon changes from overhand to underhand back to overhand while he chats with the rat. See more »

Quotes

[first lines]
Stevens: You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Stevens: Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Stevens: Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....
See more »

Connections

Referenced in Don't Say a Word (2001) See more »

Soundtracks

The Ecstasy of Gold
Written by Ennio Morricone
See more »

Frequently Asked Questions

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User Reviews

 
Brutal, brilliant, and one of the best Westerns ever made
16 April 2001 | by MadReviewerSee all my reviews

A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western.

The three main characters make the film. Lee Van Cleef (`The Bad') is evil personified. Totally ruthless, he'll do whatever it takes to get what he wants. Clint Eastwood (`The Good') is the Man With No Name, not really `good' in a traditional sense . . . but he has a certain sense of honor and tries to do the right thing. (Watch the scene when he gives a dying Confederate soldier a puff of his cigar - powerful, and it sums up everything that the Man With No Name is all about, without saying a single word.) Eli Wallach (`The Ugly') is Tuco, and he's easily the most complex - if not the best - character in the film. All impulse and rage, Tuco spins wildly throughout the movie, stealing, lying, pretending to be Clint Eastwood's best friend in one scene, trying to kill him in another - Tuco truly represents `the ugly' side of people.

The movie is long, but there's not a wasted scene in the film. Each one slowly lets the film unfold with a certain style and grace, revealing more about each character and what's going on. The pacing is incredible, as is the direction - Sergio Leone manages to build a lot of uncomfortable tension in the film, keeping the film from ever getting predictable. Any typical Western cliché that you can possibly think of is either given a unique twist or utterly destroyed by Leone's masterful storytelling. Of special mention is Ennio Morricone's score, which is absolutely perfect. Two scenes - one in a Union prison camp, one in the climatic gunfight in the cemetery at the end of the film - are amazing on their own, but they become absolutely astonishing with combined with Morricone's powerful score.

This movie is absolutely brilliant. If you haven't seen it yet, I strongly urge to do so. Immediately. (And then, go watch `Unforgiven' . . . in a way, I think that `Unforgiven' is the sequel to `The Good, the Bad, and the Ugly - it's the story of what eventually happened to the Man With No Name.) `The Good, the Bad, and the Ugly' is easily one of the best Westerns ever made. A++


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