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The Blue Max

  • 1966
  • Approved
  • 2h 36m
IMDb RATING
7.1/10
7.9K
YOUR RATING
The Blue Max (1966)
Trailer for this wartime drama about fighter pilots
Play trailer3:08
1 Video
99+ Photos
DisasterTragedyActionDramaRomanceWar

A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.

  • Director
    • John Guillermin
  • Writers
    • Jack Hunter
    • Ben Barzman
    • Basilio Franchina
  • Stars
    • George Peppard
    • James Mason
    • Ursula Andress
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    7.9K
    YOUR RATING
    • Director
      • John Guillermin
    • Writers
      • Jack Hunter
      • Ben Barzman
      • Basilio Franchina
    • Stars
      • George Peppard
      • James Mason
      • Ursula Andress
    • 111User reviews
    • 41Critic reviews
  • See production info at IMDbPro
    • Won 1 BAFTA Award
      • 1 win & 5 nominations total

    Videos1

    The Blue Max
    Trailer 3:08
    The Blue Max

    Photos106

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    Top cast21

    Edit
    George Peppard
    George Peppard
    • Lt. Bruno Stachel
    James Mason
    James Mason
    • General Count von Klugermann
    Ursula Andress
    Ursula Andress
    • Countess Kaeti von Klugermann
    Jeremy Kemp
    Jeremy Kemp
    • Willi von Klugermann
    Karl Michael Vogler
    Karl Michael Vogler
    • Hauptmann Otto Heidemann
    Anton Diffring
    Anton Diffring
    • Holbach
    Harry Towb
    Harry Towb
    • Kettering
    Peter Woodthorpe
    Peter Woodthorpe
    • Corporal Rupp
    Derek Newark
    Derek Newark
    • Ziegel
    Derren Nesbitt
    Derren Nesbitt
    • Fabian
    Loni von Friedl
    Loni von Friedl
    • Elfi Heidemann
    • (as Loni Von Friedl)
    Friedrich von Ledebur
    Friedrich von Ledebur
    • Feldmarschall von Lenndorf
    • (as Friedrich Ledebur)
    Carl Schell
    Carl Schell
    • Von Richthofen aka The Red Baron
    Hugo Schuster
    • Hans. Elderly Servant
    Alex Scott
    Alex Scott
    • The Orator
    Roger Ostime
    • The Crown Prince
    Ray Browne
    • Pilot
    Timothy Parkes
    • Pilot
    • Director
      • John Guillermin
    • Writers
      • Jack Hunter
      • Ben Barzman
      • Basilio Franchina
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews111

    7.17.9K
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    Featured reviews

    jlpicard1701E

    How a man with a dream, misuses it and falls from grace...

    I will be brief. Buy it, it's a must! George Peppard plays his role, Stachel, to the hilt in this WWI war drama. He is supported by very talented and well-known actors such as James Mason, Ursula Andress, Anton Diffring and many others.

    The image is sharp and the colors are vivid. The sound is a bit conventional, but since the story is all-encompassing and well developed you will probably forget all technicalities and just sit through an excellent movie as I did.

    The story deals with a simple German infantry soldier, stuck in the horror of the trench warfare, who dreams to fly and become an ace.

    Well, he doesn't have to wait long and soon he's a flyer. he also becomes an ace.

    Unfortunately, his modest social origins, keep him from the Sun, the Blue Max in fact. The Blue Max is the highest ranking medal given to pilots in WWI.

    Knowing that, Stachel (Peppard) decides to fight all the odds and becomes totally ruthless and opportunistic.

    Unluckily for him, two can play at the same game. The German Reich needs a hero, an example to play its cards right, in order to have more draftees to send to the front.

    Stachel becomes such a hero, but to a price...

    It is a crude and cruel depiction of the rise and fall of someone who came from nothing and through war, thought he could make it in society, only to find out that certain games are better left alone.

    A very good morals and ethics lesson, from which many people could still learn something.

    I can only suggest it. The rest is up to you.
    8philip_vanderveken

    Forget about Top Gun as the ultimate 'fighter pilot' movie!

