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The Good, the Bad and the Ugly (1966)

Il buono, il brutto, il cattivo (original title)
Trailer
3:24 | Trailer
A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Director:

Sergio Leone

Writers:

Luciano Vincenzoni (story), Sergio Leone (story) | 4 more credits »
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Popularity
318 ( 229)
Top Rated Movies #9 | 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Eli Wallach ... Tuco
Clint Eastwood ... Blondie
Lee Van Cleef ... Sentenza / Angel Eyes
Aldo Giuffrè ... Alcoholic Union Captain (as Aldo Giuffre')
Luigi Pistilli ... Father Pablo Ramirez
Rada Rassimov ... Maria
Enzo Petito Enzo Petito ... Storekeeper
Claudio Scarchilli Claudio Scarchilli ... Mexican Peon
John Bartha John Bartha ... Sheriff (as John Bartho)
Livio Lorenzon Livio Lorenzon ... Baker
Antonio Casale ... Jackson / Bill Carson
Sandro Scarchilli Sandro Scarchilli ... Mexican Peon
Benito Stefanelli Benito Stefanelli ... Member of Angel Eyes' Gang
Angelo Novi Angelo Novi ... Monk
Antonio Casas ... Stevens
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Storyline

Blondie (The Good) (Clint Eastwood) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) (Lee Van Cleef) is a hitman who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) (Eli Wallach) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows ... Written by Jeremy Thomson

Plot Summary | Plot Synopsis

Taglines:

For Three Men The Civil War Wasn't Hell. It Was Practice! See more »

Genres:

Western

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | Spain | West Germany

Language:

Italian | English | Spanish

Release Date:

29 December 1967 (USA) See more »

Also Known As:

The Good, the Ugly, the Bad See more »

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Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$25,100,000

Cumulative Worldwide Gross:

$25,252,481
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (dubbed) | (2003 extended English) | (1968) (cut)

Sound Mix:

Mono | Dolby Digital (2003 Extended English version)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The Union prison camp "Battleville" was inspired by the actual Confederate prison camp of Andersonville, where thousands of Union prisoners died, and based on steel engravings of Andersonville from August 1864. In this movie, when Angel Eyes (disguised as a Union Sergeant) is berated by the camp commandant about his treatment of Confederate prisoners, he sarcastically asks the commandant if Union soldiers are treated any better in Andersonville. See more »

Goofs

In the re-instated scene where Tuco gives his identity papers to one of the Confederate guards, he passes himself off as Bill Carson, Third Cavalry. There's one problem: In all other scenes, Tuco is known to have poor reading skills, and shouldn't have been able to make out most of it (except for Carson's own name). See more »

Quotes

[first lines]
Stevens: You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Stevens: Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Stevens: Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....
See more »

Alternate Versions

The original UK cinema version was cut by the BBFC to shorten the beating up of Bill Carson's woman (reduced to 1 slap), remove the scene of Mario Brega's head being battered against a rock by Tuco, and to extensively shorten the torture and beating of Tuco by around 2 minutes (much of the scene was completely cut from the film). The cuts were fully restored in the 1999 video release. See more »

Connections

Referenced in Lego Marvel Super Heroes (2013) See more »

Soundtracks

The Story Of A Soldier
by Tommie Connor
See more »

Frequently Asked Questions

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User Reviews

 
The Good, the Better, the Best
19 February 2009 | by murtaza_mmaSee all my reviews

The Good, the Bad and the Ugly or the Good, the Better and the Best, as I prefer calling it, is a bizarrely sublime and a uniquely aesthetic masterpiece. The actors in title roles have given such extraordinarily superb performances, that it would be impertinent and disparaging to merely regard their swell work as acting. In fact their brilliant portrayals have immortalized Blondie, Sentenza/ Angel Eyes and the enigmatic Tuco. Lee Van Cleef is fiendishly unforgiving as the merciless Angel Eyes. Clint Eastwood is rugged yet suave, cocky yet adorable as laconic cigar-smoker Blondie, a role that laid the foundations of his illustrious career. But it is Eli Wallach, who steals the show with his captivating portrayal of Tuco, a portrayal that is as entrancing as it is enlightening. Wallach is amusing, capricious, nonchalant, uncanny and yet tenacious as Tuco, perturbed by his insecurities and dampened by his solitude. It is the tacit amicability between Blondie and Tuco and their mutual hostility towards the evil Angel Eyes owing to the vestiges of virtue present in them, redolent of their moribund morality, which gives the story, the impetus and the characters, a screen presence that is not only awe inspiring but also unparalleled.

Sergio Leone's magnificent and ingenious direction in synergy with Ennio Morricone's surreal music, Tonino Delli Colli's breathtaking cinematography and Joe D'Augustine's punctilious editing makes the movie, a treat to watch and ineffably unforgettable. Initially aimed to be a tongue-in-cheek satire on run-of-the-mill westerns, The Good, the Bad and the Ugly, continues to stand the test of time in its endeavor to attain apotheosis (if it hasn't attained it yet). It will always be remembered as European cinema's greatest lagniappe, not only to the Western genre, but to the world of cinema.

It's a must watch for any movie lover. 10/10


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