    I'm a fan of World War One-movies and I've got several of them in my private DVD collection. "The Blue Max" isn't in it yet, but if I ever find it on a DVD, I won't hesitate for one moment to buy it. I want to have it, not only because it deals with WWI in general and because it is a good movie, but also because it gives an idea of how the war in the air was fought and how these pilots acted and saw themselves...

    This movie tells the story of Bruno Stachel, an ordinary infantry soldier who has been turned into a fighter pilot. His colleagues aren't happy with him, not only because he isn't an aristocrat like they are, but also because he's extremely ambitious. He will do anything to win him his country's most honored medal, the Blue Max. But to win it, he'll have to shoot down 20 enemy aircrafts, which will all have to be confirmed by his comrades, without getting killed himself. And while being hated by his fellow pilots, he's seen as the people's hero and perfect propaganda material by the general and as the ideal lust object by the general's wife...

    "The Blue Max" shows very well how the pilots during WWI were almost always noblemen (I guess the most famous one of them all was Manfred Freiherr von Richthofen, better known as the Red Barron), who considered the concept of an honorable death at the hands of a "worthy" opponent still as one of the most important things during their fights. Even at the end of the war in 1918, while on the ground troops had been anonymously slaughtered by the thousands with machine guns and gas, they still considered chivalry as one of the highest goods.

    Next to the historically correct situation of the story, I also admire the rest of the movie. I know, if you aren't interested in WWI, than this might not be the most spectacular movie you've ever seen, but even than the movie has plenty of good and interesting things to offer. The story on itself is nice, the acting is very good and the airplanes are magnificent to watch, on the ground as well as in the air. This is one of those movies that has stood the hands of time, but that is known by only a small audience, which is really a shame. Personally I'm a big fan of this movie and that's why I reward it with an 8/10. My advice: don't call "Top Gun" the ultimate fighter pilot movie before you've seen this one.
    7Theo Robertson

    I Still Like It

    This seemed a very strange choice to broadcast on Remembrance Sunday . If you're foreign let me explain Remembrance Sunday is a day in the British calender where people lay wreaths at their local war memorial and hold a two minute silence in honour of the British war dead who died in the First World War and in conflicts since then . It's an official national event and a very solemn one . Somewhat strange that the BBC broadcast a war film featuring Germans as lead characters !However THE BLUE MAX does contain some bloody sequences of First World War carnage so I guess it was an obvious candidate for broadcast

    I first saw this on television in the early 1970s and was impressed with it then . I'm still impressed with it now though with reservations . As several people have pointed out the story drags when the story switches to the adultrous affair between Bruno Stachel and his Baroness lover . It should also be pointed out that George Peppard and Ursula Andress are rather unconvincing in these scenes and seem to be playing characters in a romantic drama set in the 1960s than in the early part of the century . I hated these scenes when I first saw the film and I hate them thirty years later . I also can't help thinking this sub plot makes the movie slightly over long . Was it included to make the movie more marketable to a female audience ? If a movie features thousands of men sticking bayonets into each other no woman will be going to the cinema to watch the movie full stop

    That's my only real criticism though there are one or two other flaws regarding historical facts and planes used , but lets look at the positive points . This the best film I've seen featuring First World War dogfights , when you see a movie like ACES HIGH etc it's painfully obvious that actors are sitting in front of some back projection but with the exception of one rather poor scene you can believe the cast are indeed flying their own planes , the arial battles are superb as are the battles on the ground

    The cast play up to their characters in thinking they are 20th century knights fighting in an honourable and elitist way and though they're the other side it's impossible to hate them in anyway , and it's interesting to see James Mason playing a morally upstanding army officer in a role almost identical to the one he played in CROSS OF IRON . I guess it doesn't matter whose side your on because politics will win out in the end
    7hitchcockthelegend

    Small medal, big heart and ego.

    Bruno Stachel is a lower ranked pilot in Germany's World War 1 air force, he dreams of winning The Blue Max, a prestigious medal given to pilots after 20 confirmed kills. As he rises thru the ranks, and his determination grows, he fails to earn respect from is comrades and more importantly, his superiors.

    The Blue Max is a rare old thing, a flying ace picture that not only is in colour, it's also rather good. Perhaps a touch too long {as Stachel's romantic character arc gets over fleshed}, but a ripper of a movie harking back to genre greats back in the 30s and 40s. The vintage planes recreated are majestic, and joyously the aerial sequences in the picture do them much credit, stunts and dogfights flow with almost operatic ease. The story is a good one, based on the best selling novel from Jack Hunter, it's tale of a man who's determination is admirable but ultimately it's his undoing, will winning The Blue Max really make him feel he belongs with the aristocratic crowd?, are the sacrifices he makes worth it?. The ending here is excellent, its point is made, and closes the film with a sort of uneasy incredulity, it takes a good few minutes for the final sequence to really hit home, but when it does you know you have just been sold a highly inventive story.

    Technically the film scores high, the direction from John Guillermin is safe, tho if at times guilty of filler scenes, the score from Jerry Goldsmith is perfectly blood pumping, whilst Douglas Slocombe's cinematography pleases the eye. The acting is fine, George Peppard puts guts and honesty into the role of Stachel, Ursula Andress smolders and oozes sexuality as the cheating Countess Klugerman {one bedroom scene had this viewer particularly hot under the collar}, whilst James Mason {sadly underused} owns the film as chief string puller General Klugerman.

    Open a bottle of wine on a Sunday afternoon and enjoy, 7.5/10.
    8dublin9

    A Terrific WWI Air War Movie With Real Planes & No CGI

    What a refreshing movie to watch.

    I saw this movie with my father in 1966. He always loved the bi-planes of World War I and they thrill me to this day.

    The title, though central to the theme of the movie is really a misnomer to the enjoyment of this film. You actually get to see r-e-a-l aircraft in combat without the cartoon effects of CGI.

    This is movie making in the school of the other Cinamascope greats: Somewhat weak on plot, but so absolutely cool in visual execution, that you overlook the script's lack of depth.

    I'm not saying that this movie doesn't have a plot. It's a solid story with somewhat shallow character development. But in the end, the characters were secondary to a story of bravery, early air war history and tactics and the wearing away of chivalry in an era of a nation fighting for survival in the end of hours.

    Acting was good, direction was fine and choreography using actual aircraft was among the last of it's kind.

    I give this an 8 out of 10 for displaying concrete reality in an era of cartoon gimmicks.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Fox wasn't able to rent any of he surviving WWI planes still extant, so they built their own. The aircraft were later used in "Darling Lily" and "You Can't Win Them All."
    • Goofs
      The German award called the "Pour le Mérite" (a.k.a. the Blue Max) was awarded at the beginning of the war to pilots who shot down 8 enemy aircraft; that was later raised to 16. The requirement was never 20 as depicted here.
    • Quotes

      Willi von Klugermann: By the way, Stachel... there's an impression around that... you care more about your unconfirmed kill than you do about Fabian's death.

      [long pause]

      Bruno Stachel: Perhaps it's force of habit. In the trenches, we couldn't even bury the dead; there were too many of them. I've never had the time... to discuss them over a glass of champagne.

    • Alternate versions
      It is believed that this film was at one time released in a 70 mm version (because of its six channel soundtrack), but this has never been confirmed.
    • Connections
      Featured in The Amazing Howard Hughes (1977)
    • Soundtracks
      Deutschlandlied
      (uncredited)

      Music by Joseph Haydn

      Lyrics by August Heinrich Hoffman von Fallersleben

      Played at Stachel's medal presentation

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    Details

    Edit
    • Release date
      • June 21, 1966 (United States)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • El crepúsculo de las águilas
    • Filming locations
      • Dublin, County Dublin, Ireland
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $5,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 36 minutes
    • Color
      • Color
    • Sound mix
      • 6-Track Stereo
    • Aspect ratio
      • 2.35 : 1

